I am tied to a chair. Or possibly a stool.
It's hard to say because I'm not sat on it. I'm sat on the floor with my back to it. Everything is sturdy. The furniture I'm tied to is sturdy. The broad leather belt around my waist is sturdy. Sturdy leather cuffs, attached to short lengths of sturdy chain, attach my wrists to the sturdy belt. My elbows are sturdily tied to the sturdy legs of the sturdy chair. My neck is enclosed by a sturdy orthopedic collar. This too is fastened to the sturdy furniture behind me with the same sturdy brown rope that she used to fasten my elbows.
I am not unsturdy, but I have no leverage. Those three points, elbows and neck are enough to keep me in place. My tied hands mean although I have a bit of movement, I can't reach any of the knots that bind me. The weight of the thing I'm fastened to, with the friction of a carpeted floor makes moving it even a few inches difficult. Even with my legs free, which they are. And I can't get my centre of gravity far enough forward to lift the seat off the ground.
So I await my Lady's pleasure. It is a pleasure to wait.
She's not far away. I can hear her in the room next to this one, opening cupboards, getting a few things together, then...
Footsteps. A moment later she appears in the doorway in front of me. She looks at me with a thoughtful expression on her face, as if she'd somehow expected to see something different than me, exactly where she'd left me. She is wearing ordinary clothes, so if you're picturing some leather and latex clad minx, put that image away. She's wearing an old and comfortable grey woollen cardigan over an olive drab t-shirt, and some brownish coloured pants in what looks like quite a hairy, itchy fabric. Her feet are clad in well worn fluffy slippers, one of which has a hole in the big toe.
She's not even that good looking. Even after a couple of beers.
But for all this, there are two things she does undeniably have. Firstly, she has a wicker basket that I recognise as her craft basket. The other thing she has?
She has complete and utter control of me.
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She walks over to me, her slippered feet almost noiseless against the carpet. Bending her knees, she kneels in front of me and places the basket on the carpet. Then she turns to face me, and looks me right in the eyes. I look straight back at her of course, since I can't move my head more than a couple of degrees in any direction.
"I thought of a new idea. I hope you enjoy it." she says, with a broad and somehow unsettling smirk. I open my mouth to speak, but before I get the chance, she puts one finger to my lips.
"Shush" she says, and I do as I am told.
Now she's opening the basket and digging around inside it, pulling out scissors and reels of bright thread and putting them to one side before finding whatever she was looking for. With an "Aha!", she pulls out a translucent plastic bag. Leaning forward, she puts this on the seat behind me before sitting back, and delving again into the basket. She pulls something out but she has her hand wrapped around it and I can't see what it is. Something small anyway. She tidies the other stuff back into the basket, which she closes and puts at arms length to her side.
I follow her with my eyes. Now she's kneeling up in front of me. Forward again as she takes the bag from the seat. She opens it in front of me to reveal...
Zips. Lots of zips. All the same size. All the same colour. All black. Black plastic teeth glisten dully beneath the familiar mechanism, also black, and the whole thing is stitched onto a strip of black fabric. Just your everyday zips. A staple of Haberdashery for over a century. She picks one of the zips up and dangles it in front of my face. It sways a little, to and fro.
For a moment I get a mental image that she's trying to hypnotise me. Then the word "zipnotise" pops into my head, and I have to suppress a giggle.
"There are two types of zip" she tells me, as the zip dangles before me like a particularly unappealing lure.
"There's the sort that don't separate, like on your trousers."