Disclaimer: The characters portrayed in the following are not mine and I did not create them.
*
When I am laid in Earth:
I had a dream and in it I was dead. I saw atop a hill my wife and son next to a sapling. The sun behind them, they stood on Pine Mountain where Tyler had been buried. On the horizon the Guthrie Farm was silhouetted in red and yellow hues that melted into the west.
I approached, padding barefoot through the bluegrass. A gentle wind was in my face; far off, the cry of hawks and sparrows.
Aliya met me half-way. She was in white, a gold band pinning her hair back the way I remember it. Her hand as soft and gentle as I remember it. She said: why are you here Nathan? Have you finished your long journey? And upon her countenance my tongue spoke no words. My wife, whose touch I have missed so much. Why are you so far off? Among the reeds and caked Earth of New Canaan you are, laid to rest.
Her gesture led me to my son, tall beside the frail Virginia Pine. He turned, his face benign. I left him with so much pain in life, hardship he never surmounted; another death in the family. I didn't know what to say. The wind was stealing my words. 'Isn't it beautiful, father?' He broadcast, his hand loosing a hundred thousand stars into the sky. 'Every one of them a light extinguished in our crusade. The followers of a war none chose but were all borne into.'
They glittered across the expanse of night, reflecting and refracting one another's twilight elegies. 'They are all that's left, father. Memories in your memories.' And the decay I feel gnaws at my insides. The guilt weighs heavy on my shoulders.
'But there is a choice to fight, Nathan.' Aliya says.
'Just like they made.' Tyler reminds me. 'In that world there are no options, but you provided them with one.'
'You have no future!' I scream at them. 'You are but dust and bones and I cannot go on any longer, sacrificing those I love for a destiny I cannot change.'
'Their deaths mean something because they tried, Nathan. That is the burden you must bear for leading them.'
'It's too much! How will I ever avenge them?'
'The honour is repaid in your constant struggle, father; by the hope you inspire in the new.'
The Guthrie farm drowns in moonglow. My time on this plane is coming to an end.
I look at my family for the last time, the roots of the sapling taking hold, ensuring their survival until my return.
As I slip away Aliya calls to me.
'It's not time for you to rest yet, Nathan! There is much to do before you can join us. But we'll be here, waiting.'
***
'Wake up Nate, wake up now...'
The glare of surgical lamps whitens my eyes. The tumbleweed in my guts has stopped its turning. I cannot quite recall what's just happened. Getting my bearings I realise I'm not alone here. Friends are with me, confidants, a lover, a man I've never seen. Franklin Richards is here too. His cheeks are red from exertion, he looks embarrassed. 'It's ok!' I say.
'He's trying to speak!'
'Give him some room!'
My vocal cords -- they aren't working proper?
'S'okay.' I mutter, trying to get up.
'Easy Nate! Easy. That's it. There you go.'
Domino helps prop me up against something cold and hard. Wind-battered metal and stone. Adjusting to the brightness I see about the room. Burnt-out and half-collapsing it's not long for this world. Must be the Baxter building.
Onslaught -- the alias branding itself in my memory, a hot poker at my temple. 'Where is he, what happened?'
The reaction is acidic. Scorn and anger scar their faces, even Franklin is catalysed.
'Cable. My name is Nathaniel Richards. I'm Franklin's grandfather.'
'...This can wait...' I hear Sam say.
'You were taken over by the virus in your body. The techno organics reached your frontal lobe... you may have seen things, felt things... we tried the best we could to separate the components...'
'But ya stitched yourself back together Cable sir! You had us so worried there, but you pulled yourself through --' Sam shouted.
'...Forgive me,' Nathaniel said 'I've suddenly become very weary...'
'Where's Onslaught? Somebody tell me!' I ask.
'He's dead.' Franklin tells. 'He's dead and he's not coming back. He took everyone with him.'
This is a kid saying this.
'Mum, Dad, Ben, Johnny.'
'All the Avengers, everybody.' Sam says. 'They all got swallowed up inside'a him.'
I get off the makeshift gurney. My knees stagger. The lack of pain, the lack of the stab is what's throwing me off balance.
'You're still not right Nate, will you please sit down!' Dom shouts.
'What about the X-Men?' I ask.
'Alive.' Storm replies. 'But with the devastation of New York, we have lost the war. Onslaught is dead, but the heroes are gone.'
I stare from a window where once there was glass and a desk.
'What happens now?'
At 2.43 the rain comes.
The sky cracks open and the heavens rage.
It does not cleanse the ground; Onslaught and the end of the age of wonders has angered god. This is a flood to purge us miscreants. This is spite.
All about are the signs of destruction's passing. Mutilated billboards, upturned cars, spurting fire hydrants, wounded pipes spewing flame. The battle of Megiddo.
'How can life be so cruel?' I ask Domino, under the refugee shelters. Stretchers ferrying the missing and killed roll by, doctors and medics operating on a thin line.
'I don't know. But these people will be out for blood. We've got to go underground now.'
I tell Storm that we'll see them soon, when the dust settles. I'm scared this is the flashpoint.
***
Mount Mansfield, outside Underhill, Vermont. 32'37" North, 48'51" West.
Ten p.m.
Two days later.
We got out of New York in time; they were closing the tunnels and imposing a curfew. State of emergency.
Up here, you can taste the air. No scent of open sewer, no pollution. No billowing smoke borne on the eastern winds. There is hoarfrost on the treetops. The purr of our engine the only noise the forest heard in weeks. I have a safehouse here, kitted out for the North and hidden from the Adirondack Mountains just in case.
America, land of the free.
Not this week.
I click the radio off, continuous reports streaming hardline vengeance for mutant terrorism and the murder of our national icons. No more Captain America, no more Iron Man, no Thor, no Reed Richards or the Human Torch. Just pests the media can get its teeth in. Spider-Man. The X-Men. Hulk. Monsters and genetic anomalies the world welcomes the Sentinels for. Xavier has now committed more globally harmonious retroaction than any one of the million enemies we have. Things cannot get any worse.
Domino emerges from the bathroom, towel around her, hair wet. As if reading my mind she says: I think the shower's clogged.