1. I Need
I need to find an unattached brick made of fluorescent pine cones so I can make a fish.
I need a barrel of pajamas to teach me to play the mango.
I need an automatic disposable language flinger to brandish a gothic olive in the direction of the nearest unfitted nasal twinge.
I need to climb to the top of the next available kitten ranch so that the continent of South America will be on time for its appointment with a bucket of perforated steam shovels.
My life can be a little complicated.
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2. My Mirror is a Stargazer
My mirror is a stargazer. At night you can find it on my roof, gazing upwards, as though searching for I know not what. What does it see in the lofty depths of the universe? By morning, it has reclaimed its place over my bathroom sink and shows me to myself, a galaxy of one. I have to imagine the contrast is interesting. On the one hand, you have the fullness of the night sky with its million pinpricks, and on the other hand you have my face. In the end, it's all speculation; my mirror doesn't like to talk about it. When I ask it, it just gets that faraway look of my reflection blurring and says nothing.
I used to imagine that if you lay a mirror down on the ground with its face to the sky, you could dive into it as though it were a pool and find yourself swimming in a reflected sky. So, flying, really. I would dip and soar and eventually fly out into space and become a star myself. Then my mirror would go out on the roof after I've gone to bed and see me twinkling on high.
My mirror is searching for me.
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3. Violence Towards Coffee
Violence towards coffee is the subject of our next review, and everything means something to someone. The spoken word performance will take place in the future; preparation is the breakfast of the hesitant. When I approach a subject, I try to be sure of the outcome. I was fairly certain. I was walking on a sea of dimes. I was wringing out that bankroll honey, contemplating the well-dressed elite.
Afterwards, I smoked a cigar. The intervening hours are like a farce to me now; I am not time's bitch. I went to sleep thinking about what I would wake up thinking about. There was no surprise. No dream. No poison. No subtlety. No sickness. So what was there? Violins, for a start. An unrelated absence nevertheless noted. Baloney sandwiches and graham crackers.
What do you do when a kangaroo tells you there are no pickles in the gin? I mixed a green martini and hopped around in the hopes that it would seem congenial. I got into the habit of getting my way, particularly when I felt I was right. It always worked before. And so it becomes a matter of out-hopping the kangaroo. Oh, the insufferable conceit of such a venture!
I have this feeling, though, that a big black beetle will tear down my small house and build a rutabaga warehouse. What then? Where shall I store my minuscule trophy collection? Where shall I put my collection of exotic hats? Where once stood my ideas of four walls and a roof, farmers will be storing their rutabagas. Damn that big black beetle.
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4. Meaningless Absence
There isn't much to say. Hampered with a lack of material, the author struggles on in the face of meaningless absence. If meaningless absence were a rodent, it would be a squirrel. Jumping around, darting here and there on the hunt for its next nut, without a care for those observing-- unless they get too close. Then zoom, it flees. You can't put your finger on it.
A shame, really, since what you most want to do is hold it, hug it, turn it into something tangible in the hopes that the transition from absence to presence will at the same time render it meaningful.
Let's try another metaphor.
Imagine someone ripped out one of your teeth for no reason. Then you would know the pain of a meaningless absence. A meaningless absence can really drive your actions. You'd spend some time chasing the lunatic who took your tooth out of your head, but he'd outrun you. They always do. Then you'd spend some time at the dentist getting a bridge and stuff. Time and money, baby. Time and money.
Maybe it's worth it. But then, maybe it isn't. And what then?
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5. Flow
I want to hold it in my hands. I want to press my fingers around it and feel it living beneath my touch. I want it against me so I can feel the blood moving through the capillaries that nestle just below the surface of the smooth soft skin.
Capillaries are so small that the red blood cells move through them in single file. When I was in school, they showed a movie about the circulatory system that had footage of this happening-- the little torus-y objects shuffling through the tiny, tiny tubes like kids in an amusement park line.
That's what I want to feel happening beneath my fingers, in your skin, in your body, as I hold you, touch you, listen to your heart, test your pulses, give you orgasms.
Everything is about flow. The wind, rivers, your blood, time, diffusion, electricity, sexual secretions, life, thought. It's all about flow.
What poisons have we peddled to make it seem otherwise?
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6. The Downstairs Couch
Matilda, Heather, Sara, and Gertrude are in the room at the top of the stairs. I don't know what they're doing up there, but it sounds like they're having fun, and I'm downstairs, separate, apart, alone.
Perhaps they're solving the world's problems. Maybe they're discovering the joys of homosexual sex. Perhaps they're phoning their analysts. It could be that they are making a quilt using the fur of various small rodents. Chipmunks, squirrels, rats, mice, moles, shrews. Needle and thread. Stab and wrap, placement and precision. They might be performing dark rituals and summoning demons to come and bake them casseroles. They could be surfing the web. They could be building a replica. They could be shaving the furniture. They could be bleeding the monkey.
The point is, I don't know what they're doing. And if I don't accept my ignorance, I'll become insane. Mad, I tell you. Or at least a bit troubled, as though I had a run in my tapestry. I pace in a circle at the foot of the stairs. I hear their voices, muffled by the closed door, rising and falling. Outside, it's rain mixed with snow.
In the end, I go to the couch and park my hips. The cushions yield, as ever they should. It feels like new money. It feels like a well-oiled baseball glove. It's my couch, and I am secure in its embrace. Everyone else can only borrow time from it. I give them my permission to do so.