[This is a continuation of the "job interview" role-play game with the two City College of New York students described in Chapter 1. The time period is September / October 1975. Just to be clear, the narrator had overlapping relationships with the two girls mentioned in the story, Michelle and Andrea.]
*****
Prologue: A Midweek Date with Michelle
I did have a date during the week, but it was with the real Michelle. She knew I liked her alter-ego Erica so she arrived with her hair bun, most of the make-up and the black-rimmed glasses. Instead of a causal student look she had a blazer and a pair of slacks that would have fit the office job Erica had.
When we got back to her apartment in Queens I told her a story about my virginal freshman year. We were sitting on her couch as I said, "You remember my friend Paul, the 'other Paul,' as I call him?" She nodded.
I said, "Ok, since last year he's been up at Boston University. He has a girlfriend named Lisa who was in high school with us. Last spring I was traveling up there on Amtrak to visit him; Lisa and my friend Mark were with me. We're in the front section of one of those TurboTrains."
"Yeah? I've never caught one of those."
"So Lisa contrives somehow - it's somehow necessary for her to sit on my lap for a few minutes. Which is, like . . ."
"Oh I get it, I completely get it."
"Then she needs to sit on Mark's lap for a while. I actually said, 'Would you sit on my lap again?' and she did for a little while."
"Paul, she was really playing you. Maybe she didn't quite know what she was doing, but I doubt that. And it really isn't nice, it isn't proper for a lady to place her hindquarters on a gentleman's lap unless she's truly serious about it all. So what is she like?"
"She's on the short side, dark hair, nothing really unusual about her. She grew up in the same Bronx neighborhood where I'm living now."
Michelle asked, "Was she just sitting there or did she did she really grind it in?"
"She was just sitting, making small talk."
"So how stiff were you?"
"Sit on my lap and find out."
"I see, you've got to get this Lisa out of your system."
"Do we have anything here that resembles an Amtrak seat?"
"Probably this sofa would do. Was she wearing pants or a skirt?"
"Blue jeans, I remember."
"I've got slacks on, that should work."
She moved over and sat down on my lap; I put my arms around her waist.
"Did you hold her like this?"
"I don't think so. I wanted to show I was, proper?"
She leaned over and pretended to talk to another passenger. "Excuse me, do you have a timetable I could look at?"
Then she started moving around on me while singing, "You leave the Pennsylvania Station at a quarter to four, read a magazine and you're in MetroPark . . ."
"It's Baltimore."
"Yes but the trains are much slower now. Anyway, I'm getting the Lisa perspective on this. I can feel your erection right against my ass."
That was my perspective on the train ride too.
She said, "You should have called her bluff on that. She was really being a tease."
"How would I do that?"
"Just say, 'Lisa, you have a really nice behind.' Low-key, off the cuff."
"What if she got insulted?"
"She was the one who went to you. I'm curious, what did she say about all this?"
"Not much. And in the aftermath I forgot."
She started moving more vigorously on me, " 'Paul, I really can't find a seat in the appropriate location for me. This damn Amtrak! You don't mind if I plant my shapely little Bronx girl buttocks on your crotch, do you?' And then, 'you're not a gentleman! You've got a boner!' "
"Michelle, I would ride anywhere with you like this."
"So where are we now?"
"Ah, New London, Connecticut?"
"Are we going to or from Boston?"
"I don't know and I really don't care."
******
Erica Again
We worked out the role-play scenario so that her character Erica would phone me to confirm the Sunday appointment. On Saturday I answered the phone and heard a voice that was familiar yet different.
"Paul? It's Erica Keller. I was calling about our meeting tomorrow."
I tried to pick out what was distinctive about her voice. It seemed breathier, more softly-pitched than Michelle's way of speaking. Michelle's style was more direct, matter-of-fact.
We went into a couple of details about my appointment. She gave no hint about the intense sex we had had on her own desk a week ago. Could she really compartmentalize events like that?
On Sunday evening I was back on the tenth floor of the West 25th Street loft building where we worked. Erica's greeting was a bit warmer than the last time but she made no move to kiss me or touch me. I noted that her suit was dark gray instead of blue but it seemed to be the same design in a different color. Michelle could confirm that for me later.
I noted a couple of other items. Her shoes had heels but these weren't the towering ones that had given her trouble last week. The stockings were darker this time. I wondered what the situation was further up her legs. Otherwise Erica was the same as before. I wasn't sure whether I should be using her first or last name so I said neither.
When we were seated in her office she said, "Let me see your application, please." So it was going to be all business for the moment.
Since there had never been an actual application what I pulled out was the random piece of paper I had gotten last week. We would improvise whatever needed to be said about it.
She looked through it carefully, occasionally marking something with a pen. Was that the same pen that had been so lovingly treated last time? It seemed to be. There was another prop too; she had a can of soda with a straw sticking out. Was it there so some lipstick could be left on the straw? That was quickly confirmed. A few absent-minded sips later and there was red on the end of said straw.
She asked me inane questions, basically repeating what would already be written there. When she referred to City College I saw an opening to get some information about her. I said, "Excuse me, what school do you go to?"
"I graduated from NYU in June but I've been working here since last January."
That would probably make her about twenty-two. I had already guessed that she must be a couple of years older than Michelle.
After a few minutes of this activity she said, "Ok, very good. I wish you had been a little neater, and I did mark a couple of typos." She held up the indecipherable paper for me to look at. I didn't feel like apologizing but she broke in before I could say anything. "Now I'd like for us to go out to the room and you can demonstrate your paste-up skills for me."
I couldn't stifle a sigh. What a pointless, time-wasting activity this was going to be. This was a skill I had already been using at work for months.
For those that may not remember the bygone 1970s, this was when photo-offset printing was still in common use. In later decades page layout went completely digital with programs like QuarkXPress and then Adobe InDesign. The 1970s were partially an analogue period with pages laid out on big pieces of cardboard called "camera copy."
Once in the paste-up room she guided me to a project I had actually been working on the previous Saturday morning. I sat on the stool facing a steeply-sloped table, with the boards, waxed corrections, and proofs I would need spread out. She perched on the stool next to me. There was a little ledge along the bottom of the table and she put her soda can on that.
I glanced over at her; she seemed expressionless. Her knees were held tightly together. I visualized pulling her legs apart and finding out what the story was up there.
I picked up an X-Acto knife to start cutting the laminated paper with the corrected lines. These were waxed, not glued, so pieces could easily be pulled up and moved. Within a few moments Erica started talking to me and it was apparent that conversation was the real point of us being here.
"You learned paste-up at that college newspaper, right?" This was on both the rΓ©sumΓ© and the "application." We had discussed it as least twice already.
There was nothing to say except, "Yes that's right." Then the questions started to get loaded.
"Paul, do you mind if I ask you a personal question?"
I didn't say anything. I know from this point on I wasn't looking at the project.
"What I wanted to know is, do you have a girlfriend right now?"