16
The Fuck Factory
Carmel drew back the large red door marked Studio 1 and stepped inside to see a young woman with a clipboard watching three prisoners being cuffed and chained while a fourth prisoner was slipping into a dark blue leotard. Carmel recognised the producer.
"Sasha. We meet again. How is life in Hollywood?"
"Very good. I'm making a lot of money with Hector. I run all his media these days. These girls really are very good, just like those three whores we had last year. We can double our standard output and the range of degrading abuse is considerable. However, we could do with some really big men." Sadie could not resist a smile. "Hector and I are close, very close." Carmel looked slightly embarrassed. "It makes good business sense to obtain such a fine sample as young Ramrod. I am sure he would be a very profitable acquisition."
Carmel turned to the four prisoners and asked about Sasha's latest feature.
"We're advertising The Foundation's bondage whores. It's called Foundation Prison Escape. Three convict whores escape during a visit to a local hospital." Sasha answered Carmel's surprised look. "We've got two nurses' outfits. The girls escape and they are pursued by the prison officer, Mistress Whiptide. They're captured, and the local sheriff, Sheriff Pokemhard, arrives and ... well he fucks all four of them, and Miss Whiptide buggers the girls a lot. I mean a hell of a lot. The Foundation will be mentioned at least once a minute, and the term hot bitches will be used in virtually every scene. As you can see the girls are all in 'Harmon blue' including our very sexy guard."
"I do like the outfit." The prisoner wore black boots reaching to her thighs, a tight dark blue leotard, a cap with a bright blue band and sunglasses. The costume was completed by a brown leather baton and white gloves.
"I modelled her on Sheriff Ortiz. Is there any chance that she could appear in one of my films? I'd love to have her taking that baton up the arse."
"Sadly, we have other plans for Senorita Ortiz."
The other three women wore only dark blue vests advertising The Foundation's website as they were chained to the wall. Mistress Whiptide drew out her baton and placed the head against the anus of one of the girls. The prisoner begged the officer to abuse another girl, and a row began between two whores, each calling for the other to endure an anal pounding from the officer's truncheon.
"It's lunch hour, so there's no actual filming, but I'll take you on a tour of the facility. It really is very impressive. Worth every cent."
"It should do. It cost me enough. That's why the studio is open before the rest of the prison. We need revenue to service our debts."
Studio 2 was just a bedroom with a table in the corner. A whore in pink suspenders and basque was tied to the bed, but the rest of the set was empty except for a young man studying a lap top computer.
"Lesbian bondage session," he explained, returning to his screen while the whore moaned from the pain of three hours tied to a bed.
The director, Dave Corsair, appeared with a bound whore, dressed in white lingerie and high heels, by his side.
"My lunch time treat," he explained, clasping her buttocks.
"Dave. I thought you've been around long enough to have had your fill of fuckmeat."
"I have been around far too long, but these are the juiciest cunts I've ever seen. Miss De Bois, my complements on your pussies." He offered Carmel a bow which was met with the slightest of curtsies.
"I am honoured that an aficionado should pay me such respect."
Carmel asked about the large red steel door, wondering if it was a fire measure.
"No, the doors keep out the sound, and keep it in. We don't want any screams disturbing the rest of the prison."
"On the contrary, Mister Corsair, I insist upon hearing screams from your set. Then I know you're making the right kind of movies."
Studio 3 was decorated as a dungeon, with a fake brazier glowing in the corner and torture devices littering the set.
"The other studios will be altered about once a week, but the dungeon will be almost a permanent feature. We're planning a whole series. We can have a lot of fun in here. We can take these whores to places never seen on public video."
"A porn pioneer. You should be proud."
The set was deserted of technicians, but the stocks and the bondage devices all contained whores. Four prisoners dangling from the ceiling, a couple were bound to the wall with their ankles over their heads and three women peered out from tight cages. All wore gags, and their muffled cries told Carmel that they had endured a painful, demanding and degrading morning on the set. She was satisfied that Sasha was taking full advantage of The Foundation's assets.
"You'll be pleased with the film crew. They barely treat them as humans. One technician only found out they spoke English last Tuesday. They call the girls fuckmeat and treat them like animals. The harder we drive these whores, the more money everyone will earn. It is in everyone's interest to treat them as brainless sluts."
They left the dungeon and walked out into the warm afternoon to see three whores staked to the ground in the manicured garden. Carmel placed her shoe on the head of the middle whore.
"Slave, why are you here?"
"Mistress, I failed to come when Master ordered me. I'm very sorry."
"How long have you been here?"
"A night and a day, Mistress."