The writer and the fiancé.
We were all but joined at the hip for the rest of that academic year, she dated a couple of other male students; I went out with one other female, but there was no spark there, for me anyway, I wasn't certain how she'd been getting on with her two other friends. And I carried on writing my novel, eventually submitting it to an agent for consideration. He came up with some suggestions to improve the structure and flow of the story. I gladly took his suggestions and incorporated them.
The last three weeks before we broke for the summer were hectic, we both had finals and hardly had time to eat let alone any sort of social life. On Friday I'd be packing everything I had with me into my car and heading home, while Diana would be staying on, spending the summer at the local hospital as part of her practical training.
At least she'd only be a few miles away, less than an hour by car, rather than the usual two hundred when she went home, we would at least get to spend some time together. We could cope with that. At least I hoped we could.
It was the Thursday of the final week of the academic year. I took her out to dinner. As we sat sipping our wine after the waiters had cleared our plates away she looked at me. And she smiled that smile.
"Dan," she said, "I think it's time."
"Time for what?" I asked.
"I'm ready to tell you that I want it to be just me and you from now on. No more casual dates with others, I want us to be exclusive to each other."
"Well, you know that's always what I've wanted," I said, "so why the sudden switch?"
"Well partly because I don't want some predatory female jumping in and snatching you away," she said, "but mainly because I love you. I want you to be mine alone and I want to be yours."
For a brief moment, I was puzzled by her use of the two terms, mine alone and yours. Did this mean that what she really wanted was for me to be exclusively hers while she was free to play the field?
I'm a believer in openness, in getting things out on the table.
"Diana," I said, albeit with a smile on my face, "I noticed that when you said that, you used the phrase 'I want you to be mine alone,' yet when it came to you, you merely said 'I want to be yours,.' Does this signify that the exclusivity is going to be one way?"
"What?" she said, "no, that's not it at all, I meant that I want us both to be equally as exclusive. No more other girls for you, no more other men for me."
I took her at face value, after all, her studies concerned the human body and its problems, it was mine that explored words and their meanings.
The only problem that I could see was that In a year I'd graduate, while she had another three, possibly four to go.
We spent that summer with me driving over to her for the weekends. It had only taken me a couple of weeks to find a holiday job. It was nothing fancy or exciting and was most definitely a fill-in until I could find something I would enjoy. But it was experience of the world of work and would, at least fill a space in my CV.
Probably the best thing that had happened to me in that next year was a telephone call from my agent, half way through the first term, telling me that he had successfully sold my first novel, a police procedural, to a publisher and they wanted to meet with me to talk about options. They were even willing to pay my expenses to travel to London and meet them.
It was at their offices, early one Saturday morning that I got to meet my literary agent, Richard Phillips. I'd had letters from him and spoken to him on the phone. Even though we'd never met, as soon as I saw him walk up to the receptionist's desk at their office building, I knew it was him.
Not only did he have a very plummy Oxbridge accent, or possible Eton, but he was six foot five inches tall and rake thin with a totally bald head and the most piercing blue eyes I'd ever seen.
I walked across; once he'd been handed a visitor's pass and tapped him on the shoulder.
"Richard?" I asked.
"Dan?" he replied.
Once we'd established that we were talking to the right person he guided me over to the seating area so we could, 'have a quick chat,' before we were dragged off upstairs. We discussed tactics for the meeting. Or, rather he discussed tactics, I just sat and listened.
"The first thing you have to be aware of, Dan, is that these guys are not your friends, I am."
I decided to let that one lie, for now, we'd see how much of a friend he was as time went on.
"Now, the first offer that they make, we just turn down, regardless of how nice it sounds. That will not be their final offer and if they don't offer us something that we're happy with, then we stand, shake hands and walk away. The three things they will probably do is offer you an advance against a percentage of book sales. They'll ask for all rights, worldwide in perpetuity. We do not give them that, in fact, we don't even make concessions on that. We are here to discuss first publishing in the English language. All subsidiary rights, paperback, foreign languages, adaptations, you keep the right to. If at some point they want to negotiate for those rights, then fair enough, but for now, we keep them. Dan, just let me do the talking and don't agree to anything beyond accepting a cup of coffee and anything I tell you that you can agree to."
"You're the one with the skills and experience, you do it," I said.
We finished that conversation just in time, a woman somewhere in her twenties or perhaps, even her early thirties approached us.
"Dan Collins?" she asked.
"That would be me," I said.
She looked at me, she had that definite, 'I was expecting somebody older,' look about her.
I held out my hand and we shook; then I introduced Richard. As they shook I said, "and you are?"
"Oh sorry, I'm Philippa Herries, if we can come to an agreement, I'll be editing your book."
I made a mental note to insist on the right to choose my editor, there was something about her I just didn't like
She led us through a door to the left of reception which led to a short corridor with two lifts, one of which took us up to the fifth floor. We walked along to meeting room two.
Two men were waiting for us when we entered, they stood, they were polite sharks if sharks were what they were.
After introductions and handshakes, we were invited to sit, asked if we'd like something to drink and after taking our orders, the older of the two men, Simon, opened the meeting.
"First of all, Dan, welcome to Samuelson Publishing. We're very keen to welcome you to the Samuelson family and want you to know that first of all we were all excited by your submission, so we have an offer for you."
"We're glad to hear that," Richard said, "we'd be wasting our time here if you didn't."
Simon sat back in his seat and let out a sigh.
"Now, having said that, Dan, we have to take into account that you're an unknown quantity, your book is good, but it's going to take a lot of work on both our parts to make it publishable. With that in mind, obviously, we can't afford to be as generous with you as a new author as we perhaps would be with someone more established."
"We understand that Simon, now why don't we cut all the crap and the sales pitch and you just outline the offer?" Richard said.
"I like a man who cuts to the chase," Simon said, "all right, we will offer you five thousand pounds for all rights to this book, plus a royalty of five percent of the wholesale price."
"No thanks," Richard said, standing up, "let's not waste any more of each other's time gentlemen. Obviously, we have different aims here."
"Then why don't you outline your thoughts on the matter, Dan?" the other man, Frank said.
"Thank you, Frank," Richard said, "very well. Fifty thousand against ten percent of retail, for first rights, English language worldwide. All other rights are to remain with the author and individually negotiable. On a one book deal with you having the first refusal for six months from submission of any subsequent writings."