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CW: FMC has a difficult relationship with food
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"5 minutes 2 seconds. A new personal best."
I had just finished a mile run, and was nearly faint. A whole two seconds had been shaved off of my previous best. Progress, but I wanted to crack the five minute barrier.
We're our university's running team, and our nickname is "The Cowgirls". Our captain Jennifer came up with this because of the burger joints we often visit after a run, and she joked that we're so hungry we could eat an entire cow. The girls are my favorite people, but I don't want to always be around them. They're too normal. Afterwards they go to eat, talk about girly stuff like boyfriends, shopping, celebrities. I keep in with them, but not too much. I'm the awkward one.
Every time we go for a burger, I order just fries. I eat a few, but when the conversation gets flowing and they're not noticing, I drop as many as I can onto the floor. I don't run just to stuff myself afterwards. I run to be proud of my body, to keep it trim. And I run to be proud of my spirit, that it is strong enough to make me always leaner: fewer seconds on the clock, fewer pounds on the scales, fewer inches on the tape measure.
We finish dinner, and I think this time I managed to drop maybe three-quarters of my fries. That's another kind of new record, maybe it will be matched by a faster time tomorrow! I get home, and put on my breast-binding corset. I'm not really anything when it comes to gender, but most people would at a glance consider me female. I don't want that, but I'm not male either. Without these breasts I could be just me. No men wanting me, no expectations. I'd have freedom. When I've got the money I'm going to remove them.
The next morning, I get ready for my next personal best attempt and get on the scales. 5'7, 110 pounds. Not bad, but still over a hundred.
I get to the track, and the girls are having some kind of debate with a guy - a guy who's not dressed like a runner. I find out that the guy, Adam, is an artist and is offering us each $20 if he can paint us together - in our running gear - after a race.
I'm not keen on the idea. I hate being gawked at, and I don't like standing still. But it's a bit of cash, so the girls are all for it and I don't object.
I don't break my best this time: I was four seconds behind yesterday. And we are not going straight to eat, Adam gets us to link arms and stay still for a session.
We stand there in front of the track and do nothing but look at this artist. How am I supposed to be still? I'm a runner, I'm active whenever possible. I'm not built for standing and just being watched.
It ends at last, and we go to check out the painting. Adam's a good artist. The people in it look like all of us. The sunlight looks like the day outside, the track looks real. Art is definitely not my skill, but I'm impressed.
"You need to come have a burger with us." Jennifer is an overly-friendly captain.
"Thank you. I'd love to. I need to take the painting back to dry, then I'll be with you."
"Wonderful. See you at The Boathouse, in thirty minutes."
No, he's not coming. It's something we do as a team.
"Jennifer, it's meant to be just a team thing." I don't want any guy in our group.
"Come on Catherine, he's paying us twenty dollars."
"Well, I don't want to impose," Adam says.
"No it's fine, come." Jennifer stares at me and I don't say anything. OK, he'll come. And I'll still come too, but I'll be even more the silent one. Hmmm, actually, if they're distracted by him, I might not even need to order anything.
We get to the burger joint, and the girls just can't stop talking about Adam.
"He's got that sensitive, intense expression. I think he saw through me." Jennifer says.
"He can paint me again for free!", Patricia adds. I'm still not keen.
"Look, we're a group. It was always just us."
"Come on Catherine. He's nice."
"But Jen, he's not a runner."
"Maybe he lifts instead. No harm knowing him." Jennifer and the others start giggling, and are still at it when Adam enters, notices us, and comes to our table.