He rode into our valley in the late autumn of 1882. I was a mere lad then, barely tall enough to see over the old hay wagon. In the clear Colorado air, I could see his progress a mile away. At first glance, there seemed nothing remarkable about him, just another stray rider taking the dirt road toward the group of frame buildings that was our little town. Then I saw a pair of cowboys, riding past him, turn and look back after him with a curious intentness.
Back then, I was too young to have heard of the Turner Thesis. My life revolved around fishing, riding horses, and plinking tin cans with my 22. I did not know that from the harsh conditions of the frontier stemmed cognitive traits of deep importance. Yes, America was a civilized country now, but the coarseness and strength, the pragmatism and restless energy, the individualism and good cheer, all these remained from the conquest of the frontier.
Little did I know, that atypically warm October afternoon, that the lone rider would change my life forever, and permanently alter my views of life, of human nature, and the burning vision of the American West. All of these thoughts, of course, were far from my young mind as the rider approached. I noticed that his soft buckskin jacket was of good quality. His black boots were covered with dust, but the quality was apparent.
Inadvertently, I raised the 22 as I walked out from behind the bush to greet the rider. In an instant, his horse -- big and black as night -- wheeled toward me. I did not see the motion but the rider's hand was suddenly filled with a 45 caliber revolver. The sense of panic was immediate as I looked down the bore of that deadly weapon, which seemed enormous as it pointed directly at me. And then the flinty eyes softened, crinkles formed around the edges, and he smiled. His teeth gleamed white against the deep tan of his face. Like magic, the pistol vanished from his hand. And then the tension dissipated and he was saying that a boy who kept his eyes open would make his mark one day.
In those few words, a warmth flowed from him, a warmth at odds with the sense of menace he otherwise conveyed. As that autumn went on, I would learn much about man's search for humanity, the effort to tap latent possibilities, and the struggle to establish mastery over the chaotic forces of instinct. At that point, however, I was merely trying to find my place in life as the adopted child of the unmarried schoolmarm in our high desert town. With autumn closing in, I was hoping not to have to make a move to another town.
Sam Rikker, the big man in our valley, wanted to buy the farm owned by Marion Davis, my adoptive mother. Rikker was pressuring her relentlessly. Marion had flaming locks of auburn hair and her body was fit and shapely. She resembled the young Dolores Del Rio, but Marion was in far better physical condition than any actress. Hauling water from the well several times a day had given her arms definition, and climbing the tall steps to the wooden planks of the porch had toned her spectacular legs. They were legs worthy of a dancer, which she had been. Alas, as an underpaid teacher, Marion lacked the money to keep her mortgage payments on the farm current. It was no secret that Rikker wanted her farm, which was at the delta of the Venus River. Nor was it any secret that Rikker owned the small bank in town which was pressuring Marion. Was the farm all that Rikker wanted? Oh no. It was no secret that he wanted her more than her farm.
On his enormous ranch, Rikker was surrounded by his sons and his hired hands. But he was alone. Alone except for the Western Secret lingerie catalogues which kept filling up his mailbox, the mailbox way down at the end of the long lane, the one with the longhorns on it. Many nights, alone in his study, as he heard a tapping on his window, Rikker studied the lingerie catalogue. Beaded Native-American thongs crafted by the grandfather of the man we now know as Wayne Newton. Leather chaps with white thongs. The catalogue had it all.
One day, thanks to the incompetence of the Pony Express, Rikker had gotten somebody else's Western Secret catalogue. He looked at the label and saw that it was hers. Her secret was out. It wasn't enough that Marion Davis was tantalizing. Oh no, now Rikker knew she also wore silken lingerie. In his mind, as he pondered late at night, staring into the fireplace, he wondered if the rumors about the dazzling schoolmarm could be true. Supposedly, she had once danced at saloons under the name "Shy Ann Autumn." Night would find her at Rosa's Cantina, where music would play and "Shy Ann" would whirl.
Rikker had practically memorized the Western Secret lingerie catalogue. And he had long suspected that underneath Marion's cooly formal exterior, a volcano of passion smoldered. He could imagine the garments concealed by her high-necked, long-sleeved cotton dresses -- in particular, he pictured her in the sexy satin and opulent color of the Victorian red chemise with plunging neckline and high slits on page 35.
Could he picture it? Oh yes, he could. Her lithe, tan limbs writhing in the dim light. Her sensual body surrendering to the primitive rhythms of the music from the ole upright piano. And, in his fevered imagination, he also pictured her wearing Western Secret treasures like the clinging satin slip from page 31, in cherry/pink or nude/angelskin, with non-adjustable garters and thigh-high satin-top stockings. No, he thought bitterly, butter wouldn't melt in her mouth. What right had she to tease him with the knowledge of her playfully seductive lingerie? None, none at all, and he would make her pay with her ranch if it was the last thing he did.
Alone in the vast great room of his huge log house, with its ceiling 30 feet high, staring into his enormous river rock fireplace as the fire crackled, Rikker pictured Marion in a fringed leather thong. In his mind's eye, he could see the little fringes teasing her smooth, tan flesh. Yes, Rikker had seen the advertisements at the back of the Western Secret catalogue, including the 12" mini-whip. In his fevered mind, he could imagine the prim and proper schoolmarm on his gigantic bed, her lush curves naked and exposed save for the fringed leather thong. In his fantasy, Marion was begging him to tease her with the mini-whip, pleading with him to let the little strands taunt her golden thighs, her luscious hips. Over time, as the howling winter winds blew down from the surrounding mountains, such images drove Rikker to the point of madness. And beyond.
And so, as autumn moved inexorably toward winter, a crisis was building in the valley. Nobody could predict the outcome, but everybody sensed that an explosion of some sort was coming. All of these thoughts whirled through my mind as the lone rider brought his horse to the water trough, stepped off, and threw cold water on his face. His long black hair, straight and thick, fell down over his face, then was swept away as he rose. He was of average height, but there was something compressed about him, an air of coiled power. A chill, like the chill of an early fall.
His clothing was of excellent quality, though worn from what looked like a long, long ride. The overall effect of the stranger's clothing was of worn elegance. His gunbelt was black leather, intricately tooled, and I recalled the way the 45 had appeared in his hand, the movement too rapid for the naked eye. And it appeared that the word "naked" was on the stranger's mind too, for he had caught his first glimpse of the schoolmarm as she placed a warm apple pie on the windowsill to cool.
He looked at her. She looked at him. Their eyes met, as if across a crowded room, and it was then that I first suspected that his chance appearance was an act of destiny. Oh, not that I knew such fancy words back then. But there was something about the length of their gaze, something palpable. Even as a little kid, it made me wonder. And I heard Marion introduce herself to him, explain her situation, and indeed explain her predicament. Life was like that; sometimes people poured their hearts out to people they had known for 5 minutes. And I heard him say his name was "Cade." No last name was offered, and Marion did not press the issue.
Later that evening, as the sunset burned blood red streaks into the big sky, Cade bathed in the old metal tub on the back porch. Watching, I wondered what he had done to get such muscles. And the scar, the larger one, which snaked across his chest and arm. I wondered why he had propped his lever-action Winchester within easy reach even while washing. And, out of the corner of my eye, I saw the curtain over the kitchen window rustle, which meant that Marion had also glanced out at the stranger as he washed off the months of trail dust.
At dinner, the stranger happened to notice, atop a copy of Origin of Species (1859), a notice advertising the annual arm-wrestling championship. The winner, year after year, was none other than Sam Rikker. The prize was an enormous sum of inflation-adjusted money, a sum sufficient to buy a farm. But every year cowpokes came, and every year they lost to the mighty right arm of big Sam Rikker.
As Cade scrutinized the flyer, I could not help but notice a small smile cross his face, followed by a grimace. Even as a child, I tried to understand that fleeting emotion. Perhaps Cade had injured, or even killed, another man in some brutal, lawless arm-wrestling contest long ago and far away? Perhaps a crashing blow from that strong right hand had sent a Louisiana fellow to the promised land? Perhaps, in an effort to escape his violent past, he had elected to wander in a western direction, to start anew?
It was all speculation, just the thought process of a child, but the tension had been building all summer in the valley. I could not help but think that the Western Heritage Autumn Festival, the highlight of the little town's year, would prove particularly eventful. For Marion, the summer months had been excruciating. First, there was the matter of money to preserve her farm. Secondly, she had been frustrated by nonreceipt of her favorite lingerie catalogue.