"Fuck," I hissed.
"Fuck!" I spat.
"Fuck. Fuck! Fucking fucken farken fuggen fuggin farking FUCK!" I screamed, pounding my fists upon the keyboard in time with my tirade.
Writer's block. Everyone gets it. Some get it worse than others. Some suffer it shortly, for a day or an hour. Some suffer for months, years, significant proportions of a lifetime.
I was right in the grips, deep in the doldrums of the very worst kind of writer's block. And I was not taking it well.
It had started with my hobby-writing. The short stories, novellas and longer works that I do in my spare time - I couldn't get anything new to fire, I was getting stuck on pieces I'd had on the boil for a while, I was grounding myself at crucial junctures. I was unable to make plotlines align, my characters refused to behave, their dialogue lacked sparkle and began to clang. Exactly where I wanted and needed the momentum to push through an important scene, I would get snagged on the smallest detail and would be unable to work around it, past it or through it.
Then the dreaded 'block' hit my professional writing, too. I write for the Business section of a major city newspaper; short spot-pieces which I normally cranked out over a coffee-break were taking me an hour, two hours, most of a morning or afternoon would be wasted trying to fix them. Then my more significant works - my weekly opinion column chief among them - also began to suffer; pieces I would normally luxuriate over through the course of the week were neglected due to my troubles with the spot-items, and so would be cranked out hurriedly just before deadline, totally lacking in my usual wit, pizazz and turn-of-phrase.
My chief editor had noticed and she'd called me in, demanding better of me. I was on the big bucks, she reminded me. There were scores of people out there who bought the Friday newspaper purely so they could enjoy my latest pointed, pithy poke at Bernanke's newest blunder, or Europe's continuing descent into a new dark age, or Chairman Mao's latest grave-spinning commu-capitalistic triumph - so I'd best return to form soon, or she'd not hesitate in finding a new business-pages shock jock worthy of my six-figures-a-year.
And now here I was, at one o'clock of the morning, eight hours before my latest Friday column was due... and I could barely even string together a sentence.
It wasn't funny anymore. It had gone beyond a joke. My livelihood was at stake and my Muse was on strike.
I sighed, and gave up. My violent outburst had rendered my keyboard unusable, bereft of several significant consonants and spelling out "kkkkkkkkkkkkkkkkkkkkkkkkkkk" on the monitor, so I switched it all off and called it a night.
I'd imbibed far too much cheap and nasty coffee for sleep to come by natural means, so I stopped by my medicine cabinet, shuffled through my many bottles, and swallowed a half-a-sleeping-tab and a half-a-Valium. Then I nipped across the hallway in my apartment building, rapped on door 14C, and bummed a puff on my neighbour's spliff - my neighbour being the stoner-yuppie type who could always be relied upon to have a doobie blazing, any time of night - and then I shuffled back to my bedroom, the warm and welcoming embrace of sleep descending even as I took the final steps towards my bed.
"Fucking Muse," I remember mumbling as I launched myself towards my bed. "What I would do, if I could get my hands on you..."
The above may explain how I came to find myself sitting in a forest clearing under the soft light of a pleasant day, the sound of a breeze flitting gently through a million leaves.
I blinked, and allowed it to make sense. In the back of my mind I knew I was dreaming; closer to the front of my mind - from somewhere perhaps in the region of my occipital lobe - came a gentle warning that, should I recognise this to be a dream, the dream-state would be broken.
Right. Fine. Understood. 'So here I am,' I thought, slowly and carefully, 'sitting in a clearing.'
And something stung my ear, light and fleeting as it flitted past.
I blinked, but I did nothing. I was still wary, not sure of what I could and could not hope to get away with in this tenuous state of being. So I let it lie.
Something else whipped past me, glancing off my bicep before thudding into the ground; it stung quite a lot harder, feeling as though it took a small piece of flesh with it on its journey.
I winced but remained still, resolved to holding steady. I sensed I was being tempted to turn around, to seek out the source of these unseen, unknown missiles - I also sensed that turning around would be a capitulation on my part. I was being tested, and I desperately wished not to fail.
Then something small, round and hard thunked dead-centre off the back of my skull, making a sound like a ball-peen hammer striking a globe of solid ivory.
"Ow!" I yelped, and I turned immediately to spy my tormentor.
She was a woman. She stood on a branch high in a tree, lithe and nymph-like and very extremely naked: skin ebony-dark, hair long, straight and blazing brownish-red in the filtered light of the forest. Slung over one shoulder and braced against her hip was what looked like a leather satchel filled with marbles, and in the other hand was a blow-pipe.
She beheld me with a peculiar, particular light in her eye: quizzical, imperious, impetuous and challenging, the very definition of knowing cheek. I saw her chest rise, her nostrils flare as she inhaled, in preparation for speech:
"Bounced right off you," she sneered.
I frowned back at her.
I knew her.
I'd never met her, never met any woman like her in her life - meeting a woman like that, dark and tawny, naked and spectacular, I would definitely remember. But I knew her. I knew exactly who she was.
"Muse!" I hissed, in a sneer of my own.