They seemed perfect. He was smitten with her at first exposure. She was immediately attracted to him. Their initial friendship took a long time to form, to gel into a relationship. When it did, they were truly soul-mates. Yet they broke up.
The break-up can best be ascribed to "sexual politics." That term, coined in the late sixties as a by-product of the feminist movement that started on college campuses, is defined as:
"The principles determining the relationship of the sexes; relations between the sexes regarded in terms of power."
In other words, power in the bedroom.
This is their story.
================================
The start of this history begins at "the Big U.," the largest and most prestigious university in the middle of the country. To find its equal in terms of size and academic prestige you would have to travel to the East 600 miles to the University of Pennsylvania or Westerly 2,000 miles to the large prominent schools in California. The Big U. had at the time just under 40,000 students: two colleges offering bachelor's and graduate degrees in the Arts and Sciences (more than 20 majors); undergraduate and graduate schools in Engineering; and professional graduate schools in Law, Medicine, Business, Dentistry and Public Affairs.
The protagonists of this story met "cute." It was early September, at a Thursday-night "mixer" or open house at the Big U., this particular social gathering a once-yearly event. Attendance was limited to the 800 students in the College of Medicine (85% male, 13% female, rest indifferent; tip of the hat to Thornton) and the 1,300 students enrolled in the graduate and undergraduate programs studying Social Work (95% female). The one group was hoping to achieve an M.D. degree, and go on to well-regarded and lucrative careers as healers. The other group was seeking a B.A. or M.S.W. degree and hoping to enter into the lowly-regarded and financially mediocre ranks of social workers. All were hoping to advance their social agendas by participating in the get-together, whether the goal be a soul-mate for a lifetime or merely a bed partner for the night.
Well, you can't have a mixer without name tags, right? The blue name sticker pasted on one medical student's shoulder read "Laurence." Tall, sandy-haired, and with chiseled good looks, he was in his third year of the four-year program. The aspiring social workers' red sticker just above the well-proportioned left boob read "Ma Duck." She was a medium-height, brown-haired, well-scrubbed college junior, with virginal good looks. (Looks can be deceiving, but in this instance the appearance was pretty much the real thing.)
There they were within a few inches of each other, trying to tune out the hideous cover band and eyeing the festivities warily. They were sort of looking at each other over their room-temperature beers and sort of not. Laurence spoke first: "I'm willing to accept that you might be a mother," he began, "even considering your youthful age and decidedly non-matronly appearance. But am I truly to believe that you are an
'anas platyrynchos?'"
"And what is an 'anas whatever-you-just-said'?" she replied.
"You know," Laurence responded, "a mallard, a duck. The term whose pronunciation you just mangled is the genus for ducks."
"Are you sure you're not an aspiring veterinarian?
"Quite." Laurence replied, "I'm just like Maxwell Edison, majoring in medicine. Though I'm marginally less violent than him. Unless provoked."
"Well, Mr. Show-off" she protested, "I am human, at least my physician has never expressed any doubts. My name tag shows an abbreviation: my real name is as follows: 'Michelle' is my given name, 'Annabelle' is my middle name, and my Polish surname is 'Duczycki.' Fairly hard to pronounce in English. So my friends have taken to calling me 'Ma Duck.' And keep your silver hammer at bay."
"The explanation as your name does make perfect sense," Laurence admitted. "But I may have to perform a hydro test on you to make sure you're truly a
homo sapiens."
"I assure you I am completely hetero," she countered and feigned rim shot. "And what, pray tell, is a hydro test?"
"You remove your sweater and bra, get down on all fours, and I pour water onto you to see if it rolls off your back," Laurence answered, figuring he was going to learn very quickly if Ma Duck had a sense of humor or not.
"Suppose I'm not wearing a bra?" she challenged, quelling his concerns about her having a sense of humor.
"But you are," Laurence responded. "You should realize that as part of my studies I have devoted myself to the close scrutiny of the female anatomy. Very close. It is, you should pardon the expression, hard work -- though of course someone has to do it. At any rate, in my professional opinion, you cannot be as uplifted as you present without a support garment underneath. Well, I suppose I can allow for one caveat: if you're not wearing a push-up bra then you've had helium implants."
"Eeeew, gross," she squealed. In a measured tone she continued, "For now why don't you take my word for it and call me 'Ma Duck.' As for what I shall call you, 'Laurence' is much too stuffy for my tastes. So, given my name and your field of study, I think I shall call you 'Quack.' Unless you actually
are
a Veterinary student, in which event I won't likely be calling you anything."
================================
They became "buds," nothing more. She called him a stick-in-the-mud, and he called her a wild woman; but over time and deep down they both came to realize (without expressing the thought to the other) how essentially compatible they were. Despite their affinity, Laurence would not allow a closer entanglement to occur: he was not a gifted student, and had to work very hard at his studies to get through.
Between coursework and required labs, Laurence put in 50 -- 60 hours a week. Ma Duck's academic demands were much less. She did not have a boyfriend, and she liked Laurence a lot
(though she never expressed it to him, or basically even to herself, directly). So when he explained he did not want to divert his energies away from his studies and seek a close relationship she was willing to settle for the occasional movie or study date. A chaste kiss goodnight (no tongue) was as close as they got to intimacy.
Ma Duck wanted much more from him whom she referred to as "my Quack." But she understood and fully appreciated his emphasis on studying and obtaining an M.D. degree. And she passed up all opportunities to see other male students and chose instead to engage in her limited relationship with him on an exclusive basis, as he too did in practice.
They had fun together, Laurence blowing off steam, Ma Duck content merely to enjoy his company without further expectation. (Of course she did hope that would change; but she never expressed that sentiment to him.) And they got along very well. Intellectually they were very well matched. He found she could satisfy him "up there," that is between the ears. A determination as to her effectiveness "between the sheets" would have to wait to another day, he figured, if it came at all.
Ma Duck and Laurence had had a strong grounding in literature and the arts, both in secondary school and college. The two of them would throw quotes at each other from, and debate the ideas of, the great philosophers, authors and poets of Western literature they had had the good fortune to read:
Plato, Aristophenes;
Virgil (whom they'd each read in English translation and the original Latin);
Ovid;
Donne, Burns;
Shakespeare;
Flaubert, Dostoevsky;
Twain, Melville;
Longfellow, Frost;
Shaw, Wilde, Chesterton;
Sarte, Réage, Beauvois;
Hemingway, Fitzgerald;
Faulkner, Steinbeck;
Nabokov (who taught English at Cornell when Laurence was an undergraduate there);
(Margaret) Mitchell;
(Harper) Lee, (Charles) Frazier;
(Eugene) O'Neill, (Tennessee) Williams;
(Thornton) Wilder;
(J.D.) Salinger, Kerouac;
Roth, (Hunter S.) Thompson;
and even graphic authors such as (Philip K.) Dick and (R.) Crumb.
Once when a friend brought up Lolita
(the novel, not the movie), Laurence and Ma Duck chimed in simultaneously and almost verbatim words to the effect of "did you know Nabokov is the only author with two number one best-selling novels written in two different languages." At that point they realized how similar their interests and tastes in the arts ran.
Their interests also ran to American and French lyricists, but only a select few: Berlin, Hart, (Ira) Gershwin, (Jacques) Brel, Porter, Hammerstein. They could recite alternatively, line by line, the lyrics from various songbooks. They would debate the deeper meanings buried within the songs' language. In this sense, they were Romantics.
Their shared appreciations ran to cinema: they doted on the French New Wave
auteurs,
such as Alain Resnais, André Bazin, Jean-Luc Godard, Jacques Demy, François Truffaut, Éric Rohmer, Claude Chabrol, Jacques Rivette, Agnès Varda. But they loved the American cinema classicists as well; Chaplin, Keaton, Griffith, Gish, Pickford, Sennett, Lubitsch, Marx Brothers, Welles, Capra, even Laurel & Hardy.
They could complete one another's sentences. Once, at a party while temporarily separated in the crowd, someone from across the room drunkenly said something that struck a nerve in each of them. Their eyes sought out one another, and immediately they cocked their heads, raised them slowly upward and then suddenly thrust them sharply downward à la Laurel & Hardy. In perfect unison.
They shared an identical sense of humor. One's sense of humor is based on contextual awareness (worldview) and intelligence. Theirs was a masterful match.
Their relationship flourished without the slightest expression of any terms of endearment on the part of either. She came close several times. He, never.
And then one Friday night Laurence and Ma Duck ended up sleeping together. Sort of. They had found themselves in a unique pizza parlor in C-Town. This place offered a wide variety of pizzas, so long as you chose cheese and tomato; and a wide variety of alcoholic beverages, so long as your preference ran to Chianti served room temperature from bottles with bell-bottoms encased in straw; and a wide variety of music, if you dug a loud and raucous banjo band.
Laurence and Ma Duck partook of the pizza in moderation; and of the Chianti liberally. They sat as far from the bandstand as they could, so they could talk -- well, not have to shout too loudly. And then they had some more Chianti. And more yet again. Their talking/shouting became giddy, interspersed with pointless giggles and broad smiles. And suddenly, when the band took a break, here was a wine-fueled Laurence bounding up onto the bandstand, sitting at the piano and launching into a spirited vocal rendition of the song "There's a Kind of Hush (All Over the World Tonight),"
the Herman's Hermits standard.
==============================
Laurence
:
I played piano pretty well, and was still young enough that I could perform from memory. (When my brain fully matured, in my late 20's, I lost that ability.) On the night in question I played a great arrangement that segued from Bâ™ Major to a bridge in D Major and then back again to the original key for the closing; employing a fairly sophisticated thematic structure for late 60's rock and roll,
Abbey Road
notwithstanding.
The Herman's Hermits version was sort of whimsical and straightforward with a lilting upbeat. (Much like the Beatles'
When I'm Sixty-Four,
though more serious in tone.) My version of