Note: This is another plot-heavy, sex-light chapter - though not no sex, of course :) Next chapter will see more of the good stuff (and more of the subplot!) Thanks once more for all the support and kind comments I've received on the story. I'm glad people are still interested in seeing what happens to these two! Sometimes I even surprise myself - the last scene in this chapter didn't at all go the way I'd originally planned.
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November came to the city and the weather had never been more beautiful. The sky was a clear, beautiful blue after the morning fog had burned off (and before the evening fog crept in). It hardly rained, and the air had the crisp, spicy scent of decaying leaves so elusive on the West Coast. One such beautiful day, Claire was practically skipping on her way to the symphony hall.
They were rehearsing for another monumentally exciting concert. Evidently, Sebastien had liked her suggestion for deathly music so much that he had constructed this seasonâs concerts roughly around this idea. More specifically, the fall portion of the season would revolved around death, and the winter/spring half would primarily be music of rebirth and celebration. Perhaps it wasnât a wholly original idea, but it provided a counterpoint to the previous seasonâs focus on love and operatic themes.
Thus the orchestra had performed Hans Werner Henzeâs instrumental Requiem, Camille Saint-SaĂŤnsâ Danse Macabre, Franz Schubertâs String Quartet No. 14, and Franz Lisztâs Totentanz, among other pieces. Sebastien was making an effort to survey music written for and about death at as many points in musical history as he could. The concerts had been striking, and very well received.
In contrast to the previous concert featuring DuruflĂŠâs gorgeous symphonic arrangement of the Requiem Mass, this concert would be markedly sharper, darker. They would lead with Dmitri Shostakovichâs Symphony No. 14, a group of poetic settings on the theme of death. Unusual for a musical treatment of this theme is the lack of hope or promise of an afterlife. Shostakovichâs intention was to impress upon his listeners the beauty of life, the emptiness of death, and the tragedy of human violence. The instrumentation is sparse, unsettling.
Sebastien chose to follow that work with Gustav Mahlerâs Symphony No. 4. Its first three movements are a bit pensive and atonal compared to many earlier works, but unfolds into a sweeter, more hopeful fourth movement â a childâs vision of Heaven. Sebastien knew that including the Mahler lessened the impact somewhat of the Shostakovich, but he also knew his audience. Although largely less religious than any previous generation, Americans still love a happy ending. Thinking of death as a dispassionate end as a corpse rotting in the ground or ashes scattered in the wind would no doubt leave his concertgoers uneasy. Something better left for intermission, he reasoned.
Besides, he knew his soprano. Claire was, as he correctly guessed, overjoyed to have the soft, sweet final movement of the concert to leave the last impression on their audience. He was, of course, not the only one with an ego, and he liked to occasionally throw her a bone. And the fact that her excitement from rehearsals bled over into energetic, amazing sex was just a bonus.
They were rehearsing the Mahler today, more or less in order, so Claire seated herself in the auditorium. She chose a seat with a good view of Sebastien and had her sketchbook balanced on her knee, scratchy-nibbed pen in hand. Now that Sebastien knew she drew him, she didnât bother to hide it from himâŚthough she kept the sketches themselves hidden.
The orchestra was playing through the second movement â skeletal Death playing the fiddle â when the unthinkable happened. Claireâs phone beeped with the high-pitched urgency of her text message alert. Sebastien turned to give her a fierce glare, and she snatched up her phone. The message was from her mother.
In rehearsal. Call you at break, she typed in and sent. Before she could find the volume control, however, her phone began to ring. She stood, making even more noise than her phone in her haste to leave the auditorium. Once in the hallway, she answered.
âMom, I said I would call you!â
âSorry, baby, I didnât get your message. I wanted to talk to you about Thanksgiving.â Sigh. Why now? It would be Claireâs first family-type holiday since sheâd begun dating Sebastien, and there had been a little awkwardness about it. He had suggested it might be a good time to meet her parents, but she wasnât so sure.
Usually, Thanksgiving â like Christmas â was a time when her entire family got together. She just wasnât ready for him to meet the whole crew. She wanted it to be more low-key. But then her father said maybe they should come to the city to meet Claire and with everyone else on board, why could she say?
âBaby, are you still there?â
âYeah, Mom. Iâm sorry, what did you want to talk about?â
âThanksgiving. Are we coming up to your apartment, or did you want to go out?â
âI hadnât really thought about it. I guess it would be the most comfortable to do it at my apartment, except thereâs not much room there.â She heard a soft snort.
âDo you even have table service for four?â asked a derisive voice softly behind her. She whirled around, to see Sebastien leaning against the wall behind her. He looked annoyed, and alsoâŚkind of amused. How did he do that?
âWhat are you doing out here?â she hissed, covering the mouthpiece with her hand.
âHelping you plan our holiday, evidently,â he said, his frown deepening. âWhich we are not having at your apartment, where there are no dishes to cook with.â
âAre you making fun of me?â
âWe shall have them come to my apartment,â he said smoothly, ignoring her question. âI have a dining room and hardly use it. It will do fine. It is meant for family. Now, break is almost over and you should put your phone away.â Having dropped that bombshell, he sauntered back down the hallway. Family. Did he consider her family?
âMom, Iâll get you the address,â she said into the phone absently, and then hung up. She wandered back into the auditorium, giving Sebastien a strange look and feeling disconcerted when he merely smiled back at her. Shaking her head, she noticed one of the musicians looking curiously into her sketchbook, which she had left open on the seat as sheâd hurried to answer the phone.
She strode over and closed the book with a snap, relieved to notice as she did so that her sketch had been only bare bones. Oh, she recognized it immediately as one of Sebastienâs conducting positions â slightly hunched, leaning forward as if to draw the very notes from each instrument â but she doubted anyone else would guess at what the sketch would eventually be. Even nosy musicians who looked at sketchbooks that didnât belong to them.
âEveryone in your places, please. I trust we can continue our rehearsal without any further interruptions,â Sebastien said, throwing a pointed glance in Claireâs direction. She shrank back under it, but couldnât keep from wondering if there was some way to continue annoying him without being too much of a distraction. Well. There was one way.