Author's Note: This is #7 in the Helena series, and I must always give tribute to my friend "Helena", a beautiful lady here on Lit who has become my muse and my friend in the last couple of years.
Helena 12: Breakfast in Bed
I wake before you, and slip out of bed to go to the restroom. Returning to you, I shake my head. How can a woman get more beautiful every time you see her? Sleeping so peacefully, a trace of a smile still on your lips.
Are you dreaming, sweetheart? Are you replaying last night, the heat of you saddling yourself on my lap, taking my hard cock in your ass, surprising me with the way you chose to ride me that way? Are you smiling at the look of happy surprise on my face? Are you remembering the heat of the friction, the delicious friction, as you rode me to orgasm?
I realize I am hungry, but then I also register that I am horny for you. To pleasure you, to repay you, sensation for sensation, for last night, for every moment of every time you've pleasured me. I'm hungry for your moans, your groans, for the sound of my name on your lips. Hungry for your pleas for more, for me not to stop, and then finally for me to please stop, lest you explode.
I'm ready for an all I can eat breakfast buffet...of Helena.
You know I'm a bit devious, right? You know I'm just a bit twisted, right? Well, if not...you will before lunch time!
I pad barefoot downstairs, withdrawing what I need from my closet, then I work my way back upstairs. You're still asleep; YES! Working slowly, I begin to set my plan to work, carefully and quietly, so as not to wake you up.
Almost ten minutes later, I step back to admire my own handiwork. "Damn, I'm pretty good!" I compliment myself. I'm modest like that, I guess...
Finally, you begin to stir just a bit. Oh, yes... Time for the fun to begin.
"Good morning, miss. I've gone to the trouble of fixing breakfast in bed today," I tell you in my best English butler accent. Which may actually be the same as an Australian prison inmate accent, for all I know.
You smile before you even open your eyes. "Oh, that sounds-what the...?" are your first words, as you go to stretch.
And can't.
Your eyes open, and the first thing you look at is your left wrist. It's such a lovely wrist, really. Sexy, feminine... And adorned with the end of one of my neckties, which, at the other end, secures you to a bedpost. You turn to look at the other hand, and find it is similarly fastened. It They aren't tight; not really.
Until I pull on them a bit. The knots are such that it's easy for me to adjust them, but impossible for you to pull loose. They're called Prussig knots; climbers use them.
Of course, your ankles are also prepared the same way, but you don't see that until I pull the covers off of the bed, leaving you spreadeagled and gorgeously naked on the bed. Nothing is so tight that you can't move, but you certainly aren't going anywhere.
Your gaze settles on me, and there's that adorable attempt to look mean that you do.
"I believe someone said I was getting breakfast in bed, not tied down in bed," you challenge me.
"No, you didn't listen carefully. What I said was that I've gone to the trouble of fixing breakfast in bed. Which I have done. Because I absolutely intend to devour you right here in this bed, to get my fill of you before I release you." And with that, I slide a pillow under your butt, lifting your sex like a dessert tray before me.
Before I begin, I trace lines all over your body, from the tickly soles of your feet, up your sexy calves, along the inner thighs...almost to your...but sliding off to slide along your pelvic bones, to your belly button, up, under your breasts, tracing their sexy curves, skiing a circuit up, up, up them...only to stop just shy of your nipples, which just began to thicken in anticipation. I slide along your ribs, up, under your arms, tickling you, loving the way you squirm and giggle. I trace lines up your arms, onto your hands, even your palms and finger prints, then back down again, to tickle your armpits again, then I skim along your collar bone. I slow as my finger comes up your vulnerable throat, and I draw an invisible line along your jaw, then trace the lines of your ear, before coming down to graze my thumb along your lips, which you part to kiss it. I tweak your nose very lightly, then kiss you. And kiss you again. And again.