In the manner of Gregory Maguire, who provided us with a version of the childhood standard The Wizard of Oz through the eyes of the "wicked" witch, I have re-written my favorite BDSM story, Both Master and Slave, written by Martin Sharpe (published in 2001 by Silver Moon Books in Great Britain), from the point of view of the submissive, rather than the Master, who was Mr. Sharpe's narrator. I hope that fans of the original book will accept my version for the tribute that it is meant to be.
*
Two weeks later the bruises were fading nicely. When I got home from lecturing that Thursday evening, Master wasn't there. But there was a note stuck to the mirror in the hall:
"Useless slave, tonight you're going to be a very popular girl. But you will be perfectly safe. By seven o'clock, you must be in the main bedroom, stark naked. You will find a blindfold and a gag on the bed. Put them on, and then bend over the chair with your arse towards the window and wait. No matter what happens to you, you are not to let go of the chair or to remove the blindfold. You will be fucked. If you don't want it to hurt, make sure your cunt is wet and ready for penetration. After a while, an alarm clock will go off. When that happens, remove the blindfold. You will find further written instructions on the bed."
Absolutely mystified, but trusting in Master's assurances that I would be safe, I followed his instructions carefully, fully anticipating that, at any moment, Master would suddenly appear and explain everything.
I had held the position Master had specified for about twenty minutes before anything happened, and what happened had me turning my head, trying to hear as clearly as possible what was happening in the room since I could not see anything through the blindfold. I heard the sound of furniture being moved, and listened intently, every nerve straining, trying to work out what was going on around me, not daring to take off the blindfold.
I jumped at the first touch, and then calmed down as a hand ran gently the length of my spine. Other hands joined in, running up and down the insides of my thighs, cupping my breasts, trailing across my belly and caressing the nape of my neck. At this point, the only sounds were my soft moans.
I barely winced when my nipples were clamped, and kept silent when a whip struck the first blow, trust overriding fear. As the blows increased in ferocity, I was sure my knuckles on the back of the chair whitened due to the tightness of my hold, but I didn't move. A tear trickled down my left cheek from under the blindfold, and was tenderly licked away. An unfamiliar whip swung upwards at my belly and the undersides of my breasts. While I was getting used to that, what felt like a riding crop began to slash at my calves. Then a third whip joined in, this was a broad leather tongue, applied to both my shoulders. Before I had time to get used to this symphony of pain everything became gentle: a feather traced its way up the inside of my left leg; a hand in a fur glove caressed my back; soft lips kissed my forehead. A broad tongue forced my teeth apart and plunged in, licking my palate, raping my mouth. Then another person kissed me: softer, but just as deep. Then a man with a beard kissed me.
Whips lashed at me from left and right. Strange textures I never had felt before whispered across my skin. I planted my feet more firmly on the bedroom carpet and prepared myself to be fucked. A finger entered my cunt, then another, then another, stretching it open. I was, as requested, already wet so all the objects that were shoved inside slid home smoothly, even the very big ones.
The first time the gag came off, I asked: "Master? What's happening?"
"Shut up," Master told me. "And put up with it." The gag was replaced by a condom-covered cock, which I compliantly sucked. Then I was gagged again. And then that gag was replaced by a naked cock, then with a dildo, and then with a different gag. Every time something hard touched my lips I opened my mouth dutifully. I reached orgasm three times, but still maintained my grip on the back of the chair. When a fourth orgasm brought me to my knees, I was beaten back to my feet.
Then I was left to myself, conscious only of my own breathing, and then it started up all over again.
The occasion was rounded off with a dildo-fucking up the arse, so vigorous the chair moved in jerks across the carpet, followed by a caning that took my breath away.
Then there was nothing. I was left alone again, in a room that now stank of male sweat and cunt. What seemed an age later, an alarm clock went off. Continuing to follow the instructions I had been given, I removed the gag and blindfold, and found a note on the bed that said: "Clean yourself up, put your clothes on and come down to the main room. Never, ever, talk about this."
Ten minutes later, I knocked on the door and Master called out: "Come in."
I breezed into the main room, feeling and looking gorgeous. I had done a hurried job of cleaning myself up, but I knew Master loves seeing me with a "raped-and-repaired" look. My floating progress into the room was halted as I appreciated that Master and I were not alone. I froze, and then glanced round the room slowly. When the other occupants of the room looked back at me curiously, I blushed and looked down. Mandy (the vocalist and bass guitarist of the pop music group Master recently had signed to represent, who I recognized from the publicity photos Master had shared with me weeks before) seemed to stare at me with an especially keen interest.
"Hi, Darling," Master said. "You remember 'Satan Wept,' one of those groups I manage. We're listening to a remix of one of their numbers. Could you get some beers?" I nodded in recognition: Master had spanked me many times to the sound of their records.
Master had talked to me quite a bit about this group since his association with them began after I had started my first year's contract in Master's service. Master explained that the five members of the group are actually pleasant middle-class teenagers from a picturesque rural town, despite the fact that they style themselves to look like a gang of terrorists taking a break between massacres, and they speak with rough big city accents. They're not the most skilled musicians in the world, but they earn good money for Master and they certainly look the part.
When I returned, I almost (but not quite) curtsied as I handed the drinks round. When I got to Stan, the fat, bearded, sweaty drummer, I knew Master could see that my hands were trembling. Then I stood quietly as we listened to the tape, my eyes drawn to the musicians. All those times when I had worn a blindfold for Master were racing through my mind. From now on, whenever I addressed a room full of young people, I would wonder what it would be like to be fucked and beaten by them all.
The moment the musicians left, I knelt at Master's feet and said, "Permission to speak, Master?"
"You're going to ask me about what happened upstairs, aren't you?" Master asked. I nodded.
"And what did it say on that note?" Master inquired.
"That I wasn't to talk about it, Master," I responded.
"Then shut the fuck up, Meat, there's a good girl," Master instructed.