Things were moving much too slowly, at least in the mind of Libby Pike.
Having just signed a recording contract with Bluegrass Records, Libby wanted the fame and fortune that goes with it to arrive instantly. She was warned the process of completing and releasing a new artist's first record could take more than six months. Still, she was impatient.
Libby continued to work as a waitress at the northern Kentucky diner that employed her the past several years. The thirty-two-year-old single mom continued to care for her preteen daughter. And Libby continued her relationship with friend and unofficial manager Eric, who was a saint during this portion of Libby's life.
It was Eric that introduced her to the leader of a local band, Gunpowder Creek, who made Libby the lead singer. That exposure led to the contract offer as a solo artist.
Now she waited.
A few weeks after signing her contract, a representative of Bluegrass Records texted her to say they would soon be submitting to her a list of potential cover songs to include on the album. Libby already knew a songwriter was giving her one of his new songs to include. Then, the studio would need to schedule the session players, reserve recording times, etc., etc.
It was all driving Libby crazy. Fall turned into winter. Then, the week before Christmas, Libby got an early present.
Peter Strovak, the man who signed her to Bluegrass Records, was on the phone.
"Libby, I've got great news for you," he began. "The organizer of SummerFest, that country musical festival in southern Ohio every summer, called me and said they had an act cancel on them. He wanted to know if we could send somebody. Of course, I thought of you first."
"That would be awesome," Libby replied.
"What that means is this. We need your album done and in the stores before then. Preferably, you'll be getting some airplay, as well. I'll be prioritizing your recording so we can make the most out of this opportunity."
"I'm available anytime you need me, you know that," Libby assured him. "Let me or Eric know what you need and when."
Her next call was to Eric and Libby was considerably more animated on that one. Eric was excited for her. He reminded her, once again, that she needed to take care of her voice during the cold, drizzly weather.
"Yeah, yeah, yeah," she told him. "More time under the warm covers with you is what I need."
"Exactly!" Eric laughed.
As Strovak promised, the pace picked up considerably. The album's content was reduced to a dozen possible songs. Libby recorded demo tapes for each one. Her favorite, from the beginning, was 'Waiting for Someone', the original ballad written for her. She hoped it would be the first single but had little control over that.
One major issue was resolved in her personal life when Libby's parents eagerly offered to take care of Emma, Libby's daughter, during the entire process. Between numerous trips back and forth to the Lexington recording studio and work, Libby's free time was limited. She did manage to see Emma several times a week, doing her motherly duty of encouraging more and better schoolwork.
Emma begged to be able to go to SummerFest, but Libby wasn't sure a weekend-long party was a setting she wanted Emma to be in. Libby made no promises.
Finally, in January, Bluegrass Records was ready to start work on Libby Pike's self-titled debut album. Libby and Eric both went to Lexington, with Eric's role limited to offering emotional support. His support was much needed as a new singer, with new musicians, in a new environment was somewhat overwhelming. However, Libby's obvious talent and good looks convinced those around the record company that they might have a star in the making.
The marketing department, especially, was excited to work with a 'girl next door' singer. They weren't impressed with the limited number of photos taken by the professional photographer the day Libby signed her contract, so Eric suggested he take a few of Libby outside her diner. Marketing was on-board with the idea and Libby was thrilled to include the employer who kept her afloat as the potential album cover.
The photos turned out great. It was just Libby in casual jeans and a tank top, leaning against the front of the diner one day after it had closed.
"When I'm famous," Libby told Eric with a smile, "people will be swarming to this place. Betty will love it."
Eric knew the senior waitress Libby referred to, who for so long protected Libby like a mother hen, would be happy. Now if Betty would only stop trying to get Eric and Libby to walk down the aisle, he'd be happier.
By the end of February, the album was complete. Strovak had contacts at country radio station WWOH in Cincinnati who were always willing to play a new single from Bluegrass Records a few times to see what response it got. Strovak sent them 'Waiting for Someone' with a request to be told when the station would first air it.
Eric had previously asked Strovak to only notify him in advance so they could surprise Libby. The good news was that it would be at twelve fifteen on a Monday, a busy time for the diner and it would be packed. The bad news was that Eric, a financial advisor, had an appointment with a client and couldn't be at the diner. He would have to wait until Libby got off at three o'clock to see her.
Libby was her usual smiling self as the clock crept past noon. Then, over the speakers, everyone heard:
"OK, folks. Y'all know that Jenni and Jenkins love to premier new songs whenever we can. Well, today we have a special treat for you. Our friends at Bluegrass Records sent us a song by a local girl. That's right. A fabulous new singer from here in the tri-state area. Her name is Libby Pike, and you may have heard her as the lead singer for Gunpowder Creek, the house band at O'Hallohan's in Newport."
A loud cheer went up in the diner. Betty rushed into the kitchen to grab Libby, leading her back into the dining room by the hand. Then Betty put her arm around the younger waitress.
"Well, Libby's a solo artist now and just finished her first album. We are so proud at WWOH to be the first station in the country to play 'Waiting for Someone' by our very own Libby Pike!"
Another cheer rang out, until the first notes of Libby's ballad were heard. Then you could hear a fork drop while the divine voice of their favorite girl rang out. By the end of the first verse, a tear flowed down the cheek of Libby Pike. All the years of scrounging for money to eat. All the abuse from her ex-husband. All the sexual innuendos from customers. All those people could go to hell because Libby Pike was going to make it.
People stood and applauded when the song ended. An embarrassed, yet proud, Libby waved to them all and thanked them over and over. A hug from Betty, and then it was back to work.
Eric would arrive at the diner a little past three. It was Libby's day to close the place up, so she was alone when Eric knocked loudly on the locked front door. Libby ran to open it.
"Did you hear? They played on record on the radio, Eric! Can you believe it?"
Eric hugged and kissed her, twirling Libby around one time afterward.
"You're a star, Libby."
"Come here. Come here," she said, excitedly dragging him by the hand toward the kitchen. "I've been waiting for you all day."
Once behind the swinging doors of the kitchen, Libby pressed her body against Eric's and said, "I want you to fuck me."
"Here?"