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Copyright April 2018
The author asserts the moral right to be identified as the author of this work.
This is a work of fiction. The events described here are imaginary; the characters are fictitious and are not intended to represent specific living persons.
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This story is parallel to 'Vera's Wartime Valentine' and 'Ken's Wartime Valentine'. It is the final part of the trilogy - independent stories but telling the same tale from the point of view of the other protagonists, explaining a different perspective and interpretations of the same events. They can be read in any order, but were written in the sequence Vera-Ken-Doris. Each story will explain certain aspects of the others.
Neither sequels nor prequels, perhaps 'paraquels'? I had to write this third story; three makes a trilogy but two would have been only biology.
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Doris was in shock. She looked at her house and saw her underwear fluttering in the breeze for everyone to see.
The entire side of the house was missing; she could see into her parent's bedroom, her own bedroom and the living room. Rubble was across the street and dust hung in the air.
Someone was holding her back but although she felt drawn to investigate the horror further she was grateful for the restraint.
* * * *
The funeral was held a week later. Both of her parents and her sister gone - in an instant. Just like that, she was alone. Oh, a couple of aunts and uncles turned up and offered her tea, sympathy and accommodation. But although they were family and had lost their brother or sister in the bombing, and they all offered her a place to live, Doris didn't want to live with them.
Still in a daze she went to the relief committee and was given a tiny emergency clothing issue to supplement what she wore on her back which was all she had left. Whilst waiting in the inevitable queue she read the posters on the wall advertising War Bonds, the need to recycle old rags to make blankets, old bones to make explosives. She heard comments behind her; 'She's been bombed out, lost her lot.'
That seemed to strike home more than anything. More than seeing the mess, identifying the bodies in the morgue or hearing the hymns in the funeral. 'Lost her lot.' The finality in that phrase woke her from the dream. It was real and she had better do something about it, make the best of a bad job. There was a war on, didn't she know. Did she think she was the only person in the world who was going through this?
There were other posters appealing for girls to work in factories making tanks, aeroplanes and ammunition. There were more advertising for the Women's Royal Air Force, the Women's Royal Navy, the Land Army. Posters for everything that she could imagine, including a load of banal government drivel.
There was little to stay there for. On impulse she picked the Land Army. Helping to plough fields and tend livestock sounded more cheerful than working on guns, either making or firing - or being the target for them. She could be part of the war effort whilst being as far as possible from that war.
So carrying her case of government-issue second-hand clothes, she walked to the Employment Exchange and signed up. Within a week Doris was on a train, watching the fields float past. She saw cows grazing for the first time in her life, acres of wheat and many fields of other crops that she couldn't identify. She was a city girl and this place had strange smells, even over the clouds of smoke that wafted past from the engine.
* * * *
The farm that she was sent to was pleasant enough, she supposed. There were hills and trees, even views of the seaside; Doris had never seen the sea before. She was given a room to sleep in, shared with two other girls, called Agnes and Vera. The room had been the front parlour, commandeered for the duration. Few could afford the luxury of unused rooms any more; there was indeed a war on. She couldn't complain - there were rumours of girls having to live in huts on other farms; Nissen huts, just sheets of corrugated iron bent into an arch with a concrete wall at the end. They were cold and bleak places at any time of year.
She even had a uniform to wear (in exchange for all her clothing ration coupons - the woman at the store had told her to 'make do and mend' when asked what she was supposed to do). Unflattering canvas-like clothes but made to last.
The smells of the countryside were something else; shit was everywhere and it stank. Samuel and Edith, the people who owned the farm, thought that was funny. "Healthy air, good for you." laughed Edith when she complained about the rank stench when the yard was covered in 'cow pats' after milking. It was disgusting; she was expected to walk through it all just to get water from the pump, especially when rain had turned it all into a slurry that sucked the boots from her feet. The pump was the only source of water, for drinking, washing or cooking so was used a lot.
Edith was a hearty, country-bred woman, well built with heavy breasts. The day after Doris arrived, she saw Edith in the yard near to the pump. She had a hessian sack over her shoulders to protect her from the light rain, but she hung the sack on a nail and to Doris's surprise removed her blouse.
Edith saw Doris watching. "Don't take notice of me cariad, no-one can see, it's quite private here in the yard. Anyway if anyone does get an eyeful of my bronnau. I hope they enjoy. Get a cheap thrill."
Doris paused, "What did you call me, Carrie Ann?"
Edith was puzzled, "I didn't call you anything, I said 'don't take notice of me, cariad."
"That's it, that's what you said. And brown eye."
"Cariad, silly. Just means dearie, love. You're in Wales now, you'll have to get used to a few words. And bronnau means baps."