Douglas's funk lasted for months and months. The film project had him like a bad drug habit. He knew he should put the needle down but lacked the will power to do so. Eloise watched in frustration as their world collapsed around her. Douglas sold the Manhattan apartment to raise cash for the "Earth Abides" project. He liquidated much of his stock portfolio. He sold the classic Bentley. It was like a fracture in a dam, the flood of money slowed but continued its inexorable outward flow. While he had miraculously managed to complete most of the principal photography, it was still an unfinished project. Convincing CGI was expensive. Douglas cut corners where he could, filming digitally and sometimes recording on the sly. San Francisco, where the film was set, demanded a premium for shutting down the Golden Gate bridge for a few hours of filming. Using a non-union skeleton crew, he was able to film on the bridge in the wee hours of the morning when it was essentially deserted. All the while, he had to be alert for cops and studio union reps. If he was discovered the fines would be enormous and the studio and Actor's Guild, upon discovering that he was using scab workers, would blackball him and refuse to release the film, if it was ever finished. All of it was affecting Douglas's bottom line. Still, his dream of an Oscar for best director refused to die.
Worst of all was that Douglas seemed to lose all interest in Eloise. She tried every form of seduction she knew to rekindle what they once had. The most she could get out of him was some perfunctory and most unsatisfying sex. The film project was not like competing with another woman; Eloise was facing the entire seraglio of a Middle Eastern potentate! The one thing she was positive would never happen to her once she became a slave, of a life without constant sex, was now a painful reality. Thank God for vibrators!
**
"Put on a pretty dress, Ellie and do your hair up nice, we are going for a drive."
Eloise sighed; Douglas seemed calmer. His kiss was warm and sincere. Maybe he had finally seen the light.
He hummed to himself as he drove but otherwise did not engage in conversation.
Douglas puled the car into a parking space outside a bank.
"Making a withdrawal, honey?"
"No," he said coolly, "Taking out a loan."
He held her hand with the assurance of their early days. They strode into the bank.
"I have an appointment with Mr. Clemmons," he told a teller. A few moments later, they were seated in a plush office while the bank president's secretary poured out three cups of coffee.
"What can I do for you today, Mr. Trainer?"
"I'd like to take out a loan."
"For what purpose?"
"Completing a film project."
A pained expression crossed Mr. Clemmons's face.
"I see. What have you to offer as collateral?"
He gestured with his thumb. "Ellie here."
Eloise's eyes grew large and her mouth fell open.
Mr. Clemmons appraised Eloise.
"I see, Mr. Trainer." The fact that Eloise was not a hot twenty-something chick was obvious in the banker's expression.
Douglas anticipated this.
"She has an assessment from Barrett and McGee!" he slid the evaluation across the desk.
"This appraisal is several years old."
"Does that matter?"
"Except for wine and fine art, all valuables depreciate in value over time. This appraisal serves only as a baseline. Have her get undressed so I can see what we are dealing with."
Douglas turned to face Eloise, "You heard the man, Ellie."
Eloise undressed robotically, as if in a trance. She knew, of course, that she could be borrowed against like a house or other property, but Eloise believed that Douglas's wealth would insulate her from that fate. Douglas must be at rock bottom financially! she thought forlornly. She neatly folded her clothes and placed them on her chair. She stood at attention under the penetrating gaze of the banker.
Mr. Clemmons expression changed ever so subtly when he encountered her encircled goat tattoo. He had Eloise turn for him several times and he scanned the barcode on her butt cheek with his phone. After an hour or so of agonizing scrutiny, the banker slid a sheet of paper across the desk.
"Is that all?"
"The offer is more than fair. You will note that you can gain considerably more by selling her to us outright. Less messy. No loan to call in."
"Why would give me more for a sale than for a loan?"
"As I said, less paperwork and we can resell the stock when the market is at its apex and we really, really know the market."
"Douglas, honey," began Eloise.
"Quiet slave. Men talking."
Eloise was shocked at how Douglas had just spoken to her. It was so unlike him!
If she was shocked at Douglas's rudeness towards her, she was overcome when Mr. Clemmons's secretary placed a cashier's check in Douglas's hands. The actor gathered up Eloise's castoff clothes and, with a shake of the bank president's hand, exited the office.
He hadn't kissed Eloise farewell or even said goodbye! Eloise was so numb she could barely breathe.
Mr. Clemmons handed Eloise his secretary's spare coat which she kept in the office for unexpected changes in the weather and placed the box of tissues next to her. Eloise slid the coat on and had a long, deep, and deeply therapeutic cry. Several hours later she was cried out. Like a lost kitten she looked up at Mr. Clemmons and asked,
"What happens now?"
"You are in good hands, Ellie. The circle looks after its own."
"Are you a sibling?"
"No, but I respect their authority all the same."
"But what will happen?"
"I'll have a better idea of that in a few days. In the meantime, I can't very well stash you in the vault, so you will have to come home with me."
**
The hot day had transitioned to cool twilight when Mr. Clemmons led her from the bank to the passenger seat of his Rolls Royce. The macadam was still hot on Eloise's bare feet. Once she was belted into place, the bank president stated,
"My wife is an excellent cook and is used to me bringing home guests unannounced."
The luxury auto purred to life and pulled out of the parking lot. Once off the highway, the drive was quite scenic.
"Being a bank president must pay very well," she said as he Rolls rolled past mansions with gates.
"It pays even better if your great-grandfather founded the bank, and your family is still the chief stockholder."
"Oh."
"Ah, here we are!"
Clemmons pushed a button on a remote and a metal gate swung open. The trip ended at the end of a very long and very winding driveway in front of a spectacular mansion.
"Don't worry, Ellie," he said as his hand came to rest on her thigh. "We are just regular folks."
And I'm the Queen of Sheba! said the voice in Eloise's head.
A uniformed man materialized on the driver's side of the car.
"Hello, Cheltenham. I don't believe I will be needing the car for the rest of the evening."
Cheltenham saluted and replied, "Very good, sir!" He held the door open for his boss.
Mr. Clemmons walked to the passenger side of the car and offered Eloise his hand as she exited the vehicle.
"Cheltenham is supposed to be my chauffer, but I actually like driving myself most days. I find open road commuting helps relax my mind."
There was butler by the front door with a martini and smile.
"Greetings to you as well Tucker."
Eloise noted that neither the chauffer, nor the butler wore slave collars. That struck her as odd. A man of his obvious wealth could easily afford even the most expensive slaves. Instead of asking about that she stated,
"Your wife does the cooking?"
"Most nights. She was had just graduated culinary school when we began dating. At first, I set her up in her own restaurant, but once the kids came along, I asked her to stop working. Her desire to still create culinary wonders was acute however, so giving her carte blanche in the kitchen was the compromise we worked out."
"How gallant."
"Honey, I'm home!" he bellowed.
A moment later a trim, dark-haired woman in an apron appeared. She and Mr. Clemmons exchanged a succulent kiss. Only then did she gaze at Eloise.
"This is Ellie, darling. Work related. She won't be with us long."
Her brown eyes danced over Eloise's form.
"You're naked under that, aren't you?"
"Yes, Ma'am."
"Well, you are taller than me. I suppose I can find an old kimono or something."
"Lucille!" stated Mrs. Clemmons. A petite Filipina appeared. She curtsied.
"Lucille, be a dear and fetch that jade green kimono from my closet. The oversized one that I can't part with because it was gifted to me by Matthew's aunt."
Lucille was also sans collar.
Noting where Eloise eyes had focused, "We have very little use for slaves in this household," she continued. "They are never dedicated enough, and you can never fully relax in their presence, especially the male ones. They have nothing to lose and are apt to either rape you or knife you. The female ones are always trying to seduce your husband away from you."
There was an awkward pause.
"Present company exempted, of course." She smiled an insincere smile.
"What's for dinner tonight, honey? It smells delicious!"
"Pheasant stuffed with onion, dill, and sage, scallops, and some surprises."
Lucille reappeared with the Kimono draped over one arm.
"Put this on Ellie," said the wife.
By now, pretty much inured to nudity, Eloise slid the coat off. Mr. Clemmons helped her out of it.
"Lucille, see to it that this is dry cleaned and then placed in my Rolls. I must return it to Emily."
With a curtsy the maid and the coat were off.