As with Part 2.1 this takes place on the Ranch but does little with any of the ongoing storylines. It's light on action and heavy on descriptions of various bondage positions. forniphilia (humans as furniture) so if you're looking for more sex or corporal action the other chapters might suit you.
PART ONE
Dr. Herman Kraft bid the stern woman who had welcomed him to the property goodbye and stepped into the small suite. He did not like leaving his workshop, even now, in retirement, and it had taken some big promises about a dinner in his honor to get him on a plane.
The plane had featured a screaming child and an overly friendly seat-mate, and the car ride from the airport was long. He was tired and grumpy, and he was ready to regret ever agreeing to anything, except for the sight that greeted him when he entered the bedroom.
The stern woman had mentioned the room being equipped with a "relaxation aid," by which she meant "a bound woman clad in a latex catsuit and hood, kneeling patiently at the foot of the bed, eyes on the floor." Her wrists and ankles were clad in thick rubber cuffs, padlocks linking them on each side. A key hung around her neck, presumably in case he wanted her in some other position.
He paused in the doorway to admire the sight. It wasn't an ordinary catsuit and hood. It was one piece, for one, with no obvious entry zipper. But the hood was something special. It showed two eyes, and below that was what could only be described as a cunt. The molded sort you found on a sex toy, of course, but unmistakable. He laughed.
He had invented that hood. His original had been knocked off a million times by countless overseas factories, but that was life. But as he stepped forward to further examine his relaxation aid he got a closer look and realized the mask was no cheap knockoff. This was handcrafted, a well-executed tribute to his original work, and it made him think that maybe this trip would be okay.
He spit on his fingers and stuck them between the molded lips of the mask. He nodded with approval as he felt a short tunnel into her mouth and a ring keeping her mouth open. Withdrawing his fingers he dragged them across the lips of the mask and noticed that they seemed...personal.
"Is this...yours?" he asked the girl. "A mold of your cunt?"
She nodded wordlessly. He laughed again. He could make out the outline of a chastity belt under the latex and he was deeply amused over the condition of a slave, sub, whatever, who could not touch her own cunt, forced to become something of a living sex toy with the very off-limits cunt taking the place of their mouth.
Thinking about this poor creature had him stirring, and a moment later he got down to the intended use of his welcome gift.
Following that he took a shower and as he settled in for a modest nap he noted that he did feel incredibly relaxed. Cuntface, as he had taken to calling the girl, was still kneeling at the foot of the bed.
He awoke his customary hour later, feeling very refreshed. He changed and, while surveying the full suite, noticed for the first time a notepad on the living room table.
"The television has been cued to a slideshow of your work," it read. "Please let us know if you'd rather it not be shown." He took the remote and turned on the television, then decided to amuse himself a bit while he took it in.
Returning to the bedroom he briefly unlocked Cuntface, returning to the couch and laying her down across his lap. Cheerfully, he administered a moderate spanking while taking in a retrospective of his life's work, the devices, the vehicles, the women bound in all manner of position and angled for all kinds of penetration and vibration.
It felt good to look back on it, good to spank an ample and juicy ass, and he was grateful to whoever set all of these little pieces in motion.
The stern woman had pledged to return at 5:30pm sharp, and that was exactly when he heard the knock on his door. By that point he had returned Cuntface to kneeling at the foot of the bed, and he was delighted to learn that she would be somehow repurposed as an alarm clock by the time he retired for the evening.
The woman bid him to follow her and she escorted him to what was apparently to be a personal dinner with the Master and Mistress of what everyone called The Ranch, a small meeting prior to tomorrow's more formal affair.
PART TWO
Dusty, long time head of engineering at the ranch, swore at his CNC, urging it to move faster. He needed a new set of gears for tomorrow's central piece. He was fairly certain that this set would drive the perfect rotation and depth of stroke, but he'd thought that for the previous three sets as well.
Dusty was feeling quite a bit of pressure. He had told people that Dr. Kraft was one of a very limited set of people that he actually respected, but the truth is Kraft was his hero.
Kraft had done more than anyone else to move everything related to the idea of human furniture and mechanical bondage from the world of drawings to the world of flesh and blood, and that meant a great deal to Dusty.
It was Kraft's work that sent Dusty down the road of learning welding, electrical engineering, hydraulics, and all of the other skills that Dusty put to use designing the restraints and devices that got put to good use on the Ranch.
Dusty had been granted the ranch's full complement of stock in order to create a set of pieces worthy of honoring Kraft, and he deeply hoped he had met the challenge. He cursed at the CNC again and resigned himself to the fact that he was unlikely to sleep between now and tomorrow night's party.
Forced to idleness by the machine, Dusty returned to his notes. He needed to shuffle which piece of stock went to which setup due to a late request from Big T.
As a non-sub ranch employee Dusty was supposed to call him "The Master," but the "The" did little to ease Dusty's discomfort with such a lofty title. So he thought of him as Big T and that suited him just fine.
PART THREE
Dr. Kraft was led from the guest wing out and through the garden, ending on a large stone patio. A table had been erected in an open area, and already seated were two people he took to be the Master and Mistress of the house.
The stern woman facilitated introductions, and he told them to call him Kraft, and they told him to call them Thomas and Diana, respectively. He took his seat at the table and looked just past his two hosts to examine yet another modest tribute to his life's work.
Just past his hosts stood a lamp. A fine lamp, he thought, with magnificent tits that looked oh-so-inviting shining in the light coming down from under the shade. All decent lamps wear stiletto heels, he knew.
A femme lamp had been the first project of his that was worth showing to anyone, and he still remembered his wife's joy at bringing one of his sketches to life.
Thomas saw him staring at the lamp. "I hope it meets your approval," he said.
"Quite," Kraft said.
"Our resident engineer did add in a little something," said Diana, getting out of her chair and standing to the lamp's side. She pinched the lamp's right nipple. There was the kind of squeak a ballgagged individual gives, and then the light went out.
Saying nothing, she reached over and pinched the left nipple. The light returned. Kraft smiled widely and clapped in appreciation and Diana returned to her seat.
"Is your engineer not joining us?" he asked.
"Sadly busy with last minute work on tomorrow's event," said Thomas.
"Ah," said Kraft. "Of course."
A young woman, again wearing the sort of catsuit and heels he had always featured in his work, emerged from the house. She took drink orders and asked Kraft if a tuna tartare appetizer and a steak entree would suffice.
Kraft resisted the urge to ask if he could have his meal with the waitress under the table, partly because he suspected that they might very well do it, and he was long past the days where he could go twice within a few hours.
Dinner flowed easily, with each finding the other like-minded and charming enough, and the conversation bounced between the history of kink, the evolution of tropes and imagery throughout the years, as well as the challenges of running something like The Ranch and the trials and travails of Dr. Kraft's years producing pornography.
Thomas suggested that he could take Kraft for a tour of the property on the following morning, an offer Kraft accepted before begging off for the evening, partly because he was tired and it would be a full day tomorrow, and partly because he was pretty curious to see the femme alarm clock he was told would be set up in his room.
As he stood up the stern woman returned and guided him back to his room, saying little other than to tell him to phone when he was up and ready for breakfast/the tour and to bid him good evening.
Kraft entered the room and headed straight for the bedroom, where he found that one of the bedside tables had been removed and in its place was Cuntface, now tethered to one of the platforms/posts like the dinner lamp had been.