*****
A great many people have undertaken to portray Agatha Christie's Belgian detective, Hercule Poirot, but in my opinion, none has done it as well as David Suchet, star of ITW productions of Poirot. It is his image that I use as my visual and those of Hugh Fraser (Captain Hastings), Pauline Moran (Miss Lemon) and Philip Jackson (Chief Inspector Japp). ENJOY! *****
Everyone stood stock still in the room, all eyes trained on the woman who was rapidly crumpling to the floor, the knife in her hand clanging as it bounced on the floor, harmlessly pinwheeling towards its intended victim. Poirot briefly glanced down at it, flicked it away with flip of his foot then returned his gaze to the woman standing in the doorway. The old maid, Glynnis, slowly lowered the smoking weapon, her shaking hands losing their grip and causing the barrel to swing lazily. Japp moved forward, quickly snatching the gun from her hands, then stepped over to the body of Sister Lilia, checking for a pulse.
"She's dead."
A wail went up from Florence Wilmouth who leaped from the chair, throwing herself at the dead nun's side and pulling her lifeless body into an embrace. "You killed her!"
"She was going to 'urt mister Poirot. I couldn't let that 'appen." Glynnis smiled through her tears. "Not as nice as 'e's been to the lot of us."
"Glynnis, where's Joceline?"
"Miss Tarrant? She's 'ere?"
"I know where she is." Wesley Wilmouth stood, clearly shaken by the death but showing the mettle that he'd been born with. "Mum had told me that the South wing was being re-decorated. There's no better place on this estate to keep a hostage."
"Please. Show me."
Wilmouth turned toward the opposite door, passing by his weeping mother who grabbed at his pants leg, leaving a bloody smudge there. "Wesley, darling, please understand."
"I do understand." The young man said evenly. "I'm going to see my mother."
Poirot flexed his cheek muscle and gave a curt nod to Japp, who quickly instructed his men to arrest the duke and duchess. Lord Wilmouth strode briskly down the hall, up two short flights of stairs and down a long hallway, the end of which opened into the South wing. When Wesley tried the door, he found it locked.
"Knock it down!"
Three officers ran to carry out Japp's directive and within minutes, the ornate French doors lay in splinters on the floor and with Hastings' help, Poirot tramped over the shards of wood, his heart pounding in his chest.
Joceline Tarrant lay on the expansive bed, her face puffy and streaked with tears, her arms and legs tied to the bedposts. Poirot raced to the bedside, carefully removing the scarf from her mouth and pressing his lips against her chapped ones. "Lina. Lina, wake up. Wake up, my love."
Poirot ignored the shocked look on Japp's face, instead concentrating on the small tic in her cheek and the long black lashes that slowly fluttered open. Her eyes crossed, then focused on his face, filling with tears. "Hercule."
"Do not speak. Poirot is here to take you home."
Joceline tried to smile but the pain that racked her limbs was too much. "Yes, Hercule. Please take me home."
* * * * *
Four months later
"Do you have the flowers, Hastings?"
"Yes, Poirot."
"
Bon
. Do you have the chocolates, Hastings?"
"Yes, Poirot."
"
Bon
. Do you have the ... "
"Yes, Poirot. I have everything. Relax!"
Poirot straightened his bow tie for the twentieth time and checked to see that his shoes were still properly shined and that the crease in his pants was still razor-sharp. "I cannot relax, Hastings. She is coming home."
"I know this but it won't help her if you've suffered an attack while waiting for her." Poirot huffed. "Now, calm down. Here comes the train now."
The locomotive trundled into the station in a cloud of wispy smoke and squealing brakes and almost immediately, a huge crowd flooded the platform, bearing banners and hand-painted signs that welcomed the renowned Joceline Tarrant back home. Poirot and Hastings stood near the doors, watching the festivities in disbelief.
After the rescue, Wesley Wilmouth had gone on TV, announcing to anyone who cared to hear that this beautiful black woman was his mother. The responses at first were disheartening. Bigots and racists alike spewed their hatred out but the strength that sustained mother also coursed through the son and Wesley persevered. Joceline accompanied him on each stop, wooing voters to their side with her sultry songs and her warm smiles and as a result of their hard work, Wesley won the seat. Now she was returning as she'd promised, to him, to a life with her man, Hercule Poirot.
"Wow! She's become rather popular, hasn't she?"
"Yes,
mon
ami
." Poirot put his best smile forward, observing the gigantic roar that erupted when the train door opened and Joceline stepped forward, a wide-brimmed beige hat adorned with a peacock feather sitting on her head. She raised a hand in acknowledgment and the roar swelled again when she unleashed her stunning smile upon the waiting crowd. He noticed that her eyes were searching the sea of faces and when she found him, her smile brightened, if that was possible.
"I think she's found us."
It took several minutes for the conductor and his staff to clear an aisle for her to reach the building and she happily threw herself into his arms, crying in sheer joy. "Oh, Hercule! I'm so glad to see you!"
"Not as happy as I am." He whispered softly, embracing her tightly. "I see you've brought some friends along."
Joceline laughed, throwing her head back and grinning at Hastings. "And I see you've brought one along yourself." She released Poirot to give Hastings a heartfelt squeeze. "Hello, Captain Hastings."
"Hello yourself!" Hastings handed her the roses and the chocolates. "Welcome home!"
"Can we get out of here?" Joceline shouted above the din. "I'd really like to go home."
"And where is home?" Poirot murmured, kissing her ear.
"Anywhere that you are, dear Hercule."
"
Bon
." He held out his arm, sighing when she slid hers through. "Then let us go."