Shelley Holmes is a Europol consultant detective on vacation to Edinburgh. Trouble follows and along the way she finds her Watson.
Inspired by various Sherlock Holmes modernisations.
***
"Shelley Holmes, huh? Are you meant to be some kinda female Sherlock, lass?"
"I'm not a private investigator, I'm a consultant detective," Holmes pulls the badge from the policeman's hands. "Europol. Says that right here."
The squinting Scot in the high-vis jacket peers bemusedly at the woman. "Europol, eh? What feckin' jurisdiction you got here? This is Edinburgh. We can handle our own business, thank-you-very-much lass."
"No jurisdiction whatsoever, Constable. I'm here to advise and observe. I wouldn't be here if we did not have reason to suspect the crime scene may have international implications," the woman explains, gradually becoming exasperated. The rain-slick street of identical, dour, semi-detached little grey houses was hardly the most cheerful sight. One particularly unremarkable one amidst the lot was now surrounded by police tape, a couple of squad cars perched against the curb just outside. Add to that an increasingly stubborn Scot, and Shelley Holmes' day was hardly looking pleasant.
"What feckin' international complications? Wee biddy shot her fella. Domestic homicide, happens all the feckin' time around these parts. The lads dinna have much else ta do 'cept rough up the poor lasses. Every now an' then one of 'em gets fed up. S'practically routine. The scene was called in b'the quine 'erself jes' two hours ago. What possible international consequences are you feckin' goin' on aboot?"
Without actually stepping into the house, the best Shelley can do is jam her palms against the doorframe on either side of the Scot and lean her head in over his shoulder. "Inspector Grisley, your fucking constable is getting on my fucking nerves. Will you get the fuck down here and let me in?"
Willard Grisley's appearance at the top of the stairs, behind the Scot, demonstrated a facial expression that was more the result of a conflux of a fairly wide variety of emotions rather than any one reaction in particular.
"Shelley Holmes," he clears his throat, gesturing for the woman to step inside. "Do come in. To what do I owe this unexpected..." he lets the sentence trail on.
Deciding to follow Grisley's approach to the situation and flat-out ignore the Scotsman, Holmes dutifully follows the invitation, squeezing past the rotund man in the high-vis. "Not the best sort of day to catch up, is it Grisley?" she looks up, folding away her umbrella and taking his hand for a firm shake, even though it was not offered as such.
The diminutive Europol consultant wears a fashionable and somewhat expensive-looking tweed jacket, now rather wet from being caught outside. The last time Grisley had seen her, the lanky little redheaded woman was a novice trainee at Scotland Yard, a mere four years ago, not overly long before he relocated his business to an adjacent country with, amazingly, even more mediocre weather than London.
She had never quite left the man's memory. Not least because of that memorable photo he still kept for keepsakes, wearing just undergarments and a deerstalker, an oversized magnifying glass cheekily pointed over the superintendent's crotch. It had been taken at the one staff Christmas party he'd caught her at before he left and, he strongly suspected, he was not the only officer of the law to still keep that picture around.
But Shelley Holmes now looks rather different to the perky young trainee his memory led him to believe he remembered. She's put a little meat on her bones, the clothes suggest a pay grade approaching his in only a fraction of the time it took the man himself to climb the ranks of the Met and, above all else, she's found a hair stylist that manages to work miracles on her notoriously unkempt curls.
"No," she tells him with a smirk.
"What?" Grisley's train of thought snaps back to the matters at hand, his gaze meeting the woman's eyes again.
"You're contemplating an affair with me to get back at your wife for cheating on you. It's a terrible idea, she's never had an affair herself, she just wanted to make you jealous. You drag me into bed, you'll ruin your own marriage like you fucked things up with Lindsey," the consultant detective sighs. "She's crying out for attention, for fuck's sake - not scorning you. Now... let's go see the damned body already."
Grisley takes a few moments to answer. "Good God, Shelley. You've really been practicing your Sherlock Holmes shtick after all, haven't you?" he mutters, stepping back to let the young woman past. She hurries along up the stairs, ignoring the remark. When he finds her, the woman is already stepping over the dead man's corpse, surveying the bedroom.
The place would have made Marquis de Sade squeal like a schoolgirl at a Bieber concert. An entire wall is decorated with implements of pain and pleasure, most of them the former. Many leather things, but some of them metal. Some of them metal and pointy and outright scary-looking.
Then there is the matter of the bed. Restraints - leather and metal both - had been affixed in every conceivable position. The traditional cotton sheets supplanted with a tight latex cover. By the foot of the bed stands a large metal kennel, its bottom padded with fluffy pillows and a dog bowl just in front, reading 'CUNT' in blocky letters.
"So hang on, whatcha doing here anyway?" Grisley wonders, leaning against the doorway, watching the woman work and staying out of her way for the time being. "Hell, where are you working these days? Didn't you leave the force?"
The woman leans down, smelling the latex sheet over the bed, her eyes darting around the room, scouring over every detail she can make out. The inspector's question does not rank high on that particular list of priorities, so she answers about a minute later, tossing her Europol badge at him.
"Huh, okay. Europol..." he turns it over in his fingertips. "Wait, okay... what?"
"The deceased, Martin Collins, presumed killed by his longterm partner, Patricia Ferguson, correct?" Holmes straightens up, pulling a pair of latex gloves out of her jacket.
"Yeah. We've got her in custody. She's pleading self-defence. Girl's in quite the state... so what's Europol..."
"Have your guys gotten you a background check on the happy couple yet?"
"Ah, no. Not yet. You know how it is, the amount of shit we have to take care of in a city like this... it's just a domestic homicide, we can let the courts take care of this one, no? Who cares what the two did for a living," he slides his hands meekly into his pockets.
"Well, you should have demanded it all the same. We got the notification about this case as soon as you lot updated the crime database," the redhead sits on the bed, legs crossed and flashing Grisley a stern, reprimanding look. "Ms. Ferguson is a government employee - Ministry of Defence, to be specific. But Collins, he is your real problem here. His death is not going to remain a small matter for the courts to settle, Inspector. I'm afraid I am to be only the first bearer of bad news for you today."
"What do you mean?" Grisley's eyes narrow, flicking from Shelley to the corpse, then back to Shelley.
"This body is of one Sergei Kostyakov. Former Russian media tycoon. He requested asylum and a new identity in the United Kingdom about eight years ago. The full details have not yet been disclosed, but it is needless to say the man has had... enemies."
"Fuck Holmes, you mean to say I may well have another Litvinenko on my hands?" at this prospect, the Inspector seems to grow rather more pallid, his brows furrowing with growing alarm.
"And killed by a Ministry of Defence official? Your investigation will make the evening news internationally - if not tonight, then tomorrow."
"But surely... how many people can possibly know this guy's real identity? If he's been hiding from the Russians for this long..."
"Oh Grisley, the press have their ways. And in a case like this, I imagine they'll get tipped off by someone pretty quick. They always do. You know how it goes."
The man has to look around carefully to find a seat on the crime scene he could occupy safely while he processed this information. "I need to escalate this, then," he remarks, giving Holmes a weary look.
"This has been escalated already, Grisley. It's what I'm here for," the woman retorts, walking back across to him and retrieving her Europol ID from the policeman's hands. "If you think you need more men to cover this..." she presses her lips together, "then fine, whatever. But give me a chance to get through the house without tripping over a dozen more Mr. Grumpies like the chap downstairs, alright?"
The nude man sprawls face down amidst the floor of the playroom, collapsed lifeless amidst a pattern of his own blood and brain matter. His physique is average - pale skin, late-to-middle age, balding hair and a chubby demeanour. Rather unusually for a man his age, he appears to be entirely hairless below the neck.
The physical details of the crime itself are easy for Shelley to reconstruct. The bullet entered the back of Kostyakov's skull, tore a fatal chunk out of his grey matter and proceeded to escape through his forehead. With no evidence of the body having been moved, it appears that he had been shot from the direction of the bed, the murder weapon having been left neatly on a nightstand: a tiny revolver with six empty chambers.