"Oh, how nice to see you here," said a female voice.
I looked round in surprise to see a woman apparently pinned against the wall by a leering young guy dressed like a derelict gypsy.
I was at an art preview and had I been wandering around somewhat apathetically with a glass of lousy champagne in my hand. I was only there because a friend of mine, Ted, was exhibiting, and the works on display were of about the same quality as the champagne. I was wondering what I could say to him that wouldn't sound too unpleasant.
The woman had a desperate look in her eyes that seemed to say, "Please rescue me."
I thought I knew her, but couldn't think from where or why.
Understanding her plight I plunged in and said heartily, "Hello, I didn't expect to see you here. I'm just going to take a look in number three gallery, have you been there yet?"
"No...no, I have not."
"Let's go and take a look together," I replied, not knowing what else to say.
The young gypsy look-alike man glared poison at me, and then saying to the woman, "I'll catch up with you later, sweetheart," he wandered off.
The woman, with a look of overwhelming relief said, "Thank you for rescuing me. I did not want to be rude to him or make a fuss in public, but his breath was terrible and he wanted to escort me home. He was suggesting that we could get together for what he called 'some conviviality'."
"Glad I could be of use," I replied. "We have seen each other before, haven't we?"
"Yes, we are neighbours."
"Ah, of course."
I had only just moved into one of the new houses they were building adjacent to the city centre in an attempt to bring back people in to the CBD. They were really quite luxurious places but semi-detached. Since they had only just been completed all of us living in what was called, "The Close," were strangers, but I did recall seeing the woman a couple of times.
Trying not to make it too obvious I took an inventory of her. About five feet six in height, she looked around forty and, unlike most of the people at the preview, was dressed rather simply in a soft grey dress that covered her from neck to knee. Most of the females at the preview seemed bent upon displaying as much of their mammary glands as possible, but this dress gave only a hint of softly rounded breasts and a well proportioned figure.
Her dark hair was cut straight at near shoulder length; her dark eyes were startling in their brilliance and her face had a classical appearance, rather like one of those Greek goddesses.
"Were you really going to the number three gallery?" she asked.
I laughed and said, "No, I've already been there; I could see you needed rescuing so I said the first thing that came into my head."
"You were very kind. I do not like to be rude, but another minute and I would have had to say something nasty, he was so insistent."
She had a beautifully modulated voice but her careful pronunciation suggested that English was not her native language.
"We are neighbours," she went on, "but we do not know each other's names. I am Elizabeta Imra, but here I call myself Elizabeth."
"Andrew Davies," I responded.
She extended a small hand to me and when I took it I found her grasp surprisingly firm and warm.
By some unspoken mutual consent we continued to chat and I could see the rag bag young man had already found himself another victim, an apparently more willing one. The girl, with naked breasts virtually hanging over the top of her dress, was pinned against another wall chattering and giggling while the young man stroked her thigh.
"What do you think of the paintings," Elizabeth was asking."
I made a grimace.
'Yes, they are not very fine," She said. "Do you wish to stay?"
"No, in fact I was about to go home."
"I also; would you be so kind as to escort me?"
This had me a bit taken aback. The formal way of making her request was rather quaint and touching, but when I'd met Anne for the first time it was me who had done the asking.
"I...er...yes, if you'd like me to."
"Yes, I like; I do not think you would want conviviality...I do not know that word, what is conviviality?"
"Well it means...er...warmth, friendliness, but I don't think the young man meant it quite like that."
"No, I also think. He tried to touch me here," she said, briefly laying a hand on her breast.
Not knowing how to respond to that I simply said, "Shall we go then?"
"Yes, we go, thank you."
As we left I saw and could not avoid Ted, my friend who was exhibiting. I'd hoped to delay the moment when he would ask for my comments about his work.
He was surrounded by a gaggle of young females. I am not sure that it was his paintings that had drawn these young women to him. It was more likely that his allure resided in his good looks and, being somewhat cynical, I thought, "Also his money." He had been left rather well off by his now dead but once doting parents.
Breasts seemed to be in vogue, and I suppose I am old fashioned, but I prefer a bit more concealment. It's not that I have any objection to breasts, Anne had very desirable breasts, but they had been for my eyes and touch only. I was glad that I was escorting someone who seemed to take the same attitude as Anne concerning public breast exposure.
Ted spotted me, and momentarily disengaging himself from his admirers came toward me and asked, "Well, what did you think?"
I'm rather proud of the response I made on the spur of the moment.
"Ted, you've really done it this time."
He looked very pleased, and in a display of false modesty said, "Oh, do you really think so?"
"Yes, of course I do." Fortunately he did not ask me what I actually thought he had done.
Elizabeth had gone a little ahead of me and Ted grinned and muttered something about, "You're flying a bit high there old boy."
Wondering what he meant I was about to ask, but one of the girls had drawn him away saying, "We're not going to let you desert us."
I caught up with Elizabeth and we made our way outside.
Our houses were only ten minutes walk from the gallery and neither of us had bothered to use our cars. As we walked along I asked, "What brought you to the gallery, were you an invited guest?"
"No, I just saw the advertisement in the newspaper about the exhibition, so I went along. I thought I might see something I would like for my house."
She gave a throaty laugh and went on, "I did not read the date correctly. I did not realise that tonight was for preview guests only and they did not at first want to let me in, but then the man at the door changed his mind and said he thought it would be all right as long as I did not tell anyone. I think he was the owner of the gallery and he hoped I might buy something and he would get his...what is the word?"
"Cut, I think you mean, or percentage."
"Yes; I did not buy, and you?"
"No, I didn't really intend to anyway, I went along because my friend Ted who's exhibiting invited me."
"The man with all the girls?"
"Yes, that's Ted."
"A very handsome man, but not a good artist I think."
We had entered The Close and Elizabeth's house was the first one we came to.
We stopped and she said, "You have been most kind to escort me. I was a little afraid the young man with the bad breath might try to follow me home, but I think not because he seemed to be having conviviality with a young lady."
Somewhat formally I said, "It's been a pleasure to meet you, Elizabeth, I hope we shall talk again soon."
"Yes, you are kind, thank you."