Warning: what follows is long, and slow-moving, and there's not much sex, and what sex there is takes a while to get to. So, if any of those things would tend to put you off, then I thought I'd give you a chance to back out now. If you read it through because you were interested and wanted to see where it was going, then I thank you for your indulgence.
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My name is Clayton Andrew Dyle. "Clay," to friends and family; Professor, or sometimes Doctor Dyle, to my students. "Clayton, darling," to my literary agent, Claire. "Yoohoo, Mister Dyle," to my readers, when they accost me at the book signings, speaking engagements, and other public events that I abhor and that my publisher occasionally insists that I attend. This is my story. Well, part of it, anyway.
The story begins a long time ago, long before an ordinary citizen of any country would have considered wearing a surgical mask to the supermarket, in a world where smartphones were science fiction, cell phones weighed two or three pounds, "wireless" was a quaint Britishism for an ordinary radio, "the internet" did not exist, and almost no one, outside of a few military and academic computer science types, knew that there was a way for computers to talk to one another over phone lines. If anyone was worried about fossil fuels, it had to do with whether we were going to run out before we'd finished having fun with them, and not how we were using them to melt the ice caps and slowly cook ourselves to death.
That's not to say that we were innocent, however; we'd seen a president lie about having tried to interfere with his election opponent's campaign; we'd seen the limits of American power in the Middle East, watching helplessly as a semitic theocracy thumbed its nose at our government while the images of bearded men, wearing turbans and carrying Kalashnikov rifles, mocked us from the pages and screens of all the international media outlets; and we had reacted with growing horror as a seemingly unstoppable virus transformed from an exotic plague upon hedonistic blasphemers in the metropolises of left-leaning, coast-hugging states, into a disease that anyone, anywhere could get from having unsafe contact with someone who could be anyone, even only once, and a trim, bespectacled Italian-American immunologist from Brooklyn came before microphones and television cameras to talk straight dope to the public, and was pilloried by some of the people who most needed his help, although he remained steadfastly professional and unintimidated by the slander.
What I remember mostly about that time, though, was thinking that it was good to be alive, and that, even if I had been born a white male, in a time and place when "privilege" was a word not much used by anyone, and even if my wealthy parents, who were both tall, good-looking people, had protected their genetic investment in me by seeing to it that I got the best medical, dental, and orthodontic care possible at the time, and even if they had leaned on me hard to study in middle and high school, filling the house with good books, talking to me like I was an adult, and traveling with me to broaden my mind, and had finally paid for my education, first at an Ivy-League school, and later continuing to subsidize me while I "lived" on the meager teaching stipend allowed me as a graduate student teaching assistant--even though, as I say, all those things were true, and I would absolutely have acknowledged them without hesitation if anyone had asked me, the fact is that hardly anyone ever did, and I generally tended to regard my good life as something that I deserved as a reward for all my hard work and outstanding personal character.
Thus it was that when my dissertation, on the history of the treatment of alcoholism, was accepted (with some substantial changes, which cost me another six months of hard work, I have to admit) by a publisher who thought it could sell well to the general public, I didn't spend a lot of time wondering how I had gotten so lucky, yet again. Nor was I genuinely surprised when the book became a best-seller, although I think the chair of the psych department, at the very well respected university where I had been hired for a tenure-track position, was not expecting it when I told him, as politely and apologetically as I could, that I was giving up teaching to devote myself to writing books and living near the water in a climate where (unlike at his well respected university) winter didn't last for six months of the year. "You'd better make it as a writer," he said, "because I promise you that I will personally see to it that you are never hired at another four-year school for as long as you live." As it turns out, he was wrong about that.
The warm, coastal climate I had in mind was the southern North Carolina seashore, where I had spent summers, as a child, in a house on a small barrier island--little more than a large sandbar, really--that my parents had bought, and still owned. Now that they'd grown older, and I and my sister had moved out and away from home, I knew they didn't go there often, and my idea was that I would stay there while I looked for a place to buy on the island, where I could write my next best-seller.
My parents' house was one of a pair that had been built at the same time, in the post-WWII boom years. During the war, the island had been used by the Coast Guard as a coastal defense installation, and there were still a few of the blocky, reinforced concrete towers where they had stationed spotters to look for German ships and submarines that could be seen athwart the dunes, five or six miles apart. My father had had the chance to buy both houses--at $10,000 each, he told me, back in the mid-60s--but he balked, bought only one, and, in the intervening years, the separate owners had modified them so that they looked quite different. My mother, who made all of the decorative decisions in their household (my father's study excepted) had opted to open up the closed rooms, and paint everything in light, pastel colors; she had an enormous deck built, overtop the sand dune, where she could host parties. The other house remained cloaked in chocolate brown cedar shingles, with a narrow walkway leading from the screened front porch to the steps leading down over the sand dune.
A few days after moving into my parents' house, I saw a woman walking down the steps to the beach from the other house. Since she was my neighbor, I thought I'd introduce myself. She was friendly, and we chatted for a few minutes, getting to know one another. It turned out that her husband was ill, and she was thinking of selling the place, although she hated to part with it. But their home was near Charlotte, near the other end of the state, and that was where he wanted to be, while he either convalesced or came to his end. I asked her to let me know if she was serious about selling, and that I would meet any reasonable offer, with cash.
She was, and I did. She got a couple of estimates from local realtors, I paid her 10% above the highest, and I had myself a beach house.
My idea was to transform the "new" house to more nearly conform to the house I had grown up in, with certain modifications according to my own design. I had the deck of my house expanded, so that it connected with my parents' house, with a gate between the two. I opened up the floor plan of my house, which was a warren of small, dark rooms, so that, in the end, I had a large living room, a kitchen, a small bathroom, a large bedroom/bathroom/dressing room suite, and a small writing studio (away from the distractions of the beach). The downstairs, which had been a garage the width of the house that could easily hold four cars, I converted into a single-car garage, alongside an exercise room with a weight machine, stationary bike, and a treadmill, plus a small bathroom, with a sort of a shower closet in the corner.
Work on the house was completed just before Christmas. My parents were spending the holidays in California with my sister, her husband, and their new baby; I had been invited, too, but I wanted to settle into my new home and get to work. With my studio ready, I was primed to write my next successful book. But I had decided not to continue writing nonfiction, much to the disapproval of my agent, who nevertheless promised to look at a novel if I could finish one. In return, I promised to send her a few ideas for another book on the history of psychology, agreeing to use one for my next book if the novel-writing plan fell through.
You will probably not be as surprised as I was at the discovery that declaring oneself a novelist and actually becoming one are very different, and quite separate, propositions. I had, to this point in my life, failed at nothing that truly mattered to me. I had suffered setbacks, of course, and I knew that hard work and determination were required of any successful endeavor. But I wasn't really prepared to not know how to begin to do what it was that I had in mind. Of course, now I know that this is a crisis that all artists face; but at the time it was not only unexpected, it was devastating. Eventually, it was humbling. Understanding that humility is a gift, rather than a punishment, was probably the best lesson I ever learned. But it is not a lesson I would want to have to learn again.