Andrew is tall and rangy, with narrow calves and forearms and a slight paunch. His face is beautiful and savage—hooded eyes, high cheekbones, and a sullen mouth. I like him and respect him, though not as much, I suspect, as he likes me. I like his goofy sense of humor and his occasional, surprising flashes of insight. But none of that is important tonight.
His apartment is spacious and sparse. It looks like what he is—a tech entrepreneur with more money than time, someone who lives inside his own head too much. I take off my shoes as I enter and step lightly on the bare wood floorboards. We kiss, say small things about the day. We haven't worked out how best to enter and exit these times yet, and there's a hesitancy to our small talk, an unspoken question— are you ready? Is it time?
"Go take a shower," Andrew says. "Wash yourself thoroughly."
I take my time in the shower. It's important for me to give myself the time to make the transition—from subject to object, from hyper-articulate, self-possessed woman to vessel. I rinse off my hair—curly and boyishly short—and wash my body, beginning to detach myself from it as I touch myself. The legs are long and lean, the belly a bit too generous, the shoulders and rib cage narrow, the breasts very full and lush. I work a soaped finger into my ass, feeling the interior curves enfolding it. Even one finger is a stretch, here at the beginning of things.
After I'm clean I stay there under the water a few moments longer. The habitual grumbling I feel when I think about my body falls away, replaced with serenity. I am not ugly; I am not beautiful. I am useful. I am ready.
When I come out wrapped in a towel, Andrew has placed an ottoman close to the bed, draped in a blanket. I feel his eyes on me, briefly, and then he looks away. He pours himself a glass of something, takes a sip, then pours another and hands it to me. It's a framboise, light and slightly sour and refreshing. Not my usual drink.
"Hello," Andrew says, and now he looks into my eyes deeply. "Hello," I reply. His face is remote, appraising, with none of the friendliness or desire to please me that I'm used to finding there. His eyes are striking: blue, with very long lashes. Now they give nothing away. I am relaxed and excited together, simple in my intentions. We are here. I take a sip of the beer.
"Lose the towel," Andrew says. The command isn't theatrical but casual, as though this is a small thing. As though he held my obedience lightly. "Sit there. I'm going to wash up. I'll be back soon. Try to make yourself comfortable. Don't move."
As he leaves the room he dims the lights and I sit in near-darkness. My skin prickles.
Andrew is a very gentle sadist. There are no floggers or paddles when we play; just the slow dance of situational discomfort, and then the calculated selfishness as he takes his pleasure. I use the time waiting to stretch, as far as I can while remaining seated, gradually asking my body to wake up and be ready for whatever he has in mind for it.
Finally, finally, Andrew returns. He wears a robe and sweatpants. "Stand up," he says, and pulls me in for a kiss. His fingers roam to my nipples, twisting them, massaging the breasts. I feel a deep tug in my pelvis. I make a small sound in my throat and kiss him more hungrily. He pulls away.
"I want you to kneel there," he says, pointing to the ottoman. "Hands and knees. Move back a little—ankles back over the edge. Go down onto your elbows. That's good. How does that feel? Can you stay there for a while? Say yes or no." I flex a muscle or two, find my way into stability. "Yes, sir," I say. I'm poised awkwardly but comfortably, ass in the air, chin resting on my joined hands.
Andrew kneels in front of me, holding several lengths of rope. Gently he places my arms the way he wants them: wrists together, elbows supporting my crouched body. He strokes the inside of my wrists briefly as he lashes them together. I test the knot, making sure it will neither cut off circulation nor stretch enough to slip. Then I test it some more, to feel the way it holds me immobile, to try my strength against it, to feel the gentle bite of the soft cotton into my forearms. Andrew is behind me, doing the same thing to my ankles. Finally, he lashes my elbows to my knees.
I'm trussed now, comfortable but off-kilter, keyed up but relaxed and pliant at the same time. I feel as though I'm melting into myself, held together by the ropes binding me and by the will of the man now kneeling behind me. I feel, suddenly, Andrew's tongue on my labia, soft and sweet as butter. He licks along my cunt, lavishing attention on my clitoris, not in a hurry, a little detached. I begin to make little moans, and he chuckles to himself.
"I almost forgot," he says. "This is for you, and also for our neighbors." And he holds a gag in front of me. It's big and brutal-looking, a slab of black silicone like a horse's bit attached to plain black straps. He buckles it loosely around my neck, goes to fit it into my mouth, and then changes his mind. "Sit up, as best you can," he says. I comply, my arms straining awkwardly. "Open your mouth." Suddenly his cock is in front of my mouth, and his torso is my whole field of vision. I open my mouth and take him inside.