I placed the jardinière beside the window seat, as she instructed.
'Thank you,' she said. 'Thank you very much. There's no way I could have got that home from the store on my own. Now ... I must get you some refreshment.'
'Thanks,' I said, 'but I really should be getting back. We're a bit short staffed today.'
'Nonsense,' she said. 'We'll have some tea. You're a man who likes tea.'
'Do I?' I asked. Three-quarters of an hour ago we hadn't even met. Now here she was telling me what I liked.
'Of course you do,' she said. 'Wait for me in the library. It's up the stairs. Second door on the right.'
'You don't need a hand?' I asked. 'With the tea?'
'Not just now,' she said. 'Perhaps later. I'm not much of a cook, but think I can make a pot of tea. I can also make a pretty decent martini. Would you prefer a martini? I suppose I should have asked.'
I told her tea would be fine. It had only just gone 2:30 in the afternoon.
'Off you go then,' she said. She wasn't exactly bossy, but her tone was firm.
The library, as she called it, was a small windowless room that had probably started out as a box room or a child's bedroom. Now its walls were entirely covered in books. In the centre of the room there was a low coffee table on which there were still more books. The only other 'furniture' was a selection of large cushions.
I spent a few moments scanning the spines of the books. There must have been about four or five thousand books in the room, although I could discern no method to their arrangement. Novels snuggled between biographies, and short story collections nestled with cookbooks and treatises on gardening and boatbuilding.
With my back to the door, I didn't hear her coming up the stairs. The first indication that she had entered the room was another instruction. 'Get two or three cushions,' she said. 'Make yourself comfortable.' And then, when I grabbed a couple of the cushions nearest to hand, she said: 'No, not those. The red one. And perhaps the dark green one with the gold tassels. I think you'll find them more appropriate with jasmine tea. And take your shoes off, too,' she said.
I wasn't quite sure why I needed to take my shoes off, but I did so anyway. A house rule perhaps?
'You have an impressive collection of books,' I said.
She looked around the shelves as though seeing the books for the first time. 'Hmm. Yes,' she said. 'Yes, I suppose so -- although, to tell the truth, some of them are not very good.'
'You've read them all?' I asked.
'Hmm.' She hesitated. 'I've read ... well, put it this way, I've read most of the ones that are worth reading,' she said.
'And how do you decide?'
'Decide?'
'How do you decide which are worth reading?'
She rearranged the tea glasses on the tray and poured some jasmine tea -- complete with delicate white flowers -- into each. 'I suppose,' she said, 'they are worth reading if they amuse me. Or if they inform me.' And then, after a moment or two, she added: 'And of course they are especially worth reading if they arouse me.'
'Arouse you?'
'Yes,' she said, looking at me with a rather stern expression. 'In the internet age, printed erotica is too often undervalued. One-handed books have much to recommend them. They allow one to use one's imagination. They allow one to participate in the erotic adventures of others. A little vicarious ecstasy, you might say. Yes, every woman should have a small supply of erotic literature at her bedside -- as, indeed, every man should. I'm sure you have such a supply.'
'Well ....'
'Exactly,' she said.
She glanced off into space as though trying to recall a thought or an event from the past. 'Don't get me wrong,' she said, 'I have nothing against a good movie, that is to say a good erotic movie, but I find that so few of them are -- good, I mean. All those formulaic plot lines. And such bad acting usually. Imagine The Pirate Princess or Tina Takes Charge with some decent actors. But, alas, I doubt we shall ever see a young Judi Dench in the role of Tina -- or a young Meryl Streep in the role of the Pirate Princess. That said, some of Tinto Brass's better work is headed in the right direction.' She took a sip of her tea. 'And you?' she asked. 'What erects your tent?'
'Oh, you know,' I said. 'Usual stuff. I suppose.' Although goodness knows why I was telling this to a woman I had only just met.
She moved the tea tray more towards the centre of the coffee table and began reorganising the some of the cushions. Once she had made a bit of a 'nest', she sat herself opposite me, her ankles crossed, the skirt of her silky dress bunched up in her lap. Her bare thighs were tanned and firm and I thought I could just make out a hint of dark pubic hair in the shadows. 'The usual stuff?' she said. 'Are you sure you mean the usual stuff? Or are you more stimulated by the unusual stuff?'
'I suppose that depends on what you mean by unusual,' I said. 'You could say that one person's unusual is another person's usual. I'm not into S&M -- if that's what you mean. I've never found pain particularly erotic.'
'Fair enough,' she said. 'But you're tastes are not entirely vanilla. I doubt, for example, that you would decline an invitation to watch me urinate.' She said this not as a question, but as a statement of fact.
'Why do you say that?' I asked.
'Because I know such things,' she said. She spoke confidently, in the manner of someone who was used to giving orders -- someone who was used to giving orders and having them followed.
'How do you know such things?' I asked.
'In the same way that I know you are, as we speak, trying to look at my vulva without alerting me to the fact that you are trying to look at my vulva,' she said. 'You don't deny it, do you? And why should you? You know that's what you are doing. And I know that's what you're doing. Here, let me make it easier for you.' And with that she pulled her skirt almost to her waist and spread her knees. 'There. Is that better?' She took another sip of her tea, holding her glass between the thumb and index finger of her left hand.