Disclaimer: Characters portrayed in the following are not mine and I did not create them.
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White Light/White Heat:
Neal:
One o'clock in the morning; we had gone to bed after the grand tradition of Christmas carols around Moira's old Steinway. My second Christmas with the X-Men. This was something the group did: in remembrance, in respect, in the joy of the season and the break from hostilities. Like the football armistice of No-Man's Land 1914.
I sit at my typewriter trying to type. In the past it had come so easily. Now I feel like I have a mental block; perhaps a fear of failure, or failing that because it seems too flaccid an argument, a fear that what comes out will simply be crap. Whether I would necessarily call what I write "work", hmmm. It stems from a need inside. A yearning, maybe, for Kolkata. A room next to a firehouse, a balcony with many splendorous plants and flowers. The alleyway hissing of muted Shehnai wafting in over the scents of spice and coal. But what comes out is not usually related to these things, though it has that sort of reverent energy I feel -- a nostalgia -- permeating it, like the creepers that interweave in the burnt out shacks on the frosted steppes of the Himalayas. It reminds me when I re-read it that in my thoughts I can still see the red dust in the streets that tastes of heat and religion, the sun setting the sky ablaze, the million tiny lights blanketing the city.
I enjoy writing. It gives me a chance to express myself when I can't get the words out. That old joke -- *clink* *clink* "...If I could just say a few words, I'd be a better public speaker". From the Simpsons. But yes, there is a block sometimes. And sometimes it's as if I have neural constipation. The will is there, the desire, but no flow. No effort willing to come. Laziness? Perhaps. Something that can be cured? Perhaps not.
'You still up, love?'
'Yes.'
'Can't get anything out?'
'No.'
I curl over the typewriter, concealing the blank page, and stare out the window at a blustery wind. Of course I'm not ashamed of not having done anything this evening, but it would be nice just to end the day on a high. A personal high. Especially since I was up at the crack of dawn for my yoga.
'Don't push yourself too hard, Neal, you're supposed to be relaxing. Days off don't come often.' She lays her head on my shoulder. 'I know you're devoted to that thing, but maybe give it a rest?'
The thing is I haven't done anything since we left the party at eleven thirty. We were drinking cognac, but I'm rather good with my alcohol, so I know that hasn't had an affect. Plenty of the others were going to stay later than us and get drunker than us, but I think the real root of the problem is that I haven't done any writing for a long time. Nothing successful, anyway. It snowballs, you see? Writing begets writing. Creativity is a-sexual.
I don't resent any time spent with Betsy or the team, heaven's no. She is a beautiful. I have fallen for her. She takes my troubles away, reassures me of my place among the team, amongst the world where we can make a difference that is so sorely needed. But at the same time, this connectivity to one severs ties to home. Sounds ungrateful, doesn't it? Even pathetic. Follow your heart is the old clichΓ©, but mine is divided. India and America. Why can't the two of them be next door to one another? Why can't the team operate out of Delhi, set up shop there? Then I could be in the place I wanted to be with the woman I wanted to be in that place with. Oh, and of course, the team would be there too. Yes, the team, in all it's self-assured majesty.
'Don't torture yourself.' She calls.
Why is it so easy for her? Why is it so easy to abandon ties to the family, to bury your history in foreign soil, to abandon one's past on the wayside? Things that meant something to me once still have the same weight in my mind. I feel responsible for Karima, terrible, about having lost her. Not as if I'm still in love with her, I'm not, but she is one more reason I never wish to cast off my past. Do I have her blood on my hands, or that of my brother? Don't see it like that. Would be the same as me reasoning I have dear old Moira's blood on my hands simply because of my call that fateful day. But what a man does affects everything in his life, emotionally as well as karmically. It could be argued that whatever he does, pieces get left behind, others produced inadvertently, then either resolved and affected in their own way or unresolved and left in the air to affect someone else. These things that happened in sequence -- Karima's turning, Moira's death -- people changed and altered -- were they avoidable? If I hadn't have called and come away from home then maybe, but I've no way of knowing. Damned if you do, damned if you don't. The reasons for my inability to write fluidly are twofold. I don't know where I come from anymore and I don't know where I'm going. And I don't know if I have done well in my life or whether the bad things that have happened would have happened regardless. Where am I going and what will I do? Will I know if it starts to go wrong again? Will I be prepared?