In May 2007, I wrote a "How to" essay entitled "Doggerel for Dummies," which consisted of suggestions on writing fun poetry. This is a continuation of that first essay, and it discusses more advanced rhymestering.
At that time, I concentrated on couplets and limericks. The former are two consecutive lines that are in the same meter and have last words that rhyme. An example was:
the BLONDE in THE caSIno, WORE her COAT down TO her KNEES.
she WALKED up TO the TAble AND she SAID, "ExCUSE me, PLEASE.
i WANT to SHOOT some CRAPS here AND i WANT to BET the MAX."
and PLACED her MOney ON the LINE that SAID that SHE would PASS.
As I said before, an iamb, which rhymes with "my lamb" is two consecutive syllables, with the second one stressed, or accented. As I did then, I have written the stressed syllables in all caps.
Of course, poems with an iambic meter are not the only kinds of doggerel, although they may be the most common. Another form of meter is the dactyl, which rhymes with "Jack will" and is a stressed syllable followed by two that are unstressed. An example, also one which I wrote a few years ago follows:
a YOUNG man was MOving inTO an aPARTment and ON down the HALLway he STRODE.
a WOman was STANDing aLONE by a DOORway; her BOdy was WRAPPED in a ROBE.
they STARted conVERsing; she SPREAD her arms Open, the ROBE opened UP in the FRONT.
the YOUNG man was TREATed to VIEWS of her TITties and OF her magNIficent CUNT.
This was purely doggerel, because it was a joke told in the form of a poem. If you want to see the punch line, you'll have to look in my index to find it, but it's three stanzas, all of them made up of double dactyls.
Here is another one and, once again, if you want to read the punch line, you can go to my index and find it. I use my own stuff because I like to have people read it and I don't want to run afoul of any copyright laws.