You first caught my eye in Poundland. You were walking out as I was walking in. I forget what I was going to buy. Something bright and inconsequential no doubt. Something cheap and cheerful. What else do you buy in Poundland? I smiled and then you smiled. It was a Poundland kind of a smile. Cheap and cheerful. Bright and inconsequential. Superficially friendly.
After that we'd always smile and say hello when we saw each other on the street. You must have been in your early twenties at the time. Dark skinned and oriental looking, with a rounded, friendly face and a turned up nose. Freckles. Dark eyes, deep and unfathomable. I was attracted to you. Later on we began talking. Just this and that: "how are you, what are you up to?" The usual politeness'. This went on for several months until eventually one of us invited the other round for tea. I think I went round to your house first. Tea and digestive biscuits. Or maybe it was Hobnobs. We lounged around in the garden under the fruit trees drinking tea and dunking digestive biscuits, hobnobbing with the elves. But there was always an odd crackling in the air, a tension, something awkward and strange. We talked about this and that in low voices under the shifting leaves.
You were an artist, at the local Art College. I was just a bum. It wasn't what was said that mattered. It was what was not said. The air grew warm about us, warm and moist, laden with unstated thoughts.
Unfortunately you had a boyfriend. You often spoke about him. He lived in another part of town and only visited now and again. His name was Martin. One day when I was visiting you became agitated. You bustled me out of the house. He was on his way round and you had to cook his tea. You were making him beans on toast. Or maybe it was sardines, I forget.
Another time I was on my way round to see you and a man stopped me on the corner. He placed his hand in front of my chest, palm outward, like a policeman stopping traffic.
"Leave my fucking girlfriend alone," he said.
"What, Maria you mean? Are you Martin?"
"Yes I'm Martin. Leave Maria alone. I don't want you seeing her anymore."
"I think that's up to Maria, don't you? Anyway, we only talk..."
"I don't care what you do. Just don't go round to see her anymore. And stop feeding her all your liberal Marxist bullshit."
He seemed like some sort of a control freak to me. I had no idea what he meant about my liberal Marxist bullshit. I only remembered hobnobbing with the elves. I suppose it was because I talked to you as an equal and didn't expect you to cook my tea.
Then you fell pregnant by him, and we had another source of conversation. I would ask you how it was going and you would let me feel your bump. You would guide my hand and hold it there, on the side of your stomach. I could feel the warm skin beneath the tickle of your cashmere sweater, taut as a drum. I wanted to lift the sweater and feel the skin beneath, to feel the taut smoothness stirring with life. I wanted to stroke your skin and smooth it, to feel its warm silkiness, to caress you there, where life gives life to life.
You had your child. You would go on long walks pushing the pushchair. I would see you here and there around the town, straining with the weight on the hills, putting your back into it. We'd stop and chat occasionally. You were always kind of sad, kind of lost, as if there was something important you knew you had to find, only you'd forgotten what it was. There wasn't much I could say really.
Then you had another child. I said, "you're always having babies."
"I know," you said.
You looked even more burdened now, head down, back bent, labouring through your life with a double buggy in front.
One day I bumped into you on the street. I'd just bought a dirty magazine from the newsagents. I'd tucked it under my shirt, so that it slid, guiltily, against my belly.
You were on your own, without the children. You said, "I'm going away. I'm leaving town."
"Oh."
"Yes. I want to go somewhere else. I'm moving to where my sister lives. She has a house in the Midlands. I won't be seeing you again."