Sadjams: Making do in the Rustbelt
Ch. 3
Ryan and Ian [Once in a blue moon]
Why Are You Like This?
(CW: Impact play, intermediate psychological dominance, hints of primal, esoteric references)
Sometimes I wonder. I don't know for sure what you and I have. I try to be honest about the facts, even the hard ones, but sometimes it just isn't clear how things add up, or what divides us. We have obvious differences, I'm just not sure what the product is.
My friendly gas station kitsch buddy. Riding along like a funny keychain, the kind that's missing a bit. Where's the line between fondness and pity?
We hang out here and there. You bring over games and cheap beer that I wouldn't buy for myself, but I drink and play with you nonetheless, welcoming the novelty and appreciating the thought. I feed you my health conscious depression food and make friendly noises at you. If that's not friendship, what is?
Sometimes, at the thin end of the night, where the miserable push themselves past twilight, past business hours and responsible bedtimes, past caring to look at the clock as anything but a bad joke, and then the cats-cradles of confused expectations we hem ourselves in with become a bad dream of being awake; when the recycling bin is mostly beer cans and points don't matter anymore, and literally anything is funny. When we're people instead of civilians or consumers, we play, slap, grope, and make out like blind things.
Once you dropped by late.
I theorized it might be nice to see you, but I hadn't been happy to see anyone or anything for the last day or two. When I opened the door you were stood up there on the open porch-balcony with your grin, your bag, and your case of cans. I just stared at you
"Sup?" You shrugged, after a few long moments, and I nodded you in. Who knows how you describe me, but you've seen me in my Moods.
I had too bad a case of deathly seriousness to play. I set the food down on the ottoman, but I left the tv off, and just turned down the seething instrumental metal a few notches. You dug into the loaded nachos like you hadn't had a meat and a vegetable in the same dish for a while, which is why I dumped those particular ingredients on a plate. The most caring asshole on the block; get me my fucking medal. I marched chips and refried beans smothered in store-brand-organic salsa over my tongue one at a time, like a man who means to drink long and still have their stomach in the morning.
When the food is mostly gone, down to picking at the last bites, and I'm popping the top on two micro brews that we're having for dessert now, I ask you about your day for a second time. Like for serious.
It's like cupping the ass of your brain, and I don't think you're aware of the smile that creeps across your chapped pink lips. While putting on some weirder, throbbier album, something with Kenneth Anger clips for video, I prod you for details. I squeeze gently at your explanations until you start to seep and peel back to reveal a little more genuine perspective.
We're just talking about work, mostly yours - I'm not in the mood to talk about myself, since I am currently a twighlit pit of spikes - but it starts coming down to how you think things in the world work, and what the fuck makes you think that? I want to tear the trousers off your sense of reality, to strip the certainty off of your standard issue understanding, and make it smart a little. I mean, it's great that you're considering things from that coworker's perspective, but has it occurred to you that, considering all reasonable explanations, they might be, for all practical purposes, a sadistic asshole scarred from childhood? It's not pretty, and your benefit of doubt is sweet, a true virtue, but maybe they were born that way. More likely something happened. Do you think people are born bad or just get fucked up a day at a time? How's that for hitting close to home?
My glands are exhausted from overthinking these things for years, and here I am mercilessly squeezing yours like a stress ball. Lifting you gently to stand you on strange philosophical precipices that you're by and large unfamiliar with, at least this up close and personal.
We get into economics and social psychology. I drain part of my third beer, set it on a coaster, then slink on all fours like a lazy, vicious thing, across the couch, slowly, up your sprawled legs, to sit on sort of your midriff, between your belly and your junk. You just kind of let me. My intent gaze, locked on your face, detects your vacillation between shock and thrill. On closer inspection you still smell like dollar store shower and look scrubbed. You smile. But I am not a dancer here to amuse you;
You are pinned.
I ask you hard questions, about what you really believe about people, and yourself, question objectivity - putting it on the rack and one notch at the time cranking up the discomfort. We take a bypass into epistemology, the universal solvent. I don't tell you what it is because I'm not on tenure here. I just pry loose a few tacks from Taking for Granted Your Interpretation of Your Sensory Feedback. I put one of the tacks in my pocket to keep as a souvenir. Unnerved and foundations prodded, we get personal again.
I take your hand in mine as we talk, gentle, firm, squeezing your fingers, thumbing lightly on your palm, massaging muscles on the back of your hand that may never have occurred to you as articulate or individual, nerve endings you'd forgotten about ages ago, all these little parts.
I want to do things to you. Do you want me to do things to you?
(Secretly, you are a god, I tell you. Your magic word is Stop.)
I jerk you by the shirt, up to stand with me. A brutal, hard kiss. You tense under the threat of my teeth, but slip your thin hard arms around me ever so lightly. I never mind, release your shirt and pop your belt buckle, button, and slowly tear open the fly of your Weekend Jeans while you suck in a gasp and start to breathe in short pants, tight as an E string.
Absently I appreciate from the depths of my stormy mood, your navy shorts, with the tips of some red slash design, while I slide my thumbs under the band, in latitude from the wiry fuzz of your trail, back around the tender flesh of your hips. I flatter myself, imagining you wore your good skivvies hoping I might see you in them.
I lean into your feather light, ever so cautious embrace, then crush you against me, just to get the feel of your body, like taking the impression of a key. Like I might take something from you. Or plant something. You're not built, but you're muscled a little, and well proportioned, as corpses out in these corn fields go. No kiss this time, no bite even, but I push my sharp jaw up across your neck, pressing sharp chin behind your ear, just enough to force your head to bend under my will, to give your animal spine that feeling of dangerous exposure. Nature is cruel and we are fleeting, weak things.
I feel very awake, and my senses are very hungry and fraught. I take in the subtle shift and tremble of your frame, it's interconnected muscles, your anticipatory tension. The very real throb between your waking crotch and my firming bone. Like I'm trying to memorize you, some interesting rock formation, or a novel dish.
Before it can even register, I've set you out of my arms and into free fall for a moment - landing jarringly, but not too rough, thanks to one hand where I grip the hem of your jeans, the other steady on your shoulder, over the ottoman. I lean over you, running my bared teeth across the back of your ear, letting my weight settle partially across your upper back.
"Why the fuck are you so down on yourself?" I ask you accusingly as I creep my fingers gently through your hair, slowly gripping and releasing. "Hm..?" I lean my weight to one side, forearm like a bar across the back of your shoulders, hips pinning yours, one leg across the backs of your calves.
"You're cute. And nice." I insinuate, tracing lazy rococo with the nail of one finger, drawing fiery sigils across your heightened awareness. Even if you recognized Theban, I doubt you would make out the ancient blessings over the sheer fire on your thirsty, lonely skin.
Letting you meditate on that assertion, I caress and needle and fondle your lower back, hips, ass, while you start to breathe heavy and moan.
"You pretend to be optimistic, you try so hard for everyone, but it's only on the outside, isn't it? You forgive everyone else, but never yourself."
For punctuation, I jerk down on your shorts.
"You talk like you're a sick fuck, like no one else is a sick fuck." I hiss, barely raking the tender flesh of your bare ass with my fingertips. I don't see your cock twitch against the furniture while you whimper, but I know.
"You think you're crazy? Yeah, maybe." I sneer, and let you sit with that a while, caressing and squeezing one ass cheek, then the other, simply taking my time, taking advantage, letting you let me do whatever I want. Your hands curl and uncurl as you cling to the ottoman with your elbows and moan. Otherwise you don't dare move.
Then I give your far cheek a light, playful pop, and announce "That doesn't mean you don't deserve to be happy."
For a response, you just gasp and lift your rear. I ease off your calves for a better angle, and watch you carefully.
"Don't you agree?" I wait as long as it takes for you to figure out this one isn't rhetorical.
It takes a minute. But the noise you make is pretty noncommittal. This isn't satisfactory at all. I'll tell you so. I stroke back and forth under the space where your tail would be if we hadn't been stupid enough to leave the trees. You just sigh and perk your ass further. Thus invited, I proceed. One man's sodomy might be another man's consecration. Can we consecrate you to your own uses? Would you stop being a total doormat to scum? Can we consecrate you as a holy snack for this gnashing bloodthirsty world that tears us apart one grain, each second, another chunk, one car crash at a time?
Leaning back in slowly, letting my hot breath tease your neck, your ear, then moan,"Have you been good?"