Annie was hurrying down the jetway with her flight-attendant's wheelie in tow. Her inbound flight had been delayed, so now they were holding an entire 747-400 for her. All 400 tons of it.
As she passed the jetway jockey, he stopped her, held out a manila envelope. "A passenger found this in here – thinks another passenger might have dropped it."
She nodded, snagged it, and hurried aboard. The door swung shut behind her.
At the rear of the airplane she stowed her bag, dropped her book and the envelope into the seat she was reserving for herself – it was the daily midnight near-deadhead flight back to Paris, perhaps fifty or seventy five passengers in the cavernous, echoing 400 seat cabin. A relief after her inbound cattle-car.
An unusual thing, these back-to-back flights, just on the ragged edge of union and FAA rules. She was looking forward to the quiet flight and especially to the ensuing three day layover in France. She'd been a stew back when she was quite young, met her husband that way, quit to raise a small family. Then, decades later when she'd decided to try it again, her fluent French and Italian, plus her experience, had brought her back into the trans-Atlantic routes quickly.
An hour later, with the takeoff hoorah and initial drink service done, the cabin lighting semi-dimmed and most passengers already nodding off, she dropped into her seat. Idly, she examined the tan manila envelope – it was crinkled - well used, but with no ink of any kind on the outside, the gummed flap unsealed and just held by the little metal winglets. She shrugged, opened it, hoping for something to identify the owner.
A printed manuscript was all it held – fifteen or twenty pages held together with a paperclip. On the first page, just a title – no author's name. Unimaginative title, too, she thought; "Mary's Story". Annie had been an English major at college, and always critiqued whatever she was reading. Too bad there was no author given – it would have made it easy to see if it belonged to a passenger or could just be discarded out of hand.
Idly, she began reading. By the end of a couple of paragraphs, she had a judgment forming. The obvious main characters were already introduced – Mary and John, how plebian! – and reasonably if simply developed. By the middle of the second page, it was obvious that this was a sophisticated piece of erotica. Vivid, carefully constructed descriptions of things both physical and emotional – thoroughly explicit, minutely yet subtly detailed, all carefully couched in simply beautiful language, a pleasure to listen to in one's head and capable of instantly evoking powerful imagery. None of the usual sophomoric prose and construction associated with mere cheap "poke, poke, squirt" porn.
She found herself fascinated on two levels – first, she was actually getting damp between the legs. How long, Oh Lord, since THAT had happened to her? Months – perhaps accumulating to years? And secondly, the author simply had to be male, given the attention to physicality – but the story was being developed from Mary's point of view, and the development was good enough so that the author clearly must have some real empathy for and deep understanding of a woman's feelings and responses and fears and needs.
She read another two or three pages of "John-and-Mary" activities, became increasingly damp and restive, found herself rubbing her thighs together unconsciously. Abruptly she made a decision, stood, looked about the cabin. No passengers' problems were obvious, and there were ten other attendants available.
Almost embarrassed for herself, she stepped into a lavatory with the manuscript. She sat with her skirt rucked up and continued to read, slowly, savoring. Good words, underlain by great authorial imagination. Shortly her hand dipped down between her thighs. How long, how forever long had it been? Her fingers fluttered, stroked, pinched, and inside her deepest belly a huge, unbelievably sudden fountain of need erupted. Knowing herself, she stripped two paper towels from the dispenser, rolled them quickly and clamped them in her teeth just as she came. From behind her gag there escaped barely audible gasps and grunts, noises that were she alone in the desert would have been long-drawn soprano howls.
The spasms subsided.
She spat out the towels, stood, tried to steady herself against the shaking of her knees and the internal lava bubbling in her groin. How many climaxes was that, and how fast? One biggie with five subsidiaries, two minutes?
She stared at herself in the scratched steel mirror. Sixty-three and counting. Blond tinting (expensive!) atop her natural mostly-gray, but her Nordic complexion made the color fit. Taller than average, skinnier than most – the blue eyes were brilliant, they and her teeth had always been, still were, her best features, given that she felt her head was too small, her neck too long and her figure somehow suboptimal.
She did a wide rictus of a grin, hated the way her parchment skin wrinkled, and not just at the mouth's corners either, but all over. Damn! Why couldn't they transplant the perfectly fine skin of, say, her back and chest up here, where it could do some good?
And what the hell was going on, anyhow, between her legs? It had been what, eight years since her husband died, six since her last recovery/rebound lover. No sex at all since then. No interest, either. Wasn't she supposed to be over that need at this age? She'd been back at work now for five years, a lonesome, silent bystander amidst the sexual uproar that engulfed many of her crewmates, unobtrusively aloof and gently amused, politely and firmly deflecting all of the occasional incipient passes tossed her way.
Right. No interest! So pray tell why was her pubis now pressed against the sink rim? The big airplane's overall thrumming vibrations were shivering their way into her belly – interesting! She bit her lip gently, giggled at herself in the mirror, shrugged lewdly, and sat down again, legs spraddled wide on the toilet seat, to treat herself to a replay.
Having finally caught her breath, and with her face returned to normal from its excited pink, she stood, rearranged her uniform, straightened her "Annie" pin on the blouse, and stepped from the lavatory.
Nobody noticed: she heaved a silent sigh of relief and resumed her seat. There, she pondered – what to do about the manuscript? She hadn't come close yet to finishing it – and that would be an interesting thing to do. But she should really find the owner if he were aboard – bound to be embarrassing, because it would mean she had at least read a little of it. Since it was a lost item, she could, she thought, just keep it. Finders, keepers? But she felt obliged to return it if possible. Besides, the airline's rules said all found items were to be turned in. Phooey.
Finally, she put the manuscript back into the envelope, refastened the winglets, and went to the intercom. She had an idea how to do this with minimal upset and discomfort.
"Ladies and gentlemen, would the passenger who is traveling with John and Mary please turn on your attendant call button?" That ought to get the author's attention, if he were aboard – and she almost hoped, for her own sake, that he wasn't! She watched from her vantage point. For the longest time, nothing happened. Then, just as she was about to repeat the call, an arm rose from a vast desert of otherwise empty seats, deep in the center-four-wide area. The hand reached up, flipped on the call.
Not sure whether to be happy or disappointed, she stepped to the arm's row, turned off the call-light. He sat there, looking up at her in the dimness, illuminated from above by the reading lamp – nicely good-looking, definitely younger than she, perhaps by as much as fifteen or twenty years, wearing a tee-shirt and shorts. Full beard, curly hair, runner's legs, a serious twinkle in his eye.
She stood there holding the envelope. He ignored it, and instead made and held eye contact.
"Are you the author?"
"Yes, certainly. So... thank you..." He read her nametag: "... Annie. How far have you read?"
She blushed, wondered if he could tell, decided probably not. She was wrong, but he didn't let on.
"A few pages. Not nearly all of it." She held out the envelope, but he continued to ignore it.
"And...?" he questioned, then waited silently.
Her English-major training took over, rescued her for the moment. "Well... Er, um, the two characters are interesting, well developed. The story has logic and good flow. You certainly use language nicely... and you are writing from a most interesting point of view." She slowed to a stop.
He grinned at her: "Annie, if I wanted a literary critic's analysis, I would have asked you to channel Sam Coleridge. What do you THINK? Did it make you FEEL anything?"
She cocked her head – he somehow seemed to both demand frankness, and exude trustworthiness. She replied after a moment "Oh. Too many literary criticism courses, I guess. I was an English lit major in another time and universe, far, far away and long go. Sorry. Yes, of course. It did generate responses, quite pronounced."
She paused, and he seemed to be expecting more, so she went on: "Both physical and emotional. Quite strong ones, actually. Most unusual for me to react as I did." She reddened again, wondered why she felt obliged to give such details.
He grinned up at her: "Good ones? Pleasant ones, I hope?"