I had just come back from the most uncomfortable month-long vacation of my life. It was actually good to get back to work.
My desk bumped up next to that of a new employee, hired while I was away in Indonesia. She was a 23-year-old woman of Greek heritage, whose skin was dark enough to withstand that hot Mediterranean sun and cool enough to send a shiver up my spine, even without me touching it.
"Oh, are you Gaylon?" asked Andrea. "Good. Every time I ask somebody a question about how things work, they just tell me, 'Wait 'till Gaylon gets back. He's the one who does that.'"
Okay, I guess I was the unofficial mentor for new employees; I hadn't thought about it before. I walked to her side, introduced myself and answered a few questions.
It didn't take long before we became friends and shared a few lunches, a few late-night writing sessions and, occasionally, an all-nighter, writing to beat the deadline and have the next day free to go to a special assignment. She was young, hungry to make a name for herself and full of energy; I was determined, a workaholic who, at 39, still kept in shape with trips to the gym. She tried to fully understand a story before she told it. I just metaphorically lowered my head and dived into my work.
About three months went this way. Then, I had the dream.
It was 18 years earlier. I had just gotten divorced from my first wife and was living in a basement apartment near the large state university. I had wanted the hot, hectic life of a student again and, indeed, had landed in a few affairs with coeds.
But in the dream, a fantasy was playing out. Like through a film camera, I saw Andrea and I were together on the street where had I lived all those years before. We were obviously going to my old campus apartment. We got to the apartment. I opened the door and showed Andrea in. In my dream, she had on a longish skirt, a silky opaque purple button-up-the-front top and those leggings she always wore. "This is the mole hole. I know it doesn't have anything on the walls except the poster of the rhino, but I like it here.
"This is the kitchen, with the empty refrigerator. There's the bathroom and my spare bedroom, which I use as a den, as if I ever spend any time writing anymore."
I turned and pushed us back into my living room/entry room. Andrea sort of floated over to that old uncomfortable couch, the one that pulled out to make a bed. I back-pedaled a few steps, not quite willing to take my eyes off her. I did a slight turn, opened the door behind me and said, "Here's the master bedroom and the waterbed."
I turned back to Andrea, who was arranged on that horribly uncomfortable couch in a most effortless way, her long legs stretched out to the left as her torso leaned to the right. She was Charities, the Greek goddess of charm, beauty and creativity. She was a Botticelli.
"You know you want me," she said. She traced the tip of her tongue ever so slightly over her lower lip, not a conscious movement, but because she suddenly felt parched, needing a drink. The look in her eyes was as intense as that time I put my hand on the old electric stove burner.
I sat straight up in bed. It was 7:30 a.m. Saturday and I had to get out of bed, get dressed and do something.