There is a large house overlooking the ocean. It stands alone on a high dune covered with sea grass. There are many balconies and windows mounted in the dark wood of the outside walls. There is a large picture window in the front of the house, and through the glass, one can see a single figure, standing still and alone. It is a woman. Her name is Passion.
She stands by the large open window from her high vantage point, looking out over the shimmering moonlight illuminating the ocean.
She is dressed in the thinnest silken lace imaginable, it is unclear whether it is a nightgown or a dress, for it is too thin to be a dress, and it is cut rather unlike that of a nightgown. More likely that it is a dress for wearing inside in intimate situations. A glass of white wine is in her hand. Her arms are crossed in front of her chest and she is rubbing the wineglass slowly across her face and neck. She faces the ocean, she faces the sea, and she feels as if the sea is looking back at her, like she is under the gaze of all of the creatures of the ocean as one. It is as if all of the eyes of all of the sea birds, all of the fishes, all of the dolphins, all of the seals can see her at this moment in time.
She is an exhibitionist for this kind of gazing. Her nipples are visible through the thin material of her garment. Her breasts are ample and firm, well-shaped, and her nipples are just the least bit erect, as she thinks about her lover. Her hair is long and dark, flowing almost to her waist. There are two braids holding her hair back from her face. Her neck is long and graceful, it's lines flow into a beautiful throat.
A long thin chain is around her neck, hanging almost to her waist with a finger ring on the end and thin leather straps are around her wrists. Leather straps are also around her ankles. She waits for her lover, her master.
There are no lights on in the room, it is lit only by the bright moon of the night sky and the reflection of that moon off the water.
It is time, she knows, for the duty that she must perform for her master for the day before he arrives. He has ordered her to do this to bring her into the proper mood. She must be in the proper mood for him when he arrives.
Not moving from the window, she opens the front of her dress and looks down at the sculpture he purchased for her. It is of a man, a most unusual man. Not only is the form of the man life-size, but the man has two penises, long and smooth and close together. There is a knowing smile on the statue's face, and the face is that of a woodland fairy, like Puck from 'A Midsummer Night's Dream.'
She has always trembled when aroused, but this is sweet torture for her. Her duty is the impale herself upon the statue at least once a hour for the day, but not to completion. She is to stop unsatisfied, always.
She takes lubricant in her hand and rubs it on one of the phalli, the lower one, only the lower one, for the other does not need it. She has enough wetness there. It is one of the things her master likes about her, he has mentioned it many times, the fact when she is excited, when her center swells and blooms with passion, she becomes wet, she becomes very wet. Very, very wet. If he makes her wait long enough, through the binding, through the application of chains and clamps to her erect nipples and through the rubbing of an erect phallus all over her face without letting her lick, suck, or even touch it, she will become so wet the sweet honey will drip out of her, flowing hot, wet and pungent, a sweet smell like honeysuckle in the night air.
She steps up to the phalli of the statue, looks into his eyes, and lowers herself onto the cool metal. The twins slide into her, and she closes her eyes at the feel of them filling her everywhere, sliding into her, the slick penetration, the depth, the hardness. One of the phalli is hinged at the bottom, so she can move and rock on it, making herself wet. And so she does, rocking back and forth, her passion rising within her, faster then slower, varying the pace, drawing it out. She sits down fully on the statue, her hands lightly resting on the smooth, cool metal shoulders. She feels the metal warming and rolls her hips forward and back, her passion rising strong and quickly. She slows down to let herself cool down just a little, letting some time pass, but it is too late, the strong muscles of her passion are gripping the twins down hard, gripping and clamping, knotting in the beginnings of orgasm she knows she is not allowed to happen. It is too late to slow, and she heaves herself off the metal figure and throws herself kneeling onto the padded leather window seat, her chest damp with perspiration, nipples erect, her breasts heaving and quivering with every breath. Her hands grasp the inside of her thighs, roughly, to try and control the gripping knot is within her, begging for release. The eyes and the knowing smile of the statue seem to know the torture she is going through, as if the smile were saying, "I can release you, I can stay in you until you are released a thousand times but I won't, and neither will you, because you are your master's slave." She knows it is true. Her release will be meaningless without her master, without the touch of the man who has bound her mind, and through that, her body and soul. With him she has known the sweet torture of bondage and discipline, and the absolute ecstasy of the contrast of sweet release after.
Her breathing finally returned to almost normal when she heard the door to the master's suite down the open stairway. She heard voices, one low and melodic, her master's and another, feminine, but low and smooth. She listened closely. They had apparently been there some time and were discussing her.
"I think you really will like her, she is so sweet and responds to the smallest caresses and suggestions very well." Her master talking.
"I do hope so. It has been a long time since I've had a woman who excited me. They all seem so plain nowadays. Either that or they are so silly." There was the clink of ice smoothed and swirled by liquid. "Thank you. Valley girls do not interest me in the least, no matter how nice their bodies are." Her voice, though low, was well modulated and even. The tone spoke volumes of experience. This was a woman, a woman who was real.
"I'll call her." Her master.
"Yes, I think it may well be time." The woman's voice caused ripples in her stomach.
"I think that she may well have been listening." Her master.
"I do hope so. It would be a perfect transgression to punish. For a start." The woman gave a low laugh that climbed upwards and took Passion's breath up with it, into the clouds of her soul and suddenly she felt the light leather of her everyday cuffs on her wrists very acutely.
Her master stepped over to the wall and pulled a bell cord. Not the red one for the butler, the black one, for her. It was for her alone.
Her breath caught in her throat. She slowly stepped down the stairs into the dim light of the lamps. She caught her master's eyes and then looked down, as she had been trained never to look up unless instructed. As she walked forward, she could see a woman's figure, full and voluptuous, dressed in a flowing black dress, black stockings and high heels. As she had been taught to do in the presence of her master, she stopped, crossed her arms behind her back, bowed her head, and waited for command.
As she watched the floor, she saw the swirling skirts of the woman walk over to her and a slender hand with thin band rings around the last two of long fingers touched her stomach. Her skin quivered at the touch.
"Mmmm. Is she always this ready?" The woman's voice had a smile in it.
"Nearly always." Her master's voice was lilting, he was enjoying himself immensely. "You really should feel the rest of her, judging from the condition of her nipples. She should be quite wet." Her master was right. Her nipples were full and hard, exposed to the air, feeling the lightest breeze as the woman moved past her.
"Mmm."
She felt the woman's lips against her ear. "And what is your name, my sweet?"