This is a three part story I thought up recently. It reprises Katrina from my "Living With Katrina" series as well as her roommate Jake (Jake is there in chapters 2 and 3). You don't need to know too much about her to understand this story. It can be read independently.
The play referred to in this story is Les Miserables by Victor Hugo.
As always, thanks to my editor NaokoSmith for telling me why I did a good thing by not becoming a sommelier. ;)
DISCLAIMER β
If you have read most of my other stories, you will know that there is not a light, fluffy tale ahead of you. Not for the faint of heart.
There is some drug use in this story.
"I must get my soul back from you; I am killing my flesh without it."
- Sylvia Plath
**
PART I: PROLOGUE
2003
Oberlin College, Ohio
"Theatre is an extension of the mind. You have to become one with the rΓ΄le," said the velvet baritone from the front of the class. "Close your eyes, open your mind. Use the method."
Most pairs of eyeballs were riveted on Professor Hayden Adair as he paced the dais. He did not need a mic, his voice reaching the farthest rows with ease. He could effortlessly garner the attention of nearly all the students.
"Stanislavski and Strasberg were pioneers in this field. To them, the character wasn't just a rΓ΄le, it was a persona. The actor had to become the character. Be the character. Live the character. You must take acting to a point where you are no longer yourself."
His sharp eyes scanned the crowd, looking for a reaction. Some guys looked down, obviously texting, others were decorating the desks in the lecture hall with crude pictures of body parts of unlikely size. The female population, however, gazed steadfast in his direction. He had that effect on women.
Most of the students present had taken this subject as an elective course to boost their credits for the sem. There were few serious thespians mixed with the crowd.
Somewhere near the back of the hall sat three girls closely bunched together. They were dorm mates. The Goth girl on the left leaned across to speak.
"I went to his office the other day to ask for an extension on my term paper," she said animatedly. "He said 'yes,' and he also said I could call him Hayden. It took all my self control not to jump him right there."
"Edie, you little slut, you," giggled Lena from beside her. "You can't keep your eyes off him."
"Fuck off," Edie hissed back. "I don't see you being able to keep your hands above your desk in his class."
"Hey! I woke up late so I just about rushed to class. Didn't get time to rub one out," Lena retorted, shaking her head so her short hair brushed her ears. "You know my day doesn't start right unless I get my morning fix."
"I thought that was coffee."
"For me it's an orgasm," came the breathy reply. "Now let me finish already."
The girl to the right with the flowing blonde hair was barely aware of the conversation. Her brown eyes followed Professor Adair as he strode to the podium and watched his hand write theoretical concepts on the board.
"Stella Adler, Marilyn Monroe, Dustin Hoffman are just a few exponents of this style," he went on. "Peter Sellers sometimes engrossed himself in the role to the extent that adjusting back to his true self after the project was over was a challenge."
Hayden Adair was in his mid forties, but had a lithe, athletic body that would put a man half his age to shame. He was tall and had raven black hair neatly combed backwards. Dye covered any intermittent grey, ensuring none of his students saw those signs of age. He carried himself with an air of dignified elegance.
"He is seriously fucking hot, you know?" said Edie. "He's like that business partner of my Dad's I told you about."
"The guy you sucked off at your parents' anniversary party in the bathroom?"
"He's on Oberlin's board of trustees," Edie shrugged. "I was just making sure I got here."
"I get that it's fascinating for you to talk about your sexual adventures, Edie, but some of us are trying to take down notes. Dial it down a little?"
Edie and Lena turned to their right to see the blonde haired girl shooting them a sideways glare.
"Whateva, Princess," said Lena, with an added eyeroll. The girls resumed their conversation, albeit somewhat more discreetly.
"So, in the next class we shall be analysing the scope for method acting with respect to a particular play. Please read up on Hamlet before then."
The class slowly dispersed in a milling crowd of chatter. Smaller groups formed as they made their way out of the doors. The three girls were almost out when they heard the effortless baritone again.
"Katrina," Hayden said. "May I have a word?"
Edie and Lena shot their fellow scholar a dirty look before they traipsed off to their next class. The young girl walked unsteadily to the desk where Professor Adair was settling his pages of notes.
"Katrina, are you free later in the evening for a rehearsal?"
"Yes, sir," she said, blushing furiously, looking down and fiddling with her fingers.
"Great," he beamed. "This will be the best rendition of Les Mis the Apollo Theatre has ever seen. The others have already confirmed they will be there. I just want to focus on the first part of the play. Have you read Fantine's lines for the last few scenes of that act?"
"Yes, sir," she repeated, nodding earnestly.
He smiled and placed a palm under her chin. He raised his palm, bringing her brown eyes level with his.
"How many times have I told you, Katrina? Don't call me 'sir'."
She forced a grin. The last few students in the class filtered out into the hallway. Adair did a quick scan of the class to ensure there was no one nearby. He leaned forward and kissed Katrina deeply. She reciprocated, their tongues playing together. Even a kiss from this man could start a fire within Kat, such was the intensity of the passion she felt.
He broke the kiss after a short while. Katrina closed her eyes, trying to memorize the sensation of his luscious tongue for posterity.
"You should get going before someone suspects us," Adair said with a smile. "I'll see you in rehearsal."
She too smiled, and pecked him on the cheek once before rushing out. No one would suspect a thing. This affair was everything she had ever read about, love and longing and the desperate intensity never to let go. He made her heart flutter and her soul soar high above the clouds.
He was married. She was nineteen. But love has a way of making one ignore trivial details like that.
**
"I want my child, Monsieur Madeline."
"No, no, no," interrupted Adair forcefully. "You're not feeling the scene. The scene is full of pain. There has to be anguish in her tone. Deep, profound anguish."
Katrina looked up blankly. Professor Adair, as Valjean, waited a short distance behind the junior year Javert. His brow was knitted with irritation.
"Try the scene again. From the top."
Everybody moved back to their positions. Javert went backstage. Effortlessly, Hayden Adair segued back into Valjean. Professor Adair no longer existed.
"I have sent for a doctor," he said, his voice markedly urgent.
"I don't think there is much he can do," whispered Simplice, the nurse.
"Fantine," he asked, standing directly over the bed.
Katrina was always mesmerized by his beautiful blue eyes. She forced herself out of her trance and spoke in a voice worthy of a mother on her deathbed.
"Monsieur, Cosette. Is my Cosette there?"
"Soon, I promise," enunciated Valjean, perfectly in character.
Javert entered the scene, looking suitably contemptuous and vindicated.
"Monsieur, save me," shrieked Fantine.
(A little distance away, Adair beamed inwardly at the effort behind the three simple words.)
Valjean and Javert had their exchange in front of the dying Fantine.
"Please, Monsieur," she said, reaching out desperately from her bed. Her hands reached piteously for thin air, before they collapsed back on the bed. Fantine's face showed a remarkably good impression of the pallor of death.
All eyes turned to Adair. He broke into a grin.
"Well done. This rehearsal shows that all of you have been working hard."
The rest of the cast sighed with relief.
"We'll meet on Sunday for a dress rehearsal of the first act. Contact Miss Schmidt before then about your costumes; I want all of you dressed properly."
The cast nodded.
"That's all for now. Good job, everybody."
The others broke into groups slowly going back to their dorms. Katrina sat on the bed and looked down at the floor.
"Is something the matter, Katrina?"
"Not really," she whispered. "I just didn't like it when you yelled at me back there."
"Katrina," he said softly. "You know I didn't mean that. It was all for the sake of Art. Art always comes first."
She nodded wryly. As an artist herself, she knew how her art overwhelmed her at times.
Most of the actors were gone.
"Do you want to help me take some of the props back to storage?"
Kat nodded. She picked up a pile of Styrofoam blocks and followed the man to the back of the theatre.