A young man discovers the real mystery of Karodang House, an ancient ruin on his grandparents farm.
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WARNING
! All of my writing is intended for adults over the age of 18
ONLY
. Stories may contain strong or even extreme sexual content. All people and events depicted are fictional and any resemblance to persons living or dead is purely coincidental. Actions, situations, and responses are fictional
ONLY
and should not be attempted in real life.
All characters involved in sexual activity in this story are over the age of 18. If you are under the age of 18 or do not understand the difference between fantasy and reality or if you reside in any state, province, nation, or tribal territory that prohibits the reading of acts depicted in these stories, please stop reading immediately and move to somewhere that exists in the twenty-first century.
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The Karodang house has been on the side of the hill... forever. There are some old frontier pictures of great-great-great-grandma's sod house from when they first settled their farm and the old stone house is in the background sticking our of "Granite Hill" as the locals call it. Some people from the state university came down and dug around a little both inside and outside of Karodang. There only conclusion was, "It's old." They also said, "Maybe it was used as a hunting shelter." But they couldn't find any evidence of anyone having actually lived there. There were no fire pits or pieces of pottery or arrowheads or anything like that to indicate it was used as a dwelling. "Maybe it was supposed to be a tomb," one of them said as they gathered up their things to leave. He added just before he left, "That word carved into the stone above the door is Kerudung. It's an Indonesian word for mirror or something like that, but it's written in what appears to be a variation of an old Indonesian alphabet. I wonder how that language got way the hell over here. I wonder even more how people around here knew to call this... whatever it is... something so close to that."
Karodang house is made entirely of granite and is built into the side of Granite Hill. To me, it always looked like they started to build, then hit solid rock and stopped. A geologist friend of mine from college who came out and looked at it says someone cut the stones for the house out of the granite dome and then assembled them against the cut face. He said that the cut face had been polished at one time, but was now covered in layers of dirt and grime. He also said that most of the house was initially buried in the side of the hill so that only the entry door and window were visible.
However it was built, and whoever built it, the inside of the house is only a little deeper than I can reach fingertip to fingertip and is about ten paces from one side to the other. There is a door in the center of the long exterior wall with a small window next to it. Those are the only openings. As kids, when I was visiting Grandma, I and some of the neighbor kids used to go in there to play, but Grandma would always come out and shoo us back into the front yard. "You might see something bad in there," she would always say. I don't know what she thought we would see. It got pretty dark as soon as you moved away from the door.
Grandma was very superstitious. Even while Grandpa was alive she would always come to stay with us at Halloween. She said it was because she liked handing out candies to the kids and no one came all the way out to the farm to trick or treat. What I remember most clearly, though, was that she always added, "Besides, the veil is very thin on Halloween."
As I grew up, I spent more and more time out on the farm with Grandma, especially after Grandpa passed away. Dad was their only child and he died young. I was Dad's only child, so I was the logical one to help Grandpa with things out on the farm. After he passed, I basically ran the farm even though I was still living in town with Mom. When Grandma passed away, I was the logical one to inherit the farm. It seemed strange living in that big old farmhouse by myself but it was going to be a lot more convenient during planting and harvest.
When that first Halloween came around, Mom asked if I wanted to come into town for trick or treat. When I said, "No," Mom turned very pale and said very softly, "Then you be careful. The veil is very thin on Halloween."
I sputtered, "What?!" but she just patted my hand and repeated, "You be very careful."
I'm not currently serious with anyone, so I was all by myself for Halloween. I didn't expect any trick or treaters, but I had some Halloween decorations up for people who might drive by. I had grown some giant pumpkins and had them carved and lit in the front yard. I also had big eyes staring out from the second story windows. I thought it looked pretty creepy, but that is what Halloween is supposed to be.
Just after dark, I heard several cars coming up the lane. They sounded really odd, like the old-timey engines in a Model T or something like that. I went to the front door, but whatever it was had already driven past the house and turned toward the old barn.
My first thought was to turn on all the outside lights, but just as I reached the switch, the power went out. I used my phone to find my high-intensity flashlight and my shotgun and stepped outside. I swept the area with the flashlight and sure enough, there were three shiny black, Model T Fords sitting at the entrance to the Karodang house. Several people got out of those cars and went into the house.
That surprised me, but I was really stunned by two other things. One, they totally ignored a rather high-powered light pointed directly at them, and two, they didn't cast a shadow when I swept the light across them. I thought I was imagining that, but as I got closer, I shone my light on the Model Ts and none of them cast a shadow against the hillside.
I crept closer to the doorway. There was a blue flame burning in the small window next to the door. I looked closer and could see that the small bowl-shaped depression in the rock on the bottom side of the window was filled with a clear liquid. On top of the liquid floated a thin disk of wood that was almost as big as the bowl. A twisted wick of some sort stuck up from the center of the disk of wood. Since the flame was blue, I assumed that the liquid was alcohol.
I shone my flashlight through the window into the interior of the house and to my amazement, it was empty. I stepped inside and suddenly I could faintly hear music and laughter. Then I noticed that the back wall of the house seemed to be shimmering. I leaned my shotgun against the outside wall and pushed the palm of my hand against the shimmering inside wall. I immediately lost my balance because I was pushing against nothing. I stumbled through a short distance of wavy darkness and came out of a doorway that led to a... speakeasy.
There were no signs that said, "Speakeasy," but it was obviously a nightclub. Everyone was wearing clothes that looked like they were out of the 1920s, and the band was playing a song I thought was from that era. A singer stood up to an old-fashioned looking microphone and began singing, "Valencia! In my dreams it always seems I hear you softly call to me."
I turned and started to leave but a young woman in a very short, black-sequined dress that had long rows of shiny beads hanging from the hem stopped me. "You look lost," she said and then gave me a pouty smile and added, "... like you don't think you belong here."
I stood there with my mouth open trying to think of what to say when she smiled, opened her eyes wide, and said, "Oh! You've never come through the veil before."
She pointed back at the doorway through which I had just come and said, "It is very important that you remember which doorway you came through. I see you came through Kerudung. See, it is written above your doorway."
I looked where she was pointing and could see the same strange writing that was above the doorway to Karodang house. I could also see orange and black crepe-paper streamers and orange cardboard cutout Jack o'Lanterns hanging from the ceiling.
"Is this a Halloween Party?" I stammered out.
She gave me a very big smile and said, "You mean a Mischief Night celebration." She took my hand and pulled me toward the bar as she said, "Real mischief starts at midnight."
"I don't have any money on me," I stammered as we stood in front of the mahogany bar. I had to get control of myself or I would look like a total fool.
"Don't need it," she replied. "Not on Mischief Night. While all those brats and punks are out there stealing iron gates, tipping over privies, and putting cows on top of the barn, we will be in here creating our own mischief."
"Do I need a costume?" I asked, pointing to one of the cutout white cardboard skeletons hanging from the ceiling.
"We are not ashamed of what we do on Mischief Night," she said firmly. Then she smiled and said lightly, "So, no masks are needed. No names are needed either, but you can call me Anna."
"Whata ya havin'?" a gruff voice said and I turned to face the bartender. He was huge with a scarred puffy face and huge, flattened ears. He looked like he had once been a boxer but had lost way too many fights.
As I stared back at him the only thought going through my mind was that I wouldn't stand a chance against him. Then somehow I pulled myself together. "Whatever's most popular tonight," I said brightly. My mind was finally working. I had no idea what drinks were popular in the 1920s, especially in a speakeasy, but at least I wouldn't ask for the wrong thing.