The night is dark other than the light from the full moon. A tall man rides in the gondola down the canal. The evening breeze flickers the torches at each Venice villa. The gondolier pulls up to a large villa with candles in every window. The tall man steps out and approaches the door. When he enters and climbs the stairway to the ballroom. Inside, the patrons turn to look.
He is dressed all in black. The man, whose long black hair is tied back in a ponytail, wears a tricorn hat with a plume. He is wearing a black and silver brocade doublet with long velvet sleeves over a black ruffled shirt. His face is covered with a full face mask. The right side is red and the left side is silver. It does have curls of each color over the other half. All you can see are his dark eyes. He wears long black trousers with cavalier boots. Over all that he wears a mantle cloak over his shoulders.
However, as the ball guests wear formal attire and masks for this masquerade ball, he also wore his mask to hide more than his identity. Around his waist he wore an Italian rapier along with a parrying dagger. The swordsman clearly wasn't dressed in formal attire, nor was he wearing white face or powdered wig. The impression is that of an English nobleman or a swordsman for the king of England.
During the renaissance period of Italian and English history, was a time called "Libertine" which was a time of debauchery and sexual freedom. This is the time when the masquerade balls in Venice among the titled and in England during the reigns of James I, Charles II, and James II, were a time of sexual freedom among the aristocracy and the titled. The men and women could experience the sexual freedom of the masses and hide themselves behind their masks. Now there are special masquerades held by those who still follow this spirit of libertinism and debauchery in Europe.
The guests watch as the swordsman strides further into the room. Everyone takes a glass of champagne as the Master of Ceremonies brings all eyes forward to watch the scantily clad young women come forward to stand. One begins juggling flaming torches and the other girl begins contorting her body into impossible positions. The swordsman moves away from that to the long table where there is fruit balanced on the body of a naked girl. She is sprinkled with sugar and dripping in chocolate.
Some are politely picking a slice of orange or strawberry off her body, dipping it in the sugar or chocolate and eating it. The swordsman, without removing his gloves, reaches for a sliver of strawberry which he dips in the chocolate dripping down her side. After eating that, he bends over to take another slice of strawberry but this time he takes if with his lips and then licks some dripping chocolate before eating the strawberry.
"Would you care for more champagne Sir?"
"Aye," replacing his empty glass and taking another.
"Ladies and Gentlemen please enjoy our new attractions." Swinging metal rings are lowered from the ceiling, each with a scantily clad young man or girl on it. The rings spin as the figures ride, kicking their legs. Masked men begin to reach up to pull bits of clothing off the girls as the masked ladies are doing the same with the young men.
Clowns on stilts begin to walk among the guests as the music begins to play. There are a harpsicord, a violin, a string bass being played by two ladies and a gentleman dressed in formal black attire. Couples begin to dance as the curtain to the dining room is lifted. Some drift into the dining room to eat. Some men are trying to pull the young girls off the rings. "Gentlemen, please. Removing clothing is acceptable but please allow them to remain on their rings to entertain. Dinner is served in the dining room. There will be more entertainment to follow dinner."
The swordsman enters the dining room but choses to sit away from the others. He speaks to no one as he eats his dinner. Gradually after dinner, guests drift back into the main hall to dance, stroll the balcony or watch the entertainment. The swordsman strolls out on to the balcony to smoke his pipe and avoid the others; they are not why he is here. He sees another man in buckled shoes and hose with breaches walking toward him with a long pipe to light. He turns and walks away. He isn't here to light some aristocrat's pipe.
"Ladies and Gentlemen, please see the entertainers on the main stage." The guests begin milling to the front where the flame thrower and the contortionist were preforming. They have left and now are two scantily clad women who are wearing collars and masks over their eyes. They are being bound on stage by men wearing face masks and red capes. Each man is binding his girl in a way which lifts her off the platform and leaves her hanging from the ceiling.
One is bound with her arms over her head, the wrists bent behind her head. There is a rope to balance her across her chest and another under her breasts. Her left leg is bent at the knee across her right leg and roped there. Her right leg is bent at the knee but rises up into the air as she hangs with her torso face down, placing her right lower leg in the air.
The second girl has her wrists bound to her ankles, left wrist to left leg and right wrist to right leg. Her heels are resting in her palms. She is in the air by ropes which lift her up by binding at the top of her buttocks and more rope lifting under her buttocks. This leaves her at an angle that allows her head to hang down. After her binding is finished, he throws back his cape and reveals he is nude. He proceeds to put his hard cock in the girl's mouth. She gags as he holds her head still, fucking her mouth roughly. "Ladies and Gentleman, please give a hand to our expert ropers. The show is not over. It is almost the magic hour but we have a special surprise for you. Behold the slave girls."
With that said, women in formal attire and masks lead out four slave girls by the leashes attached to the collars around their necks. The girls are dressed transparent nightgowns and masks. Men and women reach for them to fondle, kiss and attempt to remove their flimsy nightgowns. "Please Ladies and Gentlemen; these girls will be available upon the magic hour as will the young men and women entertaining you on the rings." They begin to notice the rings have lowered slightly, yet not within reach.
The slave girls are placed in leather cuffs which buckle around their wrists keeping them on the tables they have been placed on. They are unable to free themselves from the tables and must remain on their knees as the cuffs are attached to the very end of each table. This puts the girls down so low to the end of the tables they are on their forearms on the tables and on their knees.
"The Magic Hour is nigh, Ladies and Gentleman. Those girls are for you pleasure. Please feel free to use them any way you wish as they are unable to escape their restraints. We have a new one for you tonight. She is tall, blond and well endowed. She will also be free to purchase at the end of the evening."
Everyone turns to see who is coming out from behind the red curtain. As the curtain parts, a man, in a red cape and mask, leads out a girl. Her leash attached to her collar. She has long blond hair with blue tips, the color of the sea. Her face is painted. Her lips are painted soft lavender. Her amber eyes are accentuated with long lashes and lavender eye shadow. The rest of her forehead, upper cheek and nose are painted the color of the sea which matches the ends of her long hair. Finally there is a 'V' shaped design in purple crosses her forehead with the point coming down her nose.
She is wearing heels which match the blue shade in her hair and face. She has long legs and her breasts are round and large. Her areolas are large but not extremely dark. But her nipples themselves are already hard, standing out as if begging to be sucked. "This is our beauty of the night Ladies and Gentlemen. Please enjoy those on the rings, and the slaves on the tables. Just remember that this beauty is our auction prize at the end of the evening. The Magic Hour has arrived."
The rings are lowered so that the young men and women can step off as costumed men and women begin grasping for them and pulling them to them for service. As the men and women begin pulling down those on the rings, costumed ladies lay back in large arm chairs to pull up their skirts. The ring boys kneel down to lick and suck the already damp pussies and nibbled on the clits of the women who have been waiting all evening. It doesn't take long before the ring boys are fucking one costumed middle aged woman and licking the pussy of another.
The same happens with the young ring girls. One was being fucked in her mouth and her pussy. Another was being fucked in her ass. The third was getting double penetrated in the back and mouth fucked in the front. Her squeals were muffled like the others. The fourth was being fucked in her mouth but her pussy was being licked and sucked by a man in a royal blue costumed with buckles on his shoes.
Some men pry apart the legs of the slaves on the tables to begin mounting them with a roughness found in men of title when dealing with those beneath their station, causing the slaves to gasp and scream. A few of the men have released their cocks to shove into the wet waiting mouths of the table slaves, causing them to gag as they were deep throated from the start by the forcefulness of the upper class.
The swordsman pushes his way past the throng. He glances at the girls on the tables, running his fingers down their backs lightly but pushes on past to watch where they lead the girl with the blue painted mask. Her breasts were much larger than the other slave girls in the room. She had long legs and walking in heels made her taller than most females in the room other than those in the very tall white powdered wigs. The swordsman didn't like the white powdered wigs. Though it was the fashion, he felt it made men look weak and the women in white makeup look older. The older women looked extremely aged under the white makeup.