They met, as usual, in the reserve, but this time rode on, climbing for a while then skirting around and down the hillside, heading north-west towards the least frequented part of the island. It was mid-morning and the forest smelled sweetly of the previous night’s rain. Mostly, they went in single file with Jess leading, but whenever the trail widened enough to permit it, Ira would draw up alongside her. Once he reached out and took her hand and held it for a time as they silently made their way, and then, suddenly self-conscious that his gesture might appear absurdly adolescent, abruptly let it go.
Beneath them, ground-hugging lace-ferns brush against fetlocks disseminating their spores. Above them, tall tree-ferns tower on slender stems, their canopies, in variegated hues of green and yellow, jostling together like a concourse of parasols and seeming – to eyes screwed up against the spears of light piercing their fronds – like so many spinning rotors. Now and then a giant fern trembles in the breeze spraying them with rainwater accumulated in the canopy overnight, and Jessie, standing in her stirrups, turns her body towards him and calls out, ‘Look,’ and shows him the wet shirt clinging to her breasts and her nipples thrusting through the thin fabric.
An hour’s ride brings them to the base of the slope and the forest’s edge; and now only a meadow, with a few cows grazing, lies between them and the blue arc of the sea.
Delicate white seabirds, some, with bunches of tiny fish in their beaks, wheel above them on translucent wings, their cries piercing the bright air. One swoops down and glares at them out of huge black eyes and Jessie remarks how feisty, how literally in your face, the little bird is and how dagger-sharp her long, black beak looks. She’s warning them away from her solitary chick perched un-nested and vulnerable on a branch just above their heads; but after they’ve dismounted, seemingly reassured by their diminished height, she flies off. The cows look up at them curiously as they lead their horses across the meadow to where the land ends.
Below them, perhaps two hundred feet down, the sunlight is glinting on the pellucid waters of a little bay. Between the arms of its headlands a coral shelf, exposed by the waning tide, forms a breakwater to the sea. At its farthermost end a stream, trickling out of the rock-face, carves a meandering course through creamy-white sand. Nearby there’s a stand of palm-trees like in a cartoon drawing of an oasis. There is not a soul to be seen. A rocky, scree-spattered moraine serves as a track down which they lead the horses, their hooves scrabbling on the shingle, to the beach.
They water the horses and tether them in the palm-trees’ shade; then they unsaddle and rub them down, thinking to swim them later. Excited by the nameless possibilities afforded by a deserted beach they work briskly keen to get the job done. Finished, they undress, never once taking their eyes off each other. Fully naked at last, they kiss, and Jess cups Ira’s balls in her hand and lingers for a moment before detaching herself and heading for the water. ‘Coming in?’ she asks, and turning, gives Ira a glimpse, in profile, of a soft-tipped breast as she goes.
But Ira is transfixed. He has stayed back for the sheer pleasure of watching her – Jessie! His Eve in Eden! – The way she moves, the graceful way she carries herself. He could sink in that grace – drown in it. It’s always a source of amazement to Ira that she seems unaware of her own beauty. As unselfconsciously comfortable in her naked skin as any animal, Jess appears to be entirely without vanity or affectation. As she walks to the water’s edge he indulges the fantasy that each alternating flash of buttock is teasing him with a separate signal, but in truth, there is no mistaking the composite harmony of that sublime behind, or the full force of its message. Ira snaps out of his reverie and calls out to her, ‘You go ahead, I’ll be right in.’
Jess dives, breasting the water, and the white underside of her buttocks, and, an instant later, the pale soles of her feet, catch the light, and the heavy mass of her floating hair fans out to her shoulders. She strikes out towards the reef turning to face him from the middle of the bay. ‘Come on in,’ she calls, ‘the water’s fine;’ laughing as she says it.