The following is a story of romance, discovery and love. If you're looking for a lot of hot sex, it isn't the story for you. The sex comes at the end and is hopefully loving, tender and gentle. I have to thank my muse, the lovely Mona Lisa of Literotica. XOXOXOX's to you, Sweet Thing.
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I thought the first thing I would have noticed as I entered the luxurious penthouse apartment might have been the lavish furniture or the fine art along the wall or the exquisite chandelier in the entryway. The first thing I noticed was the music. Someone was playing a piano in the living room.
Two things struck me. First was the quality of the piano. I couldn't see it but I could tell it was a very expensive high end grand. Second, was the pure beauty of the music. It was a simple smooth jazz rendition of a 1930s Gershwin piece called "Nice Work If You Can Get It", but it rang. It flowed through the halls like magic. The piano, as grand as it probably was, was only the instrument. I knew this music was borne in the heart and soul of the artiste at the keyboard. My first instinct was to head directly to the living room to meet this person, but my host had different plans for me.
My name is John and I like to think of myself as a musician. I play at playing guitar. I wish I could say I was of the same caliber as Eric Clapton or Neil Young, but I can only say that I play a pretty decent rhythm guitar. I can keep rhythm with the best of them. I was here to promote music but strangely enough, not my guitar playing.
I can chord on a piano, but that's about it. Years ago I bought a fancy keyboard with all kinds of rhythms and backgrounds on it. It was just for my enjoyment, but through the years I composed a number of pieces using the provided sounds and rhythms. When I played them at parties, people seemed to like them. So I recorded a CD to give to anybody who wanted one. Then I got a wild hair to put some of the compositions on the Internet. To my great surprise, people started buying my CD. One thing led to another and someone on NPR reviewed it. After that, independent stations and more NPR stations started playing it. And that's what brought me to New York City.
My host, a record producer named Bernie had invited me to come back east to discuss putting the CD out into the mainstream. I had no illusions about becoming a second Kitaro but I figured what the heck. At my age (I'm 64) I imagined that at best I might be a one hit wonder, but if I could make a few bucks to supplement my retirement and leave some residual income to my kids, why not? Bernie produced CDs to sell in bookstores and espresso shops and had been fairly successful at it. That is what he had in mind for my music.
He saw that I was trying to look into the living room and said, "Hey John, I've been around musicians long enough to know that you want to go straight to that piano and linger there. I'll introduce you to Teresa in a minute. There are a few folks I would really like you to meet first."
He took me around and introduced me to a number of guests, but quite frankly I really wasn't paying attention. I couldn't keep myself from listening to the music. The musician was playing everything from jazz and swing to blues and pop standards with a little Beethoven and Mozart thrown in. And it was beautiful.
When we finally reached the living room I got my first glimpse of "Teresa" and the magnificent Baldwin grand piano she was playing. She was a very pretty dark haired woman who appeared to be in her early to mid forties. The first thing I noticed was her uncanny resemblance to Da Vinci's "Mona Lisa." I wanted to catch her eye, but she was truly engrossed in playing music. I don't think she noticed anything other than what was flowing through her fingers.
After a few more introductions my host took my arm and we began to walk toward the piano. Just as we were approaching, she started to play "That Lucky Old Sun." That was always one of my favorites and I have performed on stage many times, so I couldn't help myself as I came up beside her and I began to sing.
"Up in the morning, out on the job. Work like the Devil for my pay. But that Lucky Ol' Sun got nothin' to do but roll around Heaven all day."
She looked up to me and I sang the second verse, went to the bridge and then the last verse. She then took the lead and improvised a beautiful refrain. When she finished I came in once again with the bridge and last verse. Then I nodded and she improvised to a fantastic ending. When we finished, the room broke into enthusiastic applause.
Then our host said, "That's why I was saving Teresa for the last. John Ferraro, Teresa Romano. Teresa this is John."
She stood and extended her hand to me. I saw how pretty she really was. Dark hair and eyes, about five foot six with a very nice figure. Not hour glass or Hollywood, but very, very nice. The perfect example of a very beautiful Mediterranean Lady.
"Hello John, I'm happy to meet you. Bernie has told me all about you and your music."
I took her hand and said, "Ah, a 'piasan'. Happy to meet you Teresa. I hope what you have heard has been good."
That's when Bernie broke in. "Actually John, that's why I wanted you two to meet. Your music is great, but it does need some work. I've know Teresa since the day she was born and as you've heard she has tremendous talent, and a great ear. I believe that talent can make your offering even better. I was hoping you two could collaborate on the CD I want to produce."
"Wow," I thought to myself. I didn't see that one coming.
Then Bernie said, "I don't want to change anything. I just want to smooth it out some. Make it the best it can be. The best that you have inside of you."
I looked at him, then to Teresa. The first thing that came to mind was that I had been fairly successful in selling on line so why should I change anything? My ego wanted to walk away and forget about the whole deal. My good sense finally popped in and I thought, "This is your last chance to ever do anything like this Ferraro, so you'd better go for it." Besides, I really didn't want to walk out on this dark haired Latin beauty. Something about her caught hold of me.
I finally swallowed my pride and said, "Actually Bern, as much as I hate to admit it you're probably right." I looked to Teresa and said, "I can use all the help I can get."
She smiled and Bernie said, "Beautiful. That's why I like working with older artists. All that ego bullshit has been left behind. Now, I'm going to leave you two alone and let you get to know one another."
He shook my hand, smiled and kissed Teresa on the cheek. Then he turned and walked away.