Note: This is a work of fiction written for the "On the Job" story event. All characters are 18 or older, and all of them, plus the locations described, are products of my imagination. Like many writers, I love to hear from my readers, so please take a few moments to leave a comment if you like. I hope you enjoy this story, and all the tales written for this event!
*
Certain things never get easier, do they? Introducing yourself to strangers. Knowing when to add a brief kiss on the cheek to a greeting. Taking off your clothes in front of a new lover while pretending utter confidence in your naked body. Knowing just what to say to ensure your new lover never, ever farts in your presence again. And the big one: Walking down the aisle.
Of course, in my case, walking up the aisle is also a fraught experience. But since taking my job a few years ago, I've done it seven times. Each time, it seemed an entire flock of butterflies in my stomach had chosen that very moment to migrate to Mexico.
Oh, wait. Sorry. I've got ahead of myself. You see, I'm a singer. OK, so I'm not a BeyoncΓ© or Barbra kind of singer, or even a cruise ship Lido Deck-level backup singer. However, I do have a nice voice and I work hard to keep it going. And that's why I, introverted Stacey Boswell, keep walking up the aisle in strange churches. I have become something of a semi-professional church choir joiner.
It's not that I'm terribly religious. It's that most church choirs are volunteer groups that have to take you.
So far, I've joined seven choirs in four states, all with differing degrees of musicality. As a temporary singer joining an established group, I try to bring as much professionalism as I can to rehearsals, plus an openness to whatever happens. My current choir enjoys singing, but I could hear that first night that it was a social choir, rather than a serious musical ensemble. I gave a mental shrug and resolved to get as much out of it as I could anyway.
When I walked in that first Wednesday night, the choir rustled and stirred as I walked up the aisle. Sensing something unusual, the young director turned around and caught my eye.
"May I help you?" he asked in a pleasant deep baritone, the kind of male voice I like best.
"I'm here for the choir. Do you take volunteers?"
"Of course. Everyone here is a volunteer. Are you a soprano, by any chance?" He smiled, but it didn't quite reach his eyes. He was assessing me, wondering if I was any good, I thought. I deepened my own smile and did my best to look pleasant and competent, a tall order on my best day. A girl can try, though.
"I normally sing tenor, but I can sing alto."
An older man sitting alone in the middle row beamed.
"A tenor! Come sit by me, girl!"
The director's smile broadened into something approaching genuine.
"If you can sing tenor, by all means go sit by Timbo. He's been alone on tenor for months." He held out a hand. "I'm Jamie. What's your name?"
"Stacey."
His hand felt warm and strong, but his smile still looked guarded. Unable to resist teasing this serious young man, I gave him a little wink and went to sit to by Timbo.
"Prettiest girl in the choir, and she's all mine!" he crowed. "Timothy Beauregard Hanlon the third -- at your service!"
As he made a show of shaking my hand elaborately, an older woman sitting ahead of us turned around.
"I'm Judy Hanlon and he's my husband," she told me, her eyes dancing with mischief. "And honey, you have my permission to slap him as often -- and as hard -- as needed."
We all laughed, and I knew I would enjoy this group.
I didn't know it that first night, but during the day, Jamie directed three collegiate choirs. He also played the piano exceptionally well. It took him all of five minutes to realize I operated at a different level from the other volunteers. And this may sound conceited as hell, but I do sing pretty well. OK, I don't have perfect pitch, and frankly, my sight-reading skills could improve, but otherwise, I'm good. Back before I took this job, when I had a regular church, I did a lot of solos and people really seemed to like my voice. I once overheard a man call it a "sultry contralto, like warm, rich caramel a man could happily drown in," a description that made me blush at the time, and that I still treasure to this day.
After four or so weeks of unexceptional choral music, Jamie called me aside after rehearsal and asked casually if I ever did any solo work. Inside, I jumped up and down like a little girl. I learned early not to put myself forward in these temporary choirs; it can cause antagonism and hurt feelings. But to be asked ... that's another matter.
"Sure," I replied, equally nonchalant. "I've done one or two in my time. Do you have something you want me to look at?"
"There's a gospel piece I've been wanting to do, but we didn't have someone who was right for the solo. I think it would suit your range and your voice. Wanna have a look?"
"Lead me to it!"
"Great!"
His smile of genuine delight took me by surprise. Jamie joked around a little during rehearsals, but otherwise stayed to himself, aloof and very much the director. I made a habit of winking at him when I arrived, just because I'm a wiseass that way, but he never winked back, never hinted at what sort of body or soul lay beneath his sweatshirts and fleece vests.
It may sound silly to say this of someone who had made musical performance his life's work, but that smile gave me my first glimpse of the joy music held for him. It also made me think I might like him if I ever got to know him. Of course, that's always a coin toss too. The company can yank me at any time and send me somewhere else.
He handed me an eight-pager written by a woman I had never heard of. It opened with a slow, soulful plea that grabbed me right away, followed by a catchy chorus I couldn't help but hum. I looked up to see Jamie settling himself on the padded piano bench.
"Wanna run through it once?"
"Sure. I'm not the greatest reader, but I'll try."
"I know," he said, opening his copy of the music and flexing his fingers.
"You know I'm a bad reader, or you know I'll try?"
"Both." He grinned at my discomfiture, then began the introduction.
Although I had never seen it, the tune poured out of me as if I had rehearsed it a dozen times. Jamie was nodding even before he played the final "amen."
"I knew it! She might as well have written that just for you. It's perfect. It'll be wonderful."
I nodded right along with him.
"I like this piece a lot. It'll be a joy to do."
"Sunday week," he decided.
"Sunday week?"
"The Sunday after this coming Sunday," he explained. "I grew up in North Carolina. It's an expression we use there."
"Ah. Must be a southeast thing. I've never heard anyone our age use it in Texas. But I like it. It's tidy."
"Tidy?"
"You know -- efficient. Quick. Gets the job done."
"Is that important to you?"
"In my job it is. In my real life ... not as much."
"Thank God!" he said. "For a minute there, I was worried."
I laughed. "You're not the efficient type?"
He quirked an eyebrow at me. "You've seen the top of the rehearsal room piano. What do you think?"
I grinned at him. "I think you are a musician through and through. Utterly focused when you're performing, a little scattershot at most other times."
"You're very observant." "I have seen a lot of rehearsal rooms in a lot of churches, and met plenty of music directors -- and you're all pretty much the same."
"I'm sorry you've had to witness so much chaos in your young life."
"Don't be. It's comforting to know I can count on something in this ever-changing world."
He gathered up his music. "Does Sunday week work for you?"
"I'll be here. I haven't heard any rumblings at work that I may get shipped off."
"Good. I'd hate to lose you!" This time, his warm smile focused solely on me. "Take the music home if you want to get better acquainted with it, and we'll work on it after the full choir next Wednesday."
"OK. I don't have access to a piano at my hotel, but I do have a piano app on my reader. I'll make it work."
"Oh, I forgot you're in a hotel! If you want to hit it again before next Wednesday, text or call me. I could work with you on" and his soft brown eyes focused on the ceiling as if his schedule were written up there, "Saturday morning or Monday evening. Let me know."
"I would need your phone number to do that."
"Oh! Forgot that too. I always give it out at the start of the season, and you weren't here for that. Let me write it down for you."
I dug in my purse for my phone. "Easier if you just call me now so I can capture your number."
"Ah! So you really are the efficient type."
"Yeah, yeah."
We exchanged numbers walking towards the door. Once there, he turned on the alarm and we sprinted out of the building before it could arm. My car was the only one left in the lot.
"Where's yours?" I asked.
"Oh, I live just a few blocks from here. Unless it's raining, I walk. I like the exercise. All that sitting around."
"OK. I'm just a couple of miles away myself. Well, see you Sunday."
He nodded, then turned to me. "You know, I'm really glad you joined. You've kind of stirred things up a little, and we needed that. And Timbo loves having your help on tenor. So thanks."
"Stirred things up?"
"A fresh, strong voice always has that effect. It's a good thing."
"Well, then, you're welcome. And speaking of that -- thanks for making me feel so welcome."
"Any time! Good night." And he turned and strolled toward the street. Feeling thoughtful, I got in my car and drove back to my hotel, wondering about Jamie and that smile.
That weekend, I ran through the song a few times, realizing that its power would come not from technical proficiency, as it did not have a difficult melody, but from passion. The listener needed to feel the despair, the yearning, the hope and the joy. As the soloist, I had to convey all that. Really, I thought suddenly, this piece's simplicity was deceptive. I couldn't phone it in -- I needed to bring my best.
Game on, Jamie, I thought, and smiled. Pulling out my phone, I sent a quick text to see if we could practice Monday night.