"Come fill the Cup, and in the fire of Spring
Your winter garment of Repentence fling.
The Bird of Time has but a little way to
flutter --
And the Bird is on the wing."
(Rubaiyat of Omar Khayyam)
Julia Cameron-Morgan put down the novel by Disraeli and sighed. She loved the sights and sounds of sex. She enjoyed watching a man's tongue make its first contact with a woman's engorged nipple. She liked hearing the gasps of unbearable pleasure, the moans that accompanied release. But there just wasn't enough sex in Disraeli's books, she decided.
Julia's house was haunted by white thongs. No green or purple or yellow. Only, here and there, a red sailor-style thong reminded her of stormy weather. But every morning, at the break of dawn, Julia read at least a few pages of some substantive book while sipping coffee and gazing out the window of her secluded studio at the dense trees. But Julia did not merely want to improve her mind. No, she also exercised to keep her svelte body in peak condition. She did arm exercises, situps, and abdominal crunches before showering.
After her shower, Julia gave careful consideration to her lingerie selection for the day. Not only must it coordinate with her outerwear, but also dictated her entire mood for the day. To go retro with the lavender lacy orchid-striped tap pants and demi-bra? Or with the streamlined satin black v-string and sleek halter bra? Perhaps even forties film star with the boned white bustier and garter belt? No, Julia decided, it was definitely a delicate, luscious demi-bra and a Gossard Flower T-Bar Hipster G-String. She slipped into the ensemble. The G-String was connected at the top of Julia's firm, tan hips by a fragile chain adorned with jewels, a fragile chain that surely a guy would want to kiss.
Over the G-String, Julia wore a beaded Cache-Sexe, a tiny modesty apron which served as a mini-sarong. Once dressed, Julia whirled in the mirror, noticing that she looked as lovely as "The Greek Slave" by Hiram Powers. Julia was far more fit than the Medici Venus in the Uffizi. Vanity? No, it was merely a healthy amount of self-esteem. And, given her genetic gifts, it was simple candor.
Why did Julia dress so scantily and provocatively? Partly, it was for convenience. Partly, self-seduction. Julia knew that it was important to be in the proper frame of mind to take erotic photographs. She needed to feel a certain hunger in order to do her job properly. Thus it was that Julia only availed herself of her wide selection of sex toys on weekend mornings. On work days, Julia was extremely careful not to have an orgasm before greeting her first clients of the day. Julia wanted to be as full of suppressed excitement as her clients. Her tension came through in the undulating curves of flesh she so carefully photographed, in the juxtaposition of light and dark, shadow and substance. If she had a certain edginess from suppressed lust, she had found that it lent a mysterious ambiance to her work.
Yes, Julia was beautiful, but not in the gaunt manner of a fashion model. Julia was extremely healthy, brimming with vigor and zest for life. Perhaps it was her low-fat diet, with 9 helpings of fruits/vegetables per day. Perhaps it was her interest in running every afternoon, her slender yet muscular thighs flexing and pumping as the sun burnished them. Perhaps it was the wide array of her intellectual interests, ranging from Claude Levi-Strauss to skin-tight Levis on George Strait.
She had found, over the 5 years since she had graduated from Savannah College of Art that she was frequently called upon to do glamour photos for St. Valentine's Day, or for girlfriends wishing to surprise their boyfriends. Often, in the course of such photo shoots, women would begin to take Julia into their confidence, and explain to her that they would also like to have her take high-quality professional photographs with erotic overtones.
In college, Julia had taken a course entitled "Thong Empowerment" which had changed her life. Previously, Julia had been somewhat unhappy in life, and on occasion she blamed this boyfriend or that boyfriend for the mediocre nature of her sex life. However, "Thong Empowerment I" (MWF, 1 pm, 3 credits) changed her outlook. She began to realize that she, herself, was in control of her sensuality. She began to jog and to consume fruits and vegetables. Soon, she was healthier, and the fact she did not drink or smoke or take medication meant that she approached each day with vigor and freshness. Her improved health made her already impressive physique even more alluring. She was compelled to pause and admire it in the mirror after her morning shower. That, in turn, led her not to the wide world of sport, but to the wide world of lingerie.
Shopping for such lingerie was an aesthetic journey in and of itself. The wonderful hues and fabrics. And the process of selection. And the dressing itself, as lovely fabrics and teasing designs turned her already fertile imagination toward even more sensual thoughts. She would arise in the morning, sluggish with sleep, and begin to sip coffee while selecting bras and thongs and garterbelts for this or that occasion. If her mood led her to a garter belt, as she fastened the straps, she could already halfway feel another's fingers exploring the straps. If her silk stockings whispered against her skin as she drew them on, they merely echoed the whispers of passion. Crimson lace against her fair skin made her think of of leaving lipsticked imprints on other skin. Soon, the very process tended to incline her mind toward the sensual pleasures of life, and she began to view her daily orgasms not merely as obligations but as mini-vacations from the stresses and strains of life.
Julia knew that every human had only x amount of time. She understood that couples liked having photographs to capture -- and perhaps, from time to time, rekindle -- the passion of their honeymoons. So it was that Julia began to specialize in erotic photography. Over the years, she had photographed would-be strippers building portfolios to present to prospective employers. She had photographed male-female couples in romantic poses. On a few occasions, she had photographed threesomes and foursomes. Most of her work, however, was male-female couples.
Her reputation grew. Not by advertising, of course. Given the sensitive nature of her work, discretion was the watchword. Word spread, as it always does, of Julia's exceptional work and the care she took to preserve privacy. Her secluded studio was, by happenstance, perfectly suited to erotic photography. In warm weather, shots were taken on her large deck overlooking the woods. In cold weather, photographs were taken in the many sets she had built in her large studio.
Upon arrival in the studio, Julia would make the new couple comfortable. One last time, she would explain to them the explicit nature of her work, and make absolutely certain that they wanted to record their sexual pleasures in photographic form. Clerical details accomplished, decisions had to be made as to props and themes. Some couples preferred a beach theme, with sand and golden lighting. Others favored a standard bedroom milieu. She even had one couple who wanted an Oval Office setting, and who had insisted on using an American flag in a way that even Jasper Johns or Robert Rauschenburg had never thought of.
Julia's morning clients were Claudine and John, a young professional couple from the nearby suburbs. They had been hesitant upon their initial visit, but Julia's professionalism and relaxed demeanor had won them over. Rapport was increased by telephone calls and agreement was reached on a theme of very mild restraint for the photo session. The session began with Julia setting up her camera right next to a large bed build on the floor. Claudine had requested that she be very loosely "tied" with silk scarves.