[This is my entry in the
2019 Geek Pride Event
.]
I was next to a dark green trolley car as a group of about twenty-five people stood around in a semi-circle listening to me to talk about the vehicle.
I don't think most of those in the group were really that interested in what a PCC car was or the history of its design. They had come up here to exurban Connecticut to do the touristy thing of seeing retired trolleys and then taking a three-mile round-trip on one of them. There was a route through the swampy woods that the museum had acquired in 1948 when a private transit entity, The Connecticut Company, had converted to buses.
The visitors could have gone to the Museum of Natural History in New York or farther afield to Colonial Williamsburg or the Gettysburg battlefield. Today these people had chosen to come here, a place with the unwieldy name of The Branford Electric Railway at the Shore Line Trolley Museum.
Up here they got some time outdoors and chance to indulge in some "educational" nostalgia. Most visitors took the trolley ride first and then my job as a volunteer guide was to show each batch around the site. I had memorized information about each of the approximately eighty vehicles (including a handful of subway cars and buses) and the history of public transit in America.
It helped my lecturing task to actually have the cars on site so that people could touch them and ride a few that were in service each day. I wasn't that comfortable with pubic speaking but the job was easier when most of their attention was focused on these large machines rather than on me.
Invariably someone would suggest that "we bring these back" -- or modern versions at least -- to solve America's urban woes, including traffic problems. The irony that almost all of them had driven here in automobiles seemed lost on these amateur city planners. A handful of visitors would sit on the bench at the roadside bus stop just outside the grounds. From there they could get a ride to downtown New Haven and whatever connections they needed to finally get home.
On this day I tried to be brief as I described Brooklyn and Queens Transit #1001, the last car I had chosen to present on this tour. I explained how a group of executives called the Presidents' Conference Committee had developed a new vehicle for the transit industry in the 1930s. At that time most of the service in the United States was provided by private companies and all of them were struggling with competition from the automobile.
I told them how 1001, built in 1936, was one of the newer cars in our fleet. The PCC design was one of the last streetcars built in the United States as buses soon took over most surface transit. I personally liked 1001's streamlined, Art Deco appearance which set it apart from the boxy older cars in the collection.
I hadn't noticed much about the composition of the group I had been addressing. To be more specific, I hadn't been looking for any single women to approach because usually there were none. Any age-appropriate women on these tours were invariably there with their boyfriends or even their husbands.
I had been through a sudden breakup at the very end of my last semester at City College of New York. Now it was August, 1977, and less than two months had passed since that unhappy incident. However, I didn't consider the museum as a place to look for new prospects because it was seemingly an unlikely place for that. I was there for other reasons, to please myself and follow my own interests. If anything, being there on weekends gave me something to distract me from thoughts of my departed sweetheart.
As the visitors started to drift away, I noticed an anomaly: there was a young single woman who had stayed behind. She had a camera around her neck and she took a few photos of 1001's green exterior. I looked around to see if she was actually attached to some guy but I saw no one.
I gave myself the time to look her over. She was of middling height, maybe five-foot five. Her dark hair was cut in a short bobbed manner. I made a quick tally of her outfit: dark-rimmed glasses, a short-sleeved blouse, a blue skirt, open-toed shoes. I was pretty sure -- no I was positive -- that she wasn't wearing a bra.
Nice perky tits, cute nipples.
It was worth an approach. "Hi, I see you like trolleys." That sounded pretty weak but I had nothing more clever to say. Sometimes just the fact of approaching was enough to start.
She responded better than I had expected, "Oh yeah, I'm interested in a lot of different things. I'm an architecture major. I know they still have these, I mean PCCs, in Boston."
I had never met an architecture major before, at least not a female one.
I said, "They're finally bringing in those new cars up there, the ones from Boeing-Vertol."
"Right, I've seen them. I've already ridden a few in fact."
That was an excellent sign; she knew what I was talking about. My curiosity had to be satisfied, "So you're from Boston then?"
"No, I live in New York." That significantly improved my chances.
"Okay, I just graduated from CCNY this year."
"Really? I live up in Inwood." That was even better; that would be in upper Manhattan a few miles from my house. I decided to hold that information in abeyance for the moment. However now I was stuck about what to say next, but she helped me there, "I was really impressed with your tour; I mean it was very informative."
So maybe she dug informative guys. "I do this once a week as a volunteer, usually on a Saturday or Sunday. By the way, I'm Paul."
"Nice to meet you, I'm Angela, Angela Shulman." I did detect a bit of nervousness in her. She immediately started explaining something more, "I don't have a car so I had to come up here on the New Haven Line and then those two buses from the station."
"I know about that, it's quite a trip to do that. You came all the way up here for this place?"
She shrugged and smiled, "What I can say, I'd heard about it and I was curious"
I had been around enough blocks to know the move I should make next. "Say, Angela, have a beer with me, I mean right now." I tried to smile and look relaxed but I detected some hesitation in my voice. "I can tell you, you know, more stuff about this place."
I hope she cares about that, or about simply talking to me.