It begins with Kimberly McArthur slowly waking up in a strange room. It's dimly lit and a few feet in front of her there is a standing mirror; beyond that she can see a bed with another mirror hanging over it. As her eyes focus she realizes that the mirror over the bed is merely hanging from some rough hemp ropes; other ropes hang down from beams above the bed. Kimberly looks around the room and finds that it is sparsely furnished like a converted garage or basement. Is she alone? She looks down and sees that she's sitting in a chair and a rope is attached to each over her wrists. What's more, there is a silken gag on her mouth, or rather in her mouth, as the cloth is pressing between her luscious red lips, against her magnificent white teeth. What is happening to her? Her beautiful green eyes widen, but she's not quite afraid yet. She shakes her sweet strawberry blonde hair and begins to stand.
But as she stands she hears a strange mechanical sound and she feels the ropes on her wrists begin to tighten, spreading her arms out wide and forcing her to stand in front of the mirror.
Now she is afraid.
She looks at herself in the glass and sees that she is dressed the same as when she went out this afternoon: in tight blue jeans, with a white men's shirt tied in a knot above her cute belly button. The shirt is open at the top about four buttons, showing her creamy cleavage glowing in contrast to the red bikini she wears under her clothes. The last thing she remembers is sitting in a lawn chair at Barbara Edwards' house sipping wine. They had the day off from their film shoot; in fact today is Kim's birthday and they were going to go out later to celebrate. How did she get here? A prisoner bound and gagged before a mirror watching her own flat firm belly move in and out and her gorgeous white breasts heave up and down as she breathes in fear. What is she here for?
Suddenly, as she looks at her fabulous body writhing in the mirror she realizes exactly what is going to happen to her; her green eyes widen even more before she closes them tight and lets out a soft, slow, almost orgasmic moan. She realizes now that she is a prisoner here and about to be fucked by some insane pervert. She is afraid and she is sweating with fear.
And yet, coupled with the fear is a strange tingle of excitement; Kimberly thinks back to a few days ago on the movie set and a conversation she had with Barbara Edwards. Kim and Barbara were in bed together completely nude. They both knew that they looked perfect together. Barbara's dark hair tangled up with Kimberly's strawberry blonde; Kim's large creamy breasts pressed against Barbara's firm nipples. Each of them had one hand on the other's round and plump bottom while the other hand gently stroked pussy. As they lay there slowly moving their bodies against one another in a slow erotic dance Barbara kept kissing Kim's face; her lips a soft, tender butterfly alighting first on her eyes, then her cheeks, finally her lips. Barbara's tongue darted against Kim's just as she slipped one finger slowly, smoothly, but strongly into her pussy, and pushed another finger firmly into her ass. Kimberly's hand tightened on Barbara's ass and she moaned with pleasure. Her other hand pushed against Barbara's dewy bush.
Suddenly someone yelled "Cut." And there was a flurry of activity as grips and carpenters began to move over the set, changing lights and repositioning cameras. But Kimberly and Barbara kept rocking against one another. Kim thought Barbara's fingers, one in her rear and the other in her pussy, were almost touching. She pressed her own mouth on Barbara's as she began to shake with orgasmic delight. She could see her own pleasure reflected in Barbara's deep dark eyes.
But here was the director standing over them. He was a bit bemused but also a bit perturbed. Both girls could see in his pants that he was extremely aroused.
"Girls, girls," he said, "This is too much; we're doing soft-core and action, not porno." The girls began to giggle. "And take a look around you. Every guy on the crew has a boner. We're gonna have to take lunch now so everybody can wack off."
The girls did look around, and indeed, every man in sight was erect. Even Charlotte, the make-up girl, had a misty look in her eyes and her hand on her crotch. They giggled again and Barbara said with a laugh, "Watch your language when you talk to ladies. Now leave us alone; I want to show this Texas goddess some things I learned in the grotto." With that she buried her face between Kimberly's milky white breasts.
Kimberly laughed too as she felt Barbara's tongue slowly draw a line down her chest towards her belly button. She knew it wouldn't be long before there was a hungry mouth engulfing her clit. She looked up at the director and said with her cutest southern belle smile, "Would you mind throwing a sheet over us before you leave?"
The director mumbled something but did as he was told. Kim and Barbara were alone on the set, at least alone in the bed. Kim could see some of the crew off in the shadows watching as the two playmates pleasured each other.
Barbara's mouth was slowly working towards Kim's honey pot. Both girls were now in a dreamy state. Barbara was under the sheet kneeling between Kim's legs as she licked and nibbled every inch of Kim's sweet pink flesh, slowly working down to her scrumptious clit. Kim was on her back now, immobilized with erotic enthrallment as her girlfriend probed her body. She was gently stroking Barbara's dark hair and she was watching through hazy eyes as several of the crew remained, excited by the sex show they were witnessing. And Kim was excited by their eyes on her.
She whispered huskily and dreamily to her lover, "You know, Barbara, I have this fantasy about being taken by a whole crew of really horny men, and then after about a dozen orgasms, getting some loving from you, Honey Girl." All Barbara could say in response was "Mmhghmm," as her hot, anxious tongue found the sweetest spot.
But now those tender moments are gone. Here she is trapped in what looks like some frat-boy hangout. She's a prisoner, bound and gagged. What's in store for her? She looks at her beautiful body standing before the mirror. Her jeans are so tight that she can almost see the line of the bikini underneath. She watches her velvety breasts heave up and down with each deep breath she takes. And she is breathing deeply with both fear and excitement. She knows her body is beautiful and she loves making love; perhaps she can seduce her captors and avoid any pain. But then she sees her wrists bound by ropes and her arms spread and the silken gag in her mouth and she realizes that she is in great peril.
She moans again and begins to sob. Sweet and salty tears dampen the honey soft curls hanging over her breasts. As she cries quietly she looks at herself in the mirror again and looks beyond and realizes that she is not alone in the room. She sees in the reflection behind her a table and three men, large shadowy figures, sitting there. They seem to be cutting a deck of cards. Now she moans wildly, a deep animal groan, a combination of sensuality and violence she never knew she had inside herself.
Her moan turns into a scream within the silken gag and she starts to thrash fiercely against her bonds; she doesn't realize that her wrists are wrapped in smooth satin so the ropes don't chaff against her supple skin. Suddenly she stops her panic as she sees one of the men push his chair back and start come towards her. The men are murmuring quietly to each other and Kimberly stops her crying in an effort to hear what they say. All she hears is, "Lucky dog." Two of the men pat the third as he slowly moves towards his gorgeous captive. She sees in the grey light that he slips a mask over his head as he gets closer.
The mask sets off her moaning again. Her soft pleas muffled in the gag. Fear takes hold and pushes out all notions of sensuality as visions of pain and brute force fill her mind. The mask tells her that they mean to hurt her and don't want her to recognize them later. She tries to close her eyes but she can't help watching the hulking masked beast as he moves behind her.
"Shhsh, Kimmy." His voice whispering behind her is surprisingly gentle. "It doesn't have to be this way. We don't want to hurt you." She wants to believe but she thinks she hears a slight snicker from the two at the table. She moans yet again but the masked man behind her keeps saying, "Shssh, it's OK. We all know what we're here for. We all want to enjoy ourselves. It's gonna be a fine party. You're a beautiful girl. A gorgeous woman. You know what you do to men don't you?" He's looking at her in the mirror, still not touching her. His eyes run up and down her shapely body as he talks quietly. Finally her eyes meet his in the mirror.
Again he says, "You know what you do to men don't you?" She stares at him. Suddenly, he's more insistent, "Don't you?" She nods her head timidly. "Good girl. We're all going to have a good time now. We're gonna have a nice little party." Kimberly continues to watch the man in the mirror as both fear and excitement make her tremble.
"You look so good baby. You know what we want. You know what you have to do." He pauses, then more insistent, "You know what we want." Kim nods slightly but tears begin to come too. "Shhh, sweet heart. There's nothing to be afraid of if you cooperate. You're gonna be a good girl; you'll be good won't you?" Again she nods. "Yeah, you're so good, so sweet. All we want to do is have fun. We're just gonna party with you and you'll be a good girl won't you. See the bed over there? It's set up for a good time and you look so good." Kimberly is slowly writhing against the ropes. "We're gonna take turns, OK? You'll like that won't you baby?" Kim is frightened and confused and doesn't know how to respond but her captor is firm. "You want us to take turns; you want to have a ball." The beautiful prisoner nods but she is frightened.