All characters in this story are over 18 years.
***
In the crowded bar-lounge Clement hesitated a moment, looking about for a table. Everyone seemed to be with someone else. And here was he going to a pub to be among people for the sake of it. He made his way through the crowd to stand at the far end of the bar where several couples were hovering. Coming up beside them he ordered a beer. He then made his way across to the far side of the room. 'Mind if I sit here?' He asked a girl sitting on her own. Her skirt revealed most of her thigh. 'You're not waiting for someone are you?'
'No, she flashed him a brilliant smile from a lush mouth. Giving it full in his face, beckoning him to join her. Those parted lips, he thought. A lipstick of the bloodiest hue. She tugged at her skirt, adjusting it by about half an inch. She was on the lookout, he was convinced. The sleeve fell back from her rather thin, but elegant arm as she took up her glass. After a few moments of small-talk, she held out her hand.
'Zadie.' She spoke in a low throaty voice. 'Zadie. Zadie Tyburn, It's a stage name, of course,' she quickly explained. 'On the stage. Small parts. Film and TV work.' She said, recrossing tanned, beautiful, well-developed legs. Her voice now held a bronze-like resonance and she spoke rather fast. 'I'm just waiting for the right part to launch my career.' Her bright mouth laughed. A perfect Botticelli face, he thought. Her features had a harmonious flow of line. The ultra-feminine type, he told himself with a smile, admiring the good definition of her legs, the tight fitting skirt. One who'd cling to you and submit, A complete contrast to his former dominant girlfriend. She's enough to make a man feel twice his size.
Zadie studied her glass before removing a particle from it with a long red fingernail. A half mocking smile was playing in her clear, china-like eyes. He's a bit of a lone dog, Zadie was considering. But he's about my age, and that's a change. Clem thought, she's quite a tonic. Very feminine and playing up to me. Just what I need. He felt she yearned to be compelled and subjugated.
More people came crowding into the bar, mostly students and a few solitary drinkers. Clem was rooster pleased when Zadie readily agreed to go on to another pub with him, then on to a disco dance later that night. Clem was convinced that with a girl like Zadie, he would be playing a much more masculine role than with Holly, the girl he had just broken off with.
He returned with Zadie to her room that night. She lived in the glassed-in end of the veranda of an old terrace house in South Melbourne. An although they had spent much time in the back seat of his car touching and caressing one another, he sliding a hand up her thigh, she holding back sexually saying: 'Not on the first date!' And when he protested she made a mocking mouth at him.
And as men will always want what is withheld, Clem spent a lot of time and effort pursuing Zadie over the next few days. His need to assert his manliness, he felt. At the same time he knew full-well that he was simply trying to cope with stress by sexual release. Always it seemed in human relations there was the need to enter and consume the other. Always there was the urge - the need to let something out of oneself.
The following afternoon Zadie rang Clem at his office. 'Listen,' she said excitedly. 'I want you to meet a woman named Phyllis Loman. She's Production Designer for Parker-Anderson Productions and she wants me to audition for Nathaniel Parker, the Producer and Director of a new TV Mini-series called 'Breakwater'. They're going to try me out for a major role. It's terribly important. Phyllis is giving a dinner at the Sheraton Hotel in the city to meet some of the crew. Saturday night. My agent spoke to Phyllis this morning and says it will be a fantastic opportunity to meet the people who count.
At the Sheraton Hotel on Saturday night Zadie was overdressed for the dinner. Where the others dressed down, Zadie dressed up in a bright yellow trouser-suit. 'Always,' she said, 'I am concerned with the maintenance of a sharp personal image.' Before entering the dining room, Zadie leaned against the doorframe, her hip bending out like a model posing. She was so into her role.
As she made her way across the room to the front table, Sadie spoke aside to Clem. 'I'm carefully concerned with every public appearance I make. Of projecting the right body image. Elegance, self-possession, style is my forte.
But to make matters worse Zadie played up to several of the men outrageously during the meal. Said it didn't mean a thing, that the people she carried on with were useful, vital to her, could help her to get jobs. But in lust - one loses all pride. Later Clem felt the need to engulf her. To absorb Zadie completely. But still she held out on him sexually when he drove her home. His uprushes of longing left him restless and moody.
On another Saturday night at a city restaurant Zadie introduced Clem to TV producer Nathaniel Parker. Nat was an educated man who made great efforts to sound like an outback Australian when he talked. Clem was of the opinion that Nat was nothing more than a little, fat, oily man who leered like Silenus. His eyes bright and brittle under bristling eyebrows. And as Nat's eyes took in Zadie's low-cut silk-taffeta dress, they narrowed, the predator sizing up the prey. His paunch touching the edge of the table.
Nathaniel was saying that it was necessary to grab whatever life can give you. 'A thing like TV or film depends largely on the blokes you know in addition to you being who you are. 'It's the crucial handshake that matters and the mates you make along the way, that gets you in, while a lot of brighter sparks are often left out.' He looked sideways at Zadie as he spoke, 'but the sheilas have always got to show it off, share it around. Now, I can get you in anywhere you want, I can get you to where you want to be' Zadie ever seeking for more than she had, was looking up into his face like a dog eager for a bone.
Nathaniel, as it turned out in the course of conversation, was auditioning Zadie for a major role in a new TV mini-series. Breakwater, a romantic costume drama set against the Great Barrier Reef. He stood there with his fat fingers locked around a beer glass, fingers tufted with hackles of little black hairs. When he lowered his glass, you could see the fleshy bulges where his belt was eating into his stomach.
But there was a condition, Zadie later explained to Clem in the car on the way back to her room. She'd get the part in Breakwater, which meant everything to her. She paused. Providing she slept with Nathanial. This was the offer she couldn't refuse. Zadie then went on to explain, 'Seventeen girls did screen-tests and Nat could have given the part of Myra to any one of them. Such is the supply and demand of talent in show-business. My career would never get off the ground otherwise. So I'm quite prepared to sell my body to launch myself.' She went on to add defensively. 'It's my body and I have a right to do what I like with it.'
Clem reflected as he settled into her room's one armchair. I had wanted sex with Zadie. Apparently I was not getting it. Nat Parker only had to snap his fingers. Or wave a contract. The lady is a tramp, but she doesn't come cheap!
Then to his surprise Zadie did invite Clem into her bed later that night. Zadie made gestures that his former girlfriends never rose to. At least she went through the moves of feminine seduction, he thought watching her undress. Made you feel male. Did it matter very much whether or not there was any deep feeling behind it?
Suddenly they came together, she desiring him even more than he wanted her. And there was an urgency in him which made him impatient and domineering but also stumbling and clumsy. So what was born in him - was still-born. The loving with Zadie, such as it was, was brief and unsatisfactory.
'What you need is a girl who'll make no demands,' she said later. Clem could not keep the hurt out of his voice. 'You are upset!'
'No, I'm not. Why should I be?'
Zadie then told Clem how a few nights ago Phyllis Loman advised her she should go up to Nathan's suite at the Sheraton Hotel to audition. Phyllis said that most movie industry power brokers worked this way. That this was the quickest way to boost her career.
And what was Phyllis, Clem wondered - a procuress?
Zadie told Clem that on Friday night last Nathaniel had greeted the two women at the door of his suite dressed only in a bath-robe. 'You'll have to excuse me,' he said. I've just stepped out of the shower.'
He ushered them into the room and offered Phyllis a whisky and asked Zadie what she would like to drink. He smiled when she said she said she'd like a sherry.