MUCH ADO IN 2022
Author Foreword
This is the fifth story in the Whirlwind series. They are unrelated stories with a common theme; each one is based on a short, slightly unusual courtship, with a primary female character who believes that she cannot find love for some reason - and a primary male character determined to prove her wrong. There is no 'cliff-hanger' to end a Part 1 on, only a twist at the end, and no sex. Don't worry, STATION BREAK and LARP will have that. Be warned, the story continues my ongoing love affair with small town America.
This is based on a line I heard delivered more than 40 years ago. I was on a two week bus trip around England, Scotland and Wales (if you ever see Loch Ness on a cold and dreary afternoon, you will believe that ANYTHING could be lurking under those waters!). One of the stops was at Stratford-on-Avon and the Royal Shakespeare Company was performing MUCH ADO ABOUT NOTHING that night. After fighting for the last unclaimed ticket, I triumphantly watched Derek Jacobi in his prime mesmerize the audience. There was a line spoken in that play which settled into my imagination like a thorn into a lion's paw, and has festered there for decades as I experimented with short stories to try and turn that one line into an entire story unto itself. Eventually I settled on this. Hopefully it was worth the effort. The line is revealed at the end, but no skipping ahead, mind!
Request
Does anyone know which story on the LE site is about a wife leaving her husband for her high school crush, has a kid with him, and gets divorced a second time? She lives hard life as a single mom for five years, finally sees her first husband at their oldest kid's high school graduation, she and first husband talk. She apologizes, says she gave up her dream life to chase a fantasy that turned out to be a nightmare. He asks her out for coffee. She is all choked up and asks where, and he says, "Home," which is the last word in the story. I have been trying to find it again, but cannot. Thank you.
MUCH ADO IN 2022
Traci drove down the smooth, winding road, trying to relax, trying to convince herself that a change of scenery was what she needed to get her life out of the pot hole-riddled expressway that was the last three wasted years. Not that the views of the forested hills and neat farms weren't Americana at its best, but that she wasn't really seeing them. As a graphic artist for a large advertising firm in a large city she had found herself quickly lost in the churning sea of humanity and shoved out of the rat race to get a claw-length ahead of every competitor; excuse her, co-worker. After the latest attempt at a serious relationship, which had crashed and burned in spectacular fashion, she had had enough. That was why her car was now headed toward Clarksville, a medium-sized town not too far away from civilization, but far enough away to still be civilized.
Her old Honda ACCORD rumbled down the road. She drove a shade under the speed limit because if she got to the speed limit her reliable transportation would skip beats like a dying heart and threaten to become her un-reliable transportation. She sighed. Her parents, now that their youngest daughter was on her own, had become world travelers and were even now probably somewhere between Perth and Singapore.
She had ignored the few billboards for the last 20 miles, but took notice of this one. It read: "Entering Clarksville. Hometown of the Future. Population 14,251." The sign was in the middle of a neatly kept flower garden with trellises behind it covered with flowering vines. The graphic designer part of her thought it overdone, the rest of her felt hopeful that someone cared enough to put up such a nice greeting.
She found the traffic to be neither too busy nor too sparse, so she drove down Main Street and turned onto Hamilton Avenue and drove past Eileen's Ad Agency, where she would report for work tomorrow, bright and early. The building was old brick with 1920s stylish marble accents, and broad glass windows so clear they looked like there was nothing but air. There were window planters, hanging pots and street-side urns spilling over with colorful flowers everywhere. She cracked open the driver's window and sniffed the air appreciatively. Not a hint of the hot, sour aroma of the city air she left behind.
A few blocks and a few turns further on and a huge, old Victorian house loomed at the base of a hill. It was neat and clean, with a wide, inviting porch, blue siding and bright white scroll work set in an expansive, immaculate lawn. She pulled into the driveway and as she turned off her car it seemed to sigh and settle tiredly into the pavement after the long trip, its duty done.
She climbed out and made her way up the winding slate steps to the porch stairs. A handsome, elderly woman with iron grey hair in a long pony-tail down her back stood up from a porch swing and nodded.
"Mrs. Hawkins?" Traci ventured.
"Certainly, dear. And you must be Traci Smith. Welcome to the Hawkins House. I'll check you right in."
"Thank you, Mrs. Hawkins."
They walked through the ornate front door - and traveled back at least a century. The remnants of an entire forest of dark, polished oak surrounded her. The entrance hall was huge, two stories high, with a sweeping grand staircase and a massive grandfather clock that patiently sliced off the seconds. Mrs. Hawkins strode to a roll-top desk which would have sent a dozen antique collectors into spasms of rapture. She took Traci's check, had her sign the registry, and gave her a key which was - substantial. She was informed that she had the 'Tower Room.'
Once the formalities were over, she was led upstairs - three different sets of stairs - to the dark oak door with the shiny brass fittings and a plaque which read, 'Tower Room'. She stopped in wonder and gazed out of the huge arc of windows that displayed an achingly beautiful panorama of the town and surrounding countryside.
Mrs. Hawkins shuffled around. "Now, dear, this is the sitting room, there is your bedroom, and there is the bathroom. Breakfast is from 6:30 to 9:00. Dinner is 6:30 to 8:00. Promptness would be appreciated, though there are usually leftovers in the kitchen refrigerator in extremis. You may avail yourself of the laundry in the back room, though there is a laundromat in the town, if you prefer. Please be careful of the antiques. I only have one other long-term boarder at the moment, and that is Jason Abernathy. He is on the second floor in the back, in the 'Blue Room'. He is the custodian at Saint Giana's School and works all hours, though he makes an honest effort not to disturb. Usually there is at least one person or couple who are passing through, though I do have ten rooms and they are occasionally all full. If you need anything, you may call me or leave a note on the desk in the hall. Are you well?" she finished, startled.
Traci shook herself. She had only half heard, well, less than half, what had been said. She had been entranced by the view, and had dazedly wondered what it would look like around Christmas time.
"Yes, Mrs. Hawkins. I'm sorry. I was just admiring the view."
"It is nice. Eileen requested it, and it was available."
The way down was considerably easier, as she was shown an open latticework elevator which would be snug for four normal people which went from the attic to the basement through a series of discreet nooks in the halls. It rattled in a subdued, satisfied manner as it descended at a sedate pace.
Traci pulled her car into the slot numbered as '10' outside the long, low Carriage House beside the mansion, and looked dejectedly at the near solid mass of bags and bundles stuffed into her car. Maybe it would drive better once it lost all the weight.
"Let me help you with that, miss," rumbled a voice behind and ABOVE her.
She turned around slowly and found herself looking at the center of a man's chest. The chest was clothed in a working man's light blue shirt, neatly tucked into a pair of serious jeans which were obviously used to hard work, but were as clean and neat as if they were on a store rack. She looked up, and towering above her, was a neatly trimmed, full-face beard out of which perched an eagle's beak nose and the bluest eyes she had ever seen.
She stared as two hands the size of catcher's mitts swung into the back of her car and appeared to pick up about half of the load. Her car rose perceptively as its burden eased. She grabbed two bags and started to lock it.
"No need for that, miss. No one would touch your things. It would upset the sheriff." He paused mid-way turning around. "Name is Jason. Jason Abernathy. Mrs. Hawkins asked me to lend you a hand. Up we go." The voice was deep as a cave, but mild as clarified butter.
Somewhat subdued, Traci followed docilely as they made two trips up to her room, emptying the car, which she locked as they returned to the house. Jason made no comment. As he put down the bags in her sitting room, she said, "Thank you, Mr. Abernathy. I appreciate it. And I'm Traci. Traci Smith." She hesitated. "If you have been here a while, you should probably have this room, it's wonderful."
"Thank you kindly, but I do lots of odd jobs around town and sometimes sleep during the day, and this room would be far too bright. I am more often out than in, if you know what I mean, but if you need something, just shout." He smiled, revealing a mass of blinding white teeth, and leaned down a little bit. "Chicken pot pie for dinner tonight, Traci. Not to be missed." With that he departed. Traci noted how silently he moved. Either the house was built extremely solidly, or he had escaped from ninja training somewhere.