The last group of dancers had exited through the backdoor. The assistant director of City Ballet Company moved from office to office, reaching inside to turn off the light switch. Then he rounded the corner and moved up the creaky staircase, walking past cheaply framed posters promoting past performances.
The red brick of the building still bore the faint but sweet aroma of the tobacco leaves which were cured there until the decline in demand for American tobacco curtailed operations. The warehouse and offices lay in disarray for years, until the city, in an urban revitalization plan, purchased and renovated the buildings as a mecca for artists.
He turned left as he entered the right side of the rectangular rehearsal room, aiming for the Master Control switches for the light and sound systems which were housed to his left at the back of the room. He turned down a few lights, when movement at the far end of the room caught his eye.
One of the ensemble dancers for the Company's upcoming production of
Giselle
was resting quietly on the floor. As she looked over towards her, she arose slowly, apparently oblivious of his presence. She remained motionless for a moment, looking into the large mirror which covered most of the stage-left wall. He paused in the rear shadows and watched.
She appeared to be in her middle twenties and was tall: a few inches short of six feet. She wore a simple black leotard over white stockings. Her dirty blonde hair was parted neatly down the middle and pinned up behind in a bun, allowing the pale white skin of her neck to show clearly. Her face was rounded, showing an apparent Slavic ancestry. Her cheek bones were full and high, and still shown forth a slight blush from the vigorous rehearsal moments earlier. Her nose was small, neither thin nor broad. Her eyes were pale green, large and round, capped by a naturally dark eyebrows that extended well across the eye at each end. Her look was buoyant and youthful.
She slowly stretched her arms high, arching her back and leaning sideways. Then she moved her torso to the opposite side, like a tender plant being pushed and pulled by an unfelt breeze. She again stood straight, reaching out and taking hold of the
barre
bending her knees in the movement dancers call plies. Down, up. Down, up. Then her feet and legs moved in a more choreographed pattern. She stood with her left foot out in front of her right, slightly overlapping in a cross pattern. Jumping, she reversed the position of her feet rapidly, then switched them back before landing. Again. Jump, switch, back. Jump, switch, back. She brought her arms forward of her body, curved as if holding an imaginary cylinder. Then slowly up over her head. Her movement revealed the well-defined muscle tone in her shoulders, back and arms. Then leaning over, her arms lowered a bit, the right arm remaining out, wrist bent down, like a flower slowly wilting.
He dimmed all but the lights at the center of the large windowless room. Slowly working his way through the shadows, he approached with a dancer's practiced lightness, in total silence.
She stretched up high, elevating herself onto the tips of her shoes, as if suspended on a cloud. His hands reached out gently to support her. Her torso flinched at his touch. She turned her head and looked over her shoulder. Her tension eased at seeing his face. His hand took hers and lifted it up and out. As if on cue, she continued in her routine. She leaned to her right, stretching out her hand, while lifting her left leg out and holding it straight. His hands reached to steady her, resting on her hip and thigh.
She then began a series of spins, jumps, and twirls, the practiced steps of the ensemble coming naturally to her after the many hours of rehearsal.
She paused, appearing content with her performance. He walked to the back of the room and pushed a button. The orchestral sounds of the ballet emerged from the overhead speakers. He forwarded the tape past the overture, partway into the opening act. He started his own steps, demonstrating the opening dance of the male lead in the upcoming performance. She watched. He appeared older by about ten years and slightly taller. He was dark, both in his eyes and hair, which was cut short on the sides, but showed enough growth on top to allow a slight curl to emerge. His visage appeared Mediterranean, his skin a bit toned. He had a day's growth of his dark beard showing, the overhead light accentuating the shadow caused by the slight stubble.
She smiled at his expertise in the role. He bowed, then held out his hand. She hesitated, as if not sure what was expected. He began the movements of the
pas de deux
of the male and female principal roles. She gingerly tried to perform the female part. He encouraged her with his eyes, several times repeating the sequence till she became more familiar.
Coming out of a series of spins, she attempted the jump which the role required at that point. She moved, leaped and split her legs wide at the time of her arch, trying to position her lead foot for the landing. She stumbled, hopping several times awkwardly to regain her balance. He grabbed her to steady her. He led her back to the same spot on the floor and directed her to try again.
She wobbled again as she landed. Her face shown through with frustration and disappointment. He walked her back again to that spot, then waited for the music to repeat that sequence.
The orchestra reached a crescendo as she leaped high, arm extended, opposing leg out. He caught her in mid-flight, and the momentum carried them forward. Her lead foot landed solidly and steady, in perfect balance. She smiled at him. Then she turned and faced him with a thankful curtsey, holding out an imaginary skirt.
They began to play freely, practicing jumps, turns, and extensions. Her face took on the tormented look of Giselle, the maiden whose heart is broken by shattered hopes of pure love. She jumped, her face a picture of heartache. She paused, bending and reaching, as if trying to capture the fleeting illusion of love. As she balanced on one foot, leaning forward, she lifted out her other leg behind her, higher and higher, while reaching out with her forward arm. He came to her side, holding her waist and keeping her steady.
The music fell silent.
A single violin started in softly, beginning Act Two.
As she rose straight again, his hand crept up her waist to just below her chest. His hand slowly moved side to side across her. Her breathing momentarily stopped; then she let out a slow exhale before her chest moved out again. The rest of her body was still.
His hand stopped near her sternum, then followed down along the outline of her rib cage. She remained still, as the solo violin was joined by a soulful oboe. His left hand stroked downward along the outside of her leotard, starting at her chest and following the curve inward at her waist and outward at her hip. She swayed in tempo, closing her eyes. His hand inched higher, moving along the undulations of her diaphragm, back over her sternum to just under her breasts. The top of his index finger grazed the small curve alongside the bottom of her right breast. He paused as if expecting resistance. Her eyes remained tight, and her lips parted slightly. She circled her head slowly as if to coax his hands further.
He slid his other hand up from her side, moving them parallel under both breasts. They moved out and around, skirting by and moving over the top of her leotard. Two fingers traced over her bare skin, over the curve of her shoulder blade and up on top of her shoulder. Gently, they hooked under the top straps of her leotard, lifting up and down. She lowered her arms straight down, leaning her head back into his broad shoulders. The overhead light made the skin of her shoulders near totally white, almost luminescent in contrast to her black leotard. He left the straps midway down her arm, then returned his hands to her shoulders, stroking across the top, back and forth, alternating with gentle massages. She wriggled her shoulders and arms, as if the straps were confining. He obliged by sliding the top down further as she freed her arms. He leaned over, planting one soft lingering kiss on her shoulder, his eyes hovering just above, looking down to the very small curves of flesh newly exposed below.