Jenny's attempt at peace-making (and it's explosive failure) didn't have to be adjusted much; her daughter was still pregnant, albeit by straightjacket and vibrating bullet (although the lust draft still came into play too). The triplet's attempt at revenge didn't change much either. But Brian's death did. How could Brian die from magic if he was resistant to magic? Fortunately my magic system had a built-in answer for that already; he didn't die, but rather something else happened instead. And with that, I had a hook for the start of book 2. No, I'm not going to spoil that hook; all I'll say on it is that Brian isn't dead after all. Because unlike a particular author I could mention (cough, cough, Harry Potter), I'm not married to any particular ending when it turns out to suck.
Next up were details, and in those details lay a major decision. I had a story, but the characters were flat -- lacking human qualities. I needed to make them stand out. What drove each character? Why were they getting together? Why were they getting together now, instead of before? How do they think? What do they think of the circumstances they find themselves in? I had finally settled on witchcraft, as my magic system places potion making in the hands of witches, but the dynamic of Christianity vs Wicca was about to come into play, and that might not be the worst of the issues to work out.
I couldn't work out a good way for a True Faith Christian to stick with a Wiccan, and the male's true faith was too ingrained into the story to change now, so the witch became more agnostic about it. There would still be discussions about Christianity and magic, but the male had to become, if not liberal, then at least not conservative, or it would still not work out. A trope about conservatives is that they're anti-vax. It doesn't matter that it isn't true; the trope exists, so I used it. Brian would be vaxxed and not mind it. Another trope about liberals is that they're for forced vaxxing. Again, it didn't matter that it wasn't true. But as I needed a way of saying "this guy isn't liberal either", I went with the trope. California, the usual troublemaker for any and all woke causes, would force-vax Brian, who would object to it but only on the principle of it all; otherwise he was happy to be among the vaxxed. And with that, Brian fits none of the typical molds we expect in America.
But while this created a more dynamic character, it touched on something that I knew would turn readers away: politics. Being happy to be vaxxed risked turning away conservatives who believe more in natural immunity than taking drugs (and frankly there is evidence to support their "natural immunity" claims). Not liking an overbearing liberal government dictating how people should live their lives risked turning away liberals who believe in the benefits of big government. This is not an inconsequential decision here. Including politics in a story can hurt that story's reception. It won't win any contests. It might not even get the "hot" label. Do I do it anyway? In the end, my decision was thus: I'm an artist. While "fan service" doesn't always conflict with art, when it does, the art takes precedence. I am okay with people not reading my stuff because of this. I'm okay with people downvoting my stuff because of this. I don't write for them. I write for me. I'm okay with publishing what I write, and letting people who are okay with things like this enjoy it. I'm an artist. I follow my muse. Your mileage may vary -- but at the same time I have to note, if you're not writing firstly for yourself, you're likely going to have a hard time.
Another spot that needed work was how to get Brian and Susan alone, yet vulnerable enough that the Furies could have their way and get Susan knocked up. But now that I established that Brian was at least somewhat political, that solution became easy. After seeing a volleyball game won by a trans female, Brian would pull Susan aside to ask her about it. It also allowed me to explain why my magic system couldn't be used to help a minority as rare as trans people with something so critically important to them (changing their genders). Finally, as a bonus, it would become a somewhat-humorous train of thought he'd hold onto as he grappled with the after-effects of being raped. Susan wouldn't need that, of course; she'd be too drunk on the pleasure and the lust draft -- but again, Brian was magic-resistant. But in the end, I was risking alienating readers yet again due to politics. I had two reasons for doing it anyway: the original "art over fan service" decision, plus after the first time, anybody who kept reading shouldn't have been surprised to see something similar. Just a warning to authors who would follow my footsteps, though: don't bring up politics and expect people to not complain. So many people are here exclusively for the porn; they don't care about art. Even I fall into that category some times; as much as I like a good story, sometimes I'm just horny and want to get off. The difference is I'm not going to complain about it when I encounter it. I simply bookmark it for later, for when I'm in the mood to read it, and move on.
The one alienation that surprised me, though, was an accusation of antisemitism. How is saying that Jews are good at arguing a bad thing? Long ago, when I visited Baruch HaShem Messianic Synagogue in Addison, Tx, I got to see their debates up-front. Amazed, I asked about it, and they told me (I don't remember the exact quote) something very similar to what I had Brian state about them. They're proud of their debate skills, and rightfully so. They're the ones who taught me my debate skills. So yeah, on behalf of myself and the Jews who taught me to argue, I have to agree with other readers who replied to that: "@halvah, fuck off".
Moving on, Susan needed fleshing out. Enter Leah and Tracey. Due to Furey bullying, Susan has been largely isolated while in school, but that doesn't mean others aren't isolated too, and such people tend to gravitate together. Leah and Tracey's reason for being bullied is different, though; 2 lesbians caught out in an otherwise-conservative school. You'd think we're past this by now, but no. I now live in the Colorado mountains, and the place is ultra-conservative to the point I had culture shock. Looking at the Colorado voting maps, Denver and surroundings are ultra-liberal and everything else is ultra-conservative. The only reason that we have a Democrat governor and senators is that Denver and surroundings have a larger population than everywhere else: what Denver wants, Denver gets. It's kind-of the reverse of my birth-state of Texas, where what Austin wants can go fuck itself. Anyway, the general rule in the Colorado mountains is to expect conservative ignorance (and yes, I'm sure Denver has its own brand of liberal intolerance, but I don't live near Denver). Most of the people around here aren't going to associate with someone who makes different life choices. Unless they're high. All bets are off when a conservative tries marijuana, lol.
I miss living in the much more cosmopolitan Dallas area. Except for the legal marijuana. I got used to that, real quick...
Anyway, Leah and Tracey became a much-needed foil to Susan's workaholic habits. Even volleyball was a means to an end for her; you can see it in their discussion, where Susan frets about college scholarships as her only real objection to the inclusion of trans females in her sport. Sure, Susan has been pushed into being like that due to the feud, but that's not living. So, due to Leah and Tracey, Susan chooses to make time for Brian. Even their first date turned into a study date, but you can start to see Susan loosening up a bit. Yay for character growth! It's too bad for her (but good for us) that events force her to grow faster than she'd like.
Next was Susan's "I choose life" stance. Again with the politics, but this mirrors me: I chose life, and I advocate others choosing life. Pregnancy is beautiful, and both impregnation and childbirth are stunning (yes there is pain, but that pain is transitory). This falls under "write what you love". Impregnation loses its appeal for me when Plan B is just around the corner, and abortions are only an appointment away. This is one of the aspects of my magic system that I adjusted for this story: birth control robs you of your magic (amazingly enough the subject just hadn't come up in my other stories). But even without that adjustment, Susan would still end up choosing life. However, Susan knowing she doesn't really have a choice in the matter does make the moment of impregnation all the more intense. Still, pro-lifers aren't going to be satisfied by her (or my) belief in self-ownership, and that people should be persuaded to choose life instead of denied that choice. And pro-choicers aren't going to be satisfied that someone with their whole future ahead of them would give it all up for a baby she didn't ask for. My answer, however, is still the same: art over fan service. Still, I probably channeled too much of how I felt my first time into what Susan felt -- but then again, all I have to go on about it is my own experience.