Much academic dispute has revolved around the authenticity of this found Mark Twain manuscript. Signed only S.C., it is difficult to imagine the famed father of American letters holding interest in the vulgar. Further, to whom could he have been writing such a tale? The letter is unaddressed, as if conceived to be sent, but never executed. Nevertheless, many (see Smythe, 1997, Jones et al 2002) believe the home-spun style and familiar feeling characterizations are strong enough indicators to offer the possibility of a found piece in an unfamiliar genre. Indeed, others (Garcias, 2012) go so far as to suggest Twain himself, or his body of work, is an amalgamation of authors a la Shakespeare. While we reject this assertion on historical record alone, it is undeniable that this short story - the Lonely Three-Breasted Woman of the Stromboli Circus - addresses themes of interest to Twain. Enough so that we accept the possibility it is indeed an authentic lost story, as advertised.
The Lonely Three-Breasted Woman of the Stromboli Circus
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Isaac Van Amburgh had invited me, via post, to a celebratory dinner during my sojourn in Humboldt, at the one quality hotel in town. I had a mind to attend, despite his brother, who would also be in attendance, and his propensity to go on at length about the most mundane topics an accountant could muster. "Why would the event appeal?", you'd be forgiven to wonder. Why, for the simple fact that the Hotel Arcata boasted a cellar of famed depth and quality and Amburgh a thirst that no thinning pocket book could deny.
By the time I arrived, given delays with the Buick 10 and its infernal engine choke, Amburgh was indeed on bottle three of no-end-in-sight and was as effusive as ever. I settled in for an evening of wine and tall tales, as it was clear the night was headed in that direction.
Now Amburgh was famous across the state for his tales, often seemingly constructed on the spot, of trips and school-aged hijinks that ended only when the shaggy dog had had enough and settled down for a nap. But today's tale was of a different sort and he swore up and down that it was as true as the soft blue on Margaret Eaton's petticoats. An apocryphal promise, if I ever heard one. Nevertheless, I set the tale down for you as told, and you can be the judge of its potential as gospel.
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"It happened that, at the tail end of '99, I stumbled upon a new regional circus setting up on the outskirts of Boise. There was a menagerie of animals and oddities dotted here and there around the small field with the gypsy folk busy constructing the premises as a new city might rise on the Nile. I stopped to speak with a small gentleman, who, it would happen, was the barker and proprietor of the convocation."
"All around were signs advertising the feats and peculiarities available for viewing, once the circus was set, and my eyes lit upon a far off sign at a lonely tent to the distant south. And I swear on my brother's mustaches, that sign was advertising a woman of a disproportionately generous number of bosoms. Greater, even, than the standard two."
"I motioned to the barker with a nudge of the chin, that this, surely, could only be a feat of costuming. But he swore it was as genuine as Great White Fleet circumnavigation, which was much in the news at that time."
"But why," asked I, "would such a miraculous show be placed so out of the way? Surely she must be the central attraction!"
"To be true," he responded, "I have a mind to let her go. While the multiplicity of breasts is an enviable attraction, and brings in the punters and gawkers to no end, they, often as not, demand their money returned. And even when not, she costs me as much as she earns. She's a sight to behold, no doubt, but she is so sad, that her tears strike depression in the hearts of the viewers and they are ready to quit the circus altogether after five minutes in her tent."
"But what could be bringing her so low? She must be the center of attention wherever she may arrive?" I wanted to know."
"I do believe she's lonely," the barker answered simply."