The Foundation
21
Public Exposure
"I can see her cunt." The man wearing the headphones draped around his neck leant down to inspect the whore's tight white underwear. The convict offered him a mild smile and thrust forward her vagina, as if to ease the man's irritation.
"Are you sure?" Pamela Clayton pretended to peer at the convict's pubic mound.
"I know a cunt when I see one, and I'm looking at one right now."
"It's only the impression of her genitalia," Pamela lied. The vagina was shaven, but the scanty cloth could not obscure the two bulging lips.
"No, it is her ... genitalia. You can see the cameltoe. She can't appear on afternoon television wearing that outfit."
"What about their breasts? Mr Atkins, you can see more flesh on a public beach." Pamela and the producer both examined the dark blue singlet barely covering the upper half of the woman's breasts with the address of The Foundation's website running from erect nipple to erect nipple. The whore thrust her chest forward, as if to advertise The Foundation's services to Atkins, running her hands along the underside of her breasts and cupping them as a present for him.
"You can have the free advert, but we also need to secure those sling bikinis. I'll not have one of those huge breasts tumble out into view on my show. There may be children watching."
The appearance of Carmel De Bois on the Samantha Tannon Show had caused major concerns for the producers, most notably the role of the bondage whores on a family show. The Foundation's management had insisted upon at least a dozen convicts on the stage, and the rehearsal brought another round of skirmishes with Atkins, who insisted upon the girls standing out of camera shot during the interview. He was adamant that the girls were to remain still during the broadcast and there were to be no pelvic thrusts. Pamela, to earn a few close shots of the girls, compromised by changing the white thongs for safer black outfits.
Eventually, a troubled peace was established between Pamela and Atkins, fearful of a very expensive lawsuit from an outraged viewer. The convicts would wear the short tops and black thongs while the sling bikinis would be secured to the nipples by clamps. There would be twelve convicts on the stage, but they would be out of shot and would remain still throughout the interview. They shook hands on the agreement in a symbolic gesture of amity.
"Now, to seal the deal, we'll take two whores."
"Of course, Mr Atkins, take your pick."
The producer strolled along the line of women before tapping a tall brunette in a sling bikini on the shoulder. He touched the arm of one of the blonde whores in her black thong and asked her to step off the stage.
"A blonde and a brunette, to suit all tastes."
Atkins insisted upon binding the two whores despite Pamela's promise that they would indulge in any act without hesitation.
"I know, but I think in chains they're more ... alluring."
"I am sorry that our whores are insufficiently attractive for you, Mr Atkins."
He only smiled as the shackles were fastened to the wrists and elbows. Pamela draped the keys over the necks of the convicts.
"Please don't lose the keys. It's ten dollars to replace each lock."
Atkins took hold of the binding of the bikini costume and drew the straps tight between the whore's buttocks, forcing her to part her legs as she uttered a muffled gasp of pain. He then left, holding the lacing in his fist as he led the girl away, the blonde in the thong drawn by the leash attached to her neck.
Pamela studied the whores on display, followed by Tanya tapping her baton.
"You sluts will smile 'til it hurts, and when Miss De Bois walks down those stairs you will applaud as if your life depended on it. Now, practice your performance, and no mistakes, or it will be a month in the Consequence House."
The whores rehearsed their entry, standing either side of the steps and unleashing a torrent of applause as Wendy treaded carefully down the stairs. Only after the third practice was Pamela convinced that they knew their positions and their roles and sent them to the prison van to await her call.
Meanwhile, Carmel sat in the large chair as the two 'cosmetic consultants' smoothed her cheeks with powder.
"You have great skin, Miss De Bois, but out on stage in front of the cameras the definition will disappear. You'll have a moon face and that just won't do."
The sound of grunts and gasps drifted along the corridor. The studio's workers were clearly enjoying The Foundation's gift of two whores.
"Those whores are taking a terrible pounding. When I left they were trying to get a baseball bat up her arse. That must hurt."