Photographs and memories
All the love you gave to me
Somehow it just canât be true
Thatâs all Iâve left of you
- Jim Croce, Photographs and Memories
I stood at the top of Mrs. McBrideâs staircase, zipping and snapping my pants. Her son Kenny, at the foot of the stairway, hadnât seen me coming from the bathroom. I watched for a minute as he tossed coats aside and rummaged through the womenâs purses. I saw him pick up a brown purse. It was my purse. He opened the wallet and hesitated. He looked carefully at a picture, caressed it with the tip of his index finger. He saw himself, and he saw me. He saw what we looked like at age seventeen: he with dark brown hair, nearly black, cut in the popular bowl cut of the seventies, light blue eyes, sparkling at the photographer in mock annoyance, slightly crooked teeth set in an unembarrassed grin and I with long, golden brown hair, green eyes, and a playful smile. He was frozen in time, just like I was every time I looked at that picture.
His name was Kenny McBride. He had lived two streets over from me when we were teens, and we had been very close. Kenny would drive past my house in his midnight blue Chevy Nova and turn around at the end of the street. Iâd race down from my bedroom and out to the street and weâd sit in his car and talk or weâd ride around our small town and talk. Kenny always told me I was easy to talk to. I always thought he was easy to listen to. The shame of it all was that we had drifted apart as adults.
He closed my wallet without removing any money from it â a courtesy for old timeâs sake, I suppose. He busily snatched up another purse and, without wavering, plucked out the cash.
I couldnât bear to watch him any longer. I went down the steps slowly, but without making any special effort to be quiet. When he noticed motion on the stairs he jerked with fear of being caught. He looked up at me with those cadet blue eyes, filled with panic, and I watched them soften with recognition. His serious face gave way to a happy grin. Then it disappeared. He looked down at the open purse and his big hand buried inside of it. As if it had suddenly burned his fingertips, he dropped the purse on the couch with all the others. Then he looked at me and shrugged his shoulders.
âItâs not what you think, Fannie.â His arms stretched out, with palms up in a plea, asking me for something. Was he trying to make me understand?
âI think youâre stealing the cash from these ladiesâ purses.â
I stood on the stairs, looking down at him. The implication of being on a higher plane than he was not lost on me, but I didnât like it. I stepped down into the room and walked over to him. Now he towered over me.
âItâs not what you think, Fannie.â
âSo, youâre taking the cash, but youâre just counting it, and youâre going to put it all back when youâre done?â
âItâs not what you think ... itâs not what you think ... think ... think, Fannie.â
Kennyâs face began to smudge. His words echoed and lost their volume. I tried to look at him, tried to see his eyes, his smile, his hair tossed casually over his forehead. I tried to hear what his lips were saying. It all blurred together. I blinked, trying to keep the erased edges from disappearing. He was gone.
âFannie? Fannie? Can you hear me?â
âKenny?â I said. No, it wasnât Kenny. It was a feminine voice I heard.
âFannie darlinâ, whatâs wrong!â
âWhereâs Kenny?â
I blinked and looked around. The room was hazy. The coats and purses lay undisturbed on the couch.
âWhereâs Kenny?â I repeated.
âFannie, please, youâre being mean.â
âHe was just here. I saw him.â
âStop this Fannie, you know Kenny is dead.â
Her words blared through the fog that was dulling my brain. Oh my god, yes, Kenny was dead. He had been dead for three years. He had died of a heart attack, alone in his semi at a truck stop. Someone had found him the next morning. He was dead. He wasnât in this room, stealing purses. He wasnât caressing the picture of him and me that was still in my purse after all these years. He wasnât standing in front of me with those smiling eyes, asking me for something. I shook my head to clear it.
âI must have dozed off, Mrs. McBride. I donât remember falling asleep but I must have, he was here. It had to be a dream. Iâm so sorry. Please forgive me, I didnât mean to upset you.â
Daisy McBride smiled at me in her wide-toothed, friendly grin. She patted my shoulder and spoke to me in her familiar country twang.
âItâs OK Fannie, honey. You havenât been in this house for a long time. Youâre bound to have memories. I do.â Her smile was replaced with anguish, the anguish of losing her son.
Silence seemed the best response. An easy quiet slipped between us and, without thinking, I hugged her. I let her grief and mine snuggle between us. She sniffled and then turned away from me.
âFannie honey, Iâm awful glad you decided to join us old folk. These Harvest parties get to be a little dull sometimes.â
Mrs. McBride rubbed her arms. Her eyes were still moist with tears.
âThank you for inviting me.â I meant the thank you. I hadnât spoken to her since Kennyâs funeral. Life had found a way to move on, and our paths were no longer connected. Her invitation had truly surprised and delighted me.
âHoney, itâs been so good to see you. I hope you wonât make yourself a stranger.â
Her words allowed me to take my leave, as she had intended. I had always liked Kennyâs mother. I still did.
Later, while driving to work, I thought about seeing Kenny stealing through the purses. It hadnât seemed like a dream at the time. I donât know when reality had faded into dreaming. I remembered going to the bathroom. That was real, but I donât remember closing my eyes in sleep. This wasnât the first time I had dreamed of Kenny since his death, but this was the first time it seemed so real. I could smell his English Leather. I could hear the little twang in his voice, like his motherâs. I could see the scar on his eyebrow from an old baseball injury. I expected memories to haunt me while I was in the house he grew up in. I didnât expect the more sensory ones like the sound of his voice and the smell of his favorite cologne. But I was willing to chalk it up to the surroundings.
Except when I walked into work, Marge, our secretary, asked me, âDid you talk to him today?â
Marge was an older woman from Jamaica. No one knew exactly how old she was because she refused to tell us. She had an uncanny way of knowing things. She could explain your dreams or the weird things that happened to you. Of course her explanations were vague and said in a way to make you think about the possible meaning yourself. But she was very good at prodding your thoughts in the right direction.
âTalk to who, Marge?â
âYou know.â
Marge talked in a singsong way so that when she said âyou knowâ it came out in four long, drawn-out syllables and ended with a little giggle.