It was one of those crappy bars. You know the ones I mean. You go down an alley that you should not. There is a left turn and plain door flanked by two guys the size of Montana. You flash them your ID, which is usually a twenty-dollar bill.
So, you are thinking.
"Why is this guy in such a dangerous and out of the way place? Must have a death wish?"
Okay, a bit of background on me. My name is Steve. I am a bass player. Most say I am good. It has been a long hard road for me. Lots of sacrifice. I live in a dump. A place to sleep. My life is simple. Practice bass guitar, eat periodically, and play gigs. Why do I live this way? Easy. I like it. Most of the money goes towards equipment. I have several bass guitars and an upright bass. Why do I need multiple basses? Different instruments for different gigs. My main ax is a Fender Mustang bass from the late 1960's. The feel is unlike any other bass I own or have ever played. It is like holding a woman you know very well, and she responds in kind. Then there is Fender P bass with jazz neck, a beat-up Lotus bass with brass nut and saddles, the sustain lasts forever. The upright is a Kay. Early 60's model as near as I can guess. She needed a lot of work when I found her. Had to have the back re-glued, sound post reset, new strings, new bridge, and thoroughly cleaned. It was worth the effort. She has some miles on her but sounds wonderful.
Okay, back to the bar.
People talk you know. Well, there was some discussion of a girl/woman that played bass like no other living soul. And yes, she was playing in the dive I was entering. If she is so great? Why is she playing in this shit hole? Being great does not pay the bills. You take jobs where they are and when you can get them. You also hope to be paid in cash, not beer. I move slowly into the place. This is one the rougher ones I seen. Lots of stains on the floor. Years of beer, blood and general decay and filth. I ordered a beer and had a seat.
The chair is clean. It reminds me that I should make certain my shots are up to date. There is a band playing. Mostly they are just loud and raucous sounding. I can tell they have not played together much. They do not gel. Oh, they are okay. If you are drinking and just want loud music. The guitarist is up there trying to shred. It sounds like he gets three of every four notes. But with all the distortion, it is hard to tell. The drummer is pounding out straight rock, nothing fancy.
The keyboard player is wasted, I think. He is stuck on one chord. But there in the background, is this girl. She is leaning against the back wall and playing. The impression of one being nonchalant. But her playing is spot on. She does not even have to try; it is that easy for her.
The set ends. The band crawls off the stage. The keyboard player goes to a corner and is snorting something. Yep, he is wasted. The guitarist goes to the bar. The bartender places three beers and three shots of some brown liquor in front of him. Slam, slam, slam, and they are all gone. I am surprised he can stand, let alone play.
The bass player glides to a small table. Looks like she is sipping carbonated water. Smart girls do not fall into the trap of spending their money on alcohol. She lights a smoke and leans against the wall. Bored is the impression I get from her. I think about going up and speaking with her. I decided against this. I will just watch and listen to her for now. Listen to her tone and watch her technique. Then we will see.
The band goes back on. They must lead the keyboard player to his instrument. Why would you do that to yourself? The guitarist is stumbling badly. The drummer shakes his head and takes his place. The girl slides back on stage and picks up her ax. It is not a fancy bass. A fender P bass, standard issue, blue in color. It looks as though it has some mileage on it. The finish is worn off here and there. I can see a scratch from here. But it is doing the job it needs to. She is playing right in sync with the percussionist. She is locked in, and it is more her than him.
And it is more than just plucking bass notes. I can hear varied rhythms and timing. The way she uses non chord tones makes her sound more melodic than thumping bass. She does not fit with these guys. She is better than this. I hang and listen, mostly to her. I drink just enough to keep my seat and stay sober.
During another band break, I speak to her. I introduce myself as a fellow bass player. There is comment on her playing style that I have observed thus far. She looks at me raising one eyebrow. The fact that I recognize what she is doing has her maybe a little interested. I do not push though. She does not know me. I could be some killer/rapist for all she knows. We exchange shop talk. I do tell my name, Steve. She tells me hers, Gisèle. I ask where she is playing next. Gisèle has no idea.
We part.
The next day, I dragged my butt out of bed for some serious practice. Gisèle has inspired me with her technique. I tried a few of the things she did last night. It is a little tough for me, but with practice, I could do it. Nice to know I can be stimulated to learn. There are several hours of practice involved. Scales, arpeggios, bass chord and finger picking exercises. I do not overdo it.
Gotta gig tonight at a country club. Suit and tie stuff. Classic jazz with walking bass lines and fancy fills when allowed. The folks I am working with, I have before. They are solid and know what they are doing. Tonight, should be a cakewalk. The crowd is the grey-haired crew. Well-dressed men and women with entirely too much money. Dry martinis, Old fashioned, High Balls, and dry white wine abound. I am sure they are not paying any attention to what we are playing.
We provide background music and dance tunes. The pay is decent, so I do not say much and be professional as possible. Then at about 1am, it was time to go home. A few of the other guys want to go out for a drink. Not me. Home and bed.
Being proficient is not enough for me. Crap, I must work hard just to be good at what I do. You can imagine what it would take to be great. Sometimes I think it would be nice to focus on one style of playing. One genre that really piques my interest. But who wants to starve because there isn't enough work? Let us face it, I know I am not going to get famous doing this. I do enjoy it though. Have been able to play with some great musicians. There was a percussionist from Africa once. He had a whole different take on rhythmic ideas. He was a challenge to play alongside. I learned much from him. There was this older gentleman. His name was Roger, and he was a pianist. The piano was an extension of his mind. He could make it sound like an orchestra or a simple instrument. Very expressive. His wife Jessica was a singer. A low sultry alto. She made you hers in a single song. I learned a lot from them as well. I have learned that is the key to growth and staying in the game. Learning, listening, and trying new things.
But enough about me. I suppose you want to know what happened with Gisèle? Well, that is a cool story.
Gisèle and I would go to one another's gigs when we could. Not a creepy thing but watching the other play. It was a relationship about learning and watching. This I will say. Gisèle had a much smoother and quicker technique than I. Watching her play, at times her fingers were a blur. Now I can play fast, but not like Gisèle. The fluidity with which she plays is astounding. This was the totality of our association. Strictly professional. We both played as often as possible and made what money we could. For myself? I had given up trying to have a romantic time with anyone. My apartment was a dump and I had little money for entertainment.
The instruments I played require upkeep. Without this of course, there is no working. I did not ask Gisèle, but I imagine her life was similar. There have never been any long-range plans made. Now that I say it aloud, it is depressing. I guess what Gisèle, and I have is a shared professional interest. But that would change over time.
We met like this for several months. Watching the other play. Then Gisèle showed up one evening with a bass. She sat and observed. I had become accustomed to her watching and was no longer threatened or concerned about it. She was the same when I watched her. Anyway, she shows up with a bass. Once my gig was done, she asked if we could jam a little together. Gisèle plugs in her Fender.
I ask.