30. Tie Me Up, Tie Me Down
Okay, lets take stock here. I'm at the lake, I just had food, a swim, and sex, though not in that order. Alexa and Jill are finishing off their lunch, perched on logs at the edge of the clearing. Looking around, I can see the rings and mountings for some pretty large scale rope activity. For the first time in years, I don't go into a cold sweat at the idea of being tied up. Alexa follows my eyes, and smiles. "One day I'll get you up there."
I smile back. "One day..."
Jill collects plates and stashes them in the empty icebox. She's thoughtful, and turns to me. "Zack," she begins, "We've pretty much given you the third degree, but you know next to nothing about us. You must have some questions."
"Well," I'm hesitant, but I actually
do
want to know a few things, and being more assertive is one of Jill's asks, so "What do you and Alexa
do
, I mean, for a living?"
"Ah. The hard questions first." Alexa snorts, but Jill carries on over her "In terms of nine to five, nothing. Alexa can tell her own story, but I was in software, ended up with a couple of patents in the security space, and managed to sell my small company to a larger one, the usual rags to riches fairy tale." Alexa was openly grinning now.
"Nowadays I curate our digital life, Alexa's and mine. At some point, I'd like to bring you in to that. You're beautiful Zack, and balance Alexa's color and
brooding menace
as the critics like to call it."
Did you hear that councillor?
Beautiful.
Because I'm all grown up now, I put that to one side
she thinks I'm beautiful
and picked out the verb from Jill's sentence. "Curate?"
"Well, it's pretentious to call it that, but it is the best word for it. A lot of the things we do, like the rope work on Thursday, and last night at the club, are ephemeral. There's a lot of interest in it, and if it's photographed well, there's a whole other life for it."
I liked the sound of that.
My first iPhone had closed the circle for me. Taking pictures with a camera was cool, but there was a gap between taking the picture and seeing the photo. Before digital cameras there's been an even longer gap, waiting for the film to be developed. Maybe it's a failing of my imagination, but digital cameras with their tiny screens don't let you see what you've captured. On an iPhone, you see the picture immediately.
"So the pictures from Thursday, with the wings..." "I'd like to publish them, but not without your permission."
"Can I see them?"
She smiled "Of course" She wiped her hands on a wet wipe, and gave one to me. Whilst I was wiping up she went over to her camera bag, and brought out a tablet. Alexa and I came and sat on either side of her, and she opened up her photo app.
"Oh wow" I'd barely noticed Alexa that night, so entranced was I by my wings and Jill's pearls and our kisses and couplings. But Alexa had seen everything, and the camera had captured my tremulous excitement and Jill's serenity. The lighting enhanced the scenes, focusing attention on the whiteness of Jill's skin, stark against the black rope and glistening pearls, and I was transformed, a grubby angel in red, my body arching over Jill's, the wings triumphant.
"These are amazing. I'd no idea..." Jill was watching me, enjoying my reaction. Alexa was looking at the pictures with some pride. "So what do you want to do with them?"
"Well, it's early days, but I think there's a whole series we can make from this, if you're okay with it." I was. It was the first time I'd really seen myself from the outside, and I was
proud
. That probably sounds odd, but I'd schooled myself to avoid attention mostly, and seeing myself as some angelic lover was transcendent.
"What else would you like to shoot?" Jill gave me a mock fierce look, and I smiled and paddled the air. "I mean, I can think of a few things, but you've obviously got something in mind." She did, and after teasing me a little more, she laid it out.
Not surprisingly, it involved rope. Alexa sprang into action, this time binding Jill to a large tree at the edge of the clearing. The tree pretty much stood alone, easily four feet in circumference, it's pale bark contrasting with Alexa's red rope. She tied the tree first, creating an intricate arched pattern that framed and contained Jill.
Jill was dressed in black leather trousers and gloves, combined with a sheer white silk blouse. It was high-necked but diaphanous, her nipples showing clearly through the fabric, pink and erect. Her legs and waist were bound to the tree, red vines criss-crossing them to imprison her like some caged dryad. Her torso was free, but her hands were bound together high above her, allowing her to lean away from the trunk, arms forcibly raised in frustrated appeal. It was effortlessly erotic, immediately seizing all attention. Even the sounds of the water and the wind in the trees seemed hushed.
Alexa moved in with the camera, directing Jill to lean this way and that. To my shock, she cut slashes into the fabric of the blouse, pale flesh blinking out through them, violently exposed. Putting the camera to one side, she added more red rope to the tree, lines leading from the knots that held Jill captive, this time ending in small loops near Jill's waist. Satisfied, she looked round at me. Jill mirrored the look, and suggested "Binder again?"
Alexa nodded and headed over to the duffel Jill had produced her blouse and pants from. I'd needed no prompting, and had already stripped down.
When Alexa produced the inevitable boyshorts, this time in black, and a matching binder, I stepped into them and stood passively while Alexa adjusted the binder around my chest.
Refinements were produced, glitter for hair, and dark shadow make up for my eyes. I was once again androgynous, but this time earthbound and dark. The next part seemed to require some internal debate for Alexa.
"Zack," she asked. I held up my hand. "Wrists, right?"
"Yes, but it's not restraint, it just looks like it." She demonstrated, putting her hands into the loops at Jill's waist, then twisting them, making it look as though she was tied, then reversed the twist, immediately freeing her hands.
I was touched by her consideration, and leaned in to kiss her. She was all business though, barely acknowledging the kiss, instead setting the ropes, me kneeling at Jill's feet, then adjusting my body so that I was sprawled there, wrists tied. More photos were taken, and then the last surprise was brought out. Paint.
Blood red, in a squeezy bottle, Alexa reached in through the rents in Jill's blouse and applied it liberally. It dropped onto my face and torso, and the tableau took on an almost religious tone, like some grim but gaudy page from the Book of Martyrs. Alexa got busy with her camera, teasing Jill and I into different shapes, directing our expressions, our sightlines, everything. I'm not sure what iconography was being recreated, maybe we were building our own, but even from within the picture, I could feel it's power.
31. Cleaning Up
Even though it was still early afternoon, there was a stiff breeze coming off the lake that cooled things right down. By mutual agreement we started to pack up the ropes. It was easy for me, with one bound I was free, and Jill's arms were relatively easy to unbind. Her legs however were going to be a tougher proposition, so Alexa got to work.
I grabbed the wet wipes, and helped Jill out of the stained and torn blouse. She still looked amazing, as poised as ever, pale naked skin against pale bark, red ropes restraining black leather pants. I moved in with a wipe, and Jill grinned at me and lifted her breasts, inviting the contact. She took a wipe from me and cleared my face, splattered with the gore from Alexa's paint brushes.
"You look good in binders, first red, and now black. You're quite muscular and
definitely
male, but there's an androgyny to you when you bind your chest."
"I like the feel of it, I must say. And it's something new. I've only done it with you and Alexa, so it's nice to have something new."
This earned me a smile.
"We'll have to establish traditions. Me, I like being kissed whilst being untied."
I'm not stupid.
Loading the boat took twice as long as unpacking it had. I think it's some universal law, but eventually we reembarked and set off back to the shore. The wind had made it seem like it was later than it was. More humping was involved in getting things out of the boat, but you know what, I'm pretty much sure you can work out what happened anyway.
More interesting was the cabin. It had been kind of a blur in the morning. In my defence, it had been still early, I'd been awake for some time, and there was a boat. Anyway.
The cabin was quite simple, using what Jill described as an A frame construction. That means it had a ridge line roof that fell on two sides, like a center hair parting. From the front it was practically triangular, which meant that the ceiling was the height of the building, there was a sleeping platform at the back, and bathrooms and bedrooms clustered on either side. The front wall was glass, giving a panoramic view of the lake, trees and the previously mentioned mountain.
The kitchen was integral to the great room which had a central fire pit, a chimney rising up to meet the ceiling. Out front was a deck with a barbecue and rustic seating, all obviously well loved and much used. The whole place looked like it should have a Labrador Retriever bouncing around, and probably a bunch of kids too.
Of course, it didn't escape my notice that there were beams everywhere in the cabin, but you know what, I was getting over that. It turns out it was more being roped and beaten that was my trigger, not the rope itself. Who knew.