Author's note:
I wanted to make this a pragmatic superheroine story, without the straining lycra and the pumped-up tits and BANG POW, but with a superheroine who gets trapped and ends up a plaything, for a while. So it's not the normal superheroine story, but is what I was intending to write. It also took me about a year, because it kept getting left. A bit of a theme lately, I'm afraid.
Those who are familiar with my other work may notice a certain mechanical theme involved.
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The night was your friend. It was always important to remember that. The night was your friend because in it you were dominant. In it you had the control, the power and the mastery. The night was your friend because you made it the enemy of those who deserved to be your enemy.
It was a mantra that The Wight repeated to herself regularly, and not least before starting a patrol.
There were those who considered "Wight" to be too ghoulish a name, too unpleasant to be the name adopted by a heroine. Or a hero, as some who hadn't met her and disbelieved the stories steadfastly claimed. But it was the name that fitted most for Lisa's hard-willed but svelte-bodied alter-ego: Wights take life from others, they live in unpleasant places and perform unpleasant acts upon those who, lets face it, shouldn't have been fooling around with graves and burial mounds and suspicious holes in the ground. It certainly fitted with the inhuman discipline that had driven her through pain and suffering and that would have made the old Lisa break down in tears. It certainly fitted with the ghostly image of a girl who was never seen by her victims until too late, never seen by the police except as a swiftly departing shadow and never seen by the media at all. In fact, without her publicity photos, suitably shot in dim, gothic light by a photographer friend of hers, they would doubt her existence at all. Without the testimony of those victims she left alive, she would have been labelled a mere poseur.
More, and most, importantly, it fit with her effect upon those criminals whose existence she refused to tolerate, whose actions she struggled to prevent and whose lives she occasionally found it necessary to consume.
What she did not tell the public was that the name had come from none of the above, but from the way that she had of sensing life, of seeing the dark as though it were light with eyes not quite eyes and of sapping the strength of those she grappled with, feeding off it even as they felt it draining away.
As she moved through the abandoned warehouse, now condemned to be demolished but until then available for what the mainstream of society chose to call "suspicious activities", there was always one part of her brain that kept its attention on sounds, one that controlled her noiseless and sure-footed movement and one that kept her eyes achingly alert.
She was looking for wires out of place, the glint of lenses, the patterns of disturbed dust and the doors that should have been shut, or open, or anything other than half-open. She was looking for too much order, or too little. She was listening for anything that betrayed movement, particularly behind her, and she was moving so that nothing betrayed her presence, nothing compromised her ability to listen and she in no way left clues that, later on, she may have to pause to decipher or that someone else may use to find her. She had often wondered how it was she was capable of moving without disturbing the dust, but she didn't let it bother her for long.
Life she did not need to look for; in this environment it would be a siren to her. A normal ambush did not worry her. Traps, however, did. Mechanical devices had movement, but no life of their own that she could detect them by.
She was constantly on the move, slipping in and out of shadow, moving randomly and erratically, just in case a sniper had her in his sights.
She ghosted across a gap and past a pillar, her eyes searching the darkness opposite her.
"Ah Wight," a voice at her ear said. "How beautifully you move."
She slammed her elbow back so fast that when it contacted the steel pillar she feared for one split second that she had broken it.
But her reactions moved faster than her consciousness and her hand slammed up. This time her toughened hands and Kevlar, armour-backed gloves prevented her from feeling even the slightest touch of pain when she crushed the small speaker that had been embedded in the steel.
She didn't waste time swearing or feeling surprised or being startled or shocked. She was already moving: Ducking, weaving, heading fast along the corridor, hoping to take back the element of surprise. She hadn't seen any lenses, but then again she hadn't seen the speaker either.
Was she being watched? She couldn't discount the possibility, and so she kept moving.
She spotted the first trap before it was sprung, and as the man erupted from the pile of trash she attacked first. He came up with an iron bar clamped tight in his fist, but her kick broke his arm before he got a chance to use it and then, as her momentum carried her forwards, she broke his neck the same way.
She leap over him, moving fast and unpredictably, but what felt like a dart slammed into one of the tortoise-shell-style Kevlar-carbon-fibre armour plates on her back. She had known when she made this costume that basing it upon what was essentially a high-tech set of motorbike leathers would pay off in protection what she lost in speed.
Her movements accelerated, off at a tangent, one remote part of her brain, all that she could spare, furiously wondering how the man had managed to hide from her.
The second to attack her she could sense, but only as though through static and he managed to surprise her. But he didn't manage to cope with her using both feet against a pillar to slam her armour-plated back against his chest as hard as her thighs could push her. Stunned by the back of her head contacting the front of his face, he was easy to finish with a rigid hand driven hard into his throat.
There was no dart in that fight. But as she jumped away from it, veering away unconsciously from a pile of rusted chains that may have hid another would-be assassin, one ricocheted off her thigh plate.
"They want me alive", one part of her brain thought, while another exalted "Got you! I know where you are now!"
When her senses, straining now, detected another man standing still behind a section of wall, she came in low and fast, getting the man between her and the sniper, and when he came out low in a wrestler's crouch she barely afforded herself the time to rear up, her head protectively low, her arms up and her foot swinging viciously through to catch him unprepared in the face, bringing "him" up so that she could drop again, barrelling forward to catch his chin with her palm and smash it back hard enough to break his neck.
The realisation that the men appeared to be spaced out, that they seemed to be wanting her alive and that there only appeared to be one actual sniper gave her time to stop and think, using the wall and the dead man's body as cover.