It's the beginning of summer, and the spring semester is almost over. I messed up another essay by not following directions. I can't believe it. Professor Allen passes back our essays about Virginia Woolf's To the Lighthouse. On the top margin of my paper, in neat, tiny lettering, Professor Allen has written: Amanda, this is a fine paper, but did you not understand the question? Please see me later. I clap my hand over the comment, feeling disgusted with myself and slightly nauseous, and try my best not to cry during her lecture.
I don't know how she can be so intimidating to me—she is only five feet tall, skinnier than I am, with a small nose and a small mouth. She has chin-length curly blonde hair and red glasses. Every day she wears a black blouse of some sort, and jeans. Her blue eyes scare me most. When we make eye contact with one another, she never looks away first.
After class we arrange a meeting later in the week during her office hours, and when I come in on Wednesday, I am shaking. I am also sweating from the day's humidity, sweat stains showing through my blue t-shirt. Her office is small, with a faded oriental rug spread out on the hardwood floor, and her three bookshelves are crammed and overflowing. There's a painting of two women embracing, which surprises me, but I'm too nervous to entertain any inappropriate fantasies. I can't believe I messed up my paper.
She asks me to take a seat, and I sweat and tremble and try to explain the paper. "I'm not usually like this," I rush, "I usually write decent essays—I was overwhelmed when I wrote this one, so much going on—I didn't read through the instructions adequately enough—but I shouldn't be making excuses—"
"Amanda," Professor Allen says, grimacing a little. "Slow down." She catches my eye and my heart is pounding. "You have a history of doing very well in my class, so I'm not that concerned. You can do a re-write. It's not a big deal." Her calm in the face of my anxiety makes me feel ridiculous.
"I'm sorry," I whisper, on the verge of tears. "I'm—I always do this. I freak out whenever I fuck up. It's making me so stressed out."
She laughs quietly. "I'm shocked by this disclosure of yours." She's being condescending, but also kind, and when she stands up to close the door to her office, something is changing. She leans against her desk and looks at me like she's judging whether or not I'm qualified for something. "Depending on a few things, I may be able to help you out with this problem of yours," she says.
"What?"
"How about you leave the questions to me. Have you ever been fucked by a girl?"
"Lots of times, but—"
"Do you like it?"
"Yes," I say, taken aback and overwhelmed. "Yes, a lot."
She seems satisfied. "Get out your essay." I shuffle through my backpack, trying to locate the paper, and she snaps, "Hurry." I pull it out, show her, and she tells me to read her instructions aloud.
"Mrs Ramsay is often seen as an "Angel in the House": an epitome of the domestic or feminine virtues, loved by all, and the real centre of a family." I will my voice not to shake as I read, but she's moving around the office—she stands behind me in the chair, above me, leaning over, her breath against the back of my neck. She starts touching me between my legs, over my khaki pants. I attempt to turn around so I can see her and figure out what's going on. "Don't try to fucking look at me," she says. "Keep reading." She rubs harder.